I am standing at the foot of Joe’s bed in the Worldlink Hospital.
Six days have passed since the attacks of 11 June. There are plastic
tubes running from valves on his wrists, a cardiac monitor attached by
pads to the spaces between the bruises and cuts on his chest.
‘What do you mean?’
‘Only a handful of people at Langley knew what Miles was up to.
Nobody else had the faintest idea what the hell was going on out here.’
‘Who told you this?’
‘Waterfield.’
Joe turns his head towards the window and looks out on another
featureless Shanghai morning. He has a broken collarbone, a fracture
in his left leg, a wound on his skull protected by loops of clean white
bandage.
‘How much do you know about all this?’ he asks, directing his eyes
into mine, and the question travels all the way back to our first months
in Hong Kong.
My name is William Lasker. I am a journalist. For fourteen years
I served as a support agent of the British Secret Intelligence Service.
For ten of those years, Joe Lennox was my handler and close friend.
Nobody knows more about RUN than I do. Nobody except Joe
Lennox himself.
He clears a block in his throat. His voice is still slow and uneven
from the blast. I offer him a glass of water which he waves away.
‘If the CIA didn’t know about Miles, they’ll be going through
every file, every email, every telephone conversation he ever made. They’ll
want answers. Heads are going to roll. David Waterfield can get you
those files. He has a source at Langley and a source in Beijing.’
‘What are you getting at?’
A nurse comes into the room, nods at Joe, checks the flow rate on
his IV drip. Both of us stop talking. For the past six days the
Worldlink has been crawling with Chinese spies. The Ministry of State
Security will be keeping a record of everybody who comes in and out of
this room. The nurse looks at me, seems to photograph my face with a
blink of her eyes, then leaves.
‘What are you getting at?’ I ask again.
‘They say that every journalist wants to write a book.’ Joe is smiling
for the first time in days. I can’t tell whether this remark is a statement
or a question. Then his mood becomes altogether more serious. ‘This
story needs to be told. We want you to tell it.’