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Nigel Hinton

Nigel Hinton

Whether you are looking for fantasy adventures for the 8-12s or compelling teenage fiction, award-winning Nigel Hinton is your man.

Visit Nigel Hinton's website.

THE BASICS
Born: London, September 28th 1941
Jobs: Advertising Account Executive, Swimming Pool Attendant, Teacher, Actor
Lives: East Sussex
First Book for Young People: Collision Course, 1974

THE BOOKS
Reading, cinema and rock music were of considerably more interest to the teenage Nigel Hinton than his schoolwork. Nigel has combined those passions and achieved success writing popular, prize-winning fiction both for the 8-12 year-old age range and for teenagers.

Nigel's first novel, Collision Course, was written during his nine year career as a teacher and began as a story to tell in class. Although he no longer teaches, Nigel frequently visits schools to talk about his books and test out reactions to new material.

One of the trademarks of Nigel’s writing is a distinctive brand of fantasy. In the Beaver Towers series of adventures, Philip and his friend Baby B must combat the wicked witch Oyin. In The Finders, Rosie agrees to post a parcel for a stranger, only to find herself spellbound by its contents. Out of the Darkness, for older readers, is the story of two young people born on the same day but thousands of miles apart. Liam and Leila may be leading very different lives, but their destinies are inextricably bound.

In the best-selling Buddy trilogy, Nigel follows the fortunes of a teenage boy with an ambition to be a rock star. Buddy was adapted for BBC Schools TV. When the sequel, Buddy's Song, was made into a film, Nigel wrote not only the screenplay but nine of the songs included on the soundtrack (remember The One and Only sung by Chesney Hawkes?).

WHAT HE SAYS...
"I wrote my first book when I was thirty-three. I thought that I was just writing a story to read to a class I was teaching but instead of being about ten pages long as I had expected, it turned out to be hundreds of pages long."

"On the whole I disliked school and always felt out of place there. I was much more interested in reading and going to the cinema as often as I could - I once managed to see seven different films in one week."

"My first concern as a writer is to make sure that readers want to keep reading to the end of the book."

"As I write I 'see' each scene of the story like a film inside my head. Most of the time the characters are doing what I tell them to but they often also do things that I hadn't expected, or I 'see' something that makes me change what I'd originally started to do."

"The central characters in my books (for teenagers)... tend to be people who, like me, are trying to understand themselves. They are people who look at the conflicting emotions and random thoughts that race across their brains and who wonder what the real 'I' is in the middle of all that."

WHAT THEY SAY ABOUT NIGEL HINTON...
"Hinton is clever at mixing spookiness with gentle satire." Independent on Sunday

"Compassionately written, genuinely moving... highly recommended." School Librarian on Buddy

"A tough, penetrating, and finally optimistic book." British Book News on Buddy

"A fast moving and absorbing story of breaking free and staying loyal." TES on Buddy's Song

"A marvellously original story, both spooky and comical." Northern Echo on The Finders

"(The Finders is) a spooky, engrossing spine chiller." 100 Best Books 1995 (Young Book Trust)

"The plot is pacey and unpredictable... I really could not put it down." The Bookseller on Out of the Darkness

"In Out of the Darkness, Nigel Hinton has written a fast-moving, nail-biting, romantic adventure." TES

“A moving and thought-provoking tale.” Federation of Children’s Book Groups’ Pick of the Year on Out of the Darkness

“A gripping read with a strong plot… very exciting with moments of real suspense and fear.” School Librarian on Out of the Darkness

AWARDS
Silver Pen Award (Holland) for Collision Course
Shortlisted for the Carnegie Medal for Buddy
The Children's Book Award (Shorter Novels category) 1994 for The Finders
The Lancashire Children's Book of the Year 1999 for Out of the Darkness

DATE OF BIRTH:
28 September 1941

FAVOURITE BOOK:
Great Expectations by Charles Dickens

MOST TREASURED POSSESSION:
My record and tape collection

FAVOURITE SONG:
'Mr Tambourine Man' by Bob Dylan

FAVOURITE FILM:
The 400 Blows

When did you start writing?
I wrote my first book when I was thirty-three. I thought I was just writing a story to read to a class I was teaching but instead of being about ten pages long as I had expected, it turned out to be hundreds of pages long. I read it to my class and they encouraged me to try to get it published.

Where do you get your ideas?
I don't really know. I don't get them from obvious places like newspapers or TV or something I see happen on the street. An idea might swim into my head. For example, if you had a big enough kite could you be lifted up by it? Once I have that idea I can make other ideas come by asking questions if a boy gets carried away on a kite, where does he go? I might come up with the answer: he goes to an island. I then ask, Who is on the island? Bit by bit I build up a story with the answers to my questions.

Can you give your top three tips to becoming a successful author?
1. Read and read and read and read and read - you pick up how books are written by reading books and seeing how other people write.
2. You must try to see what you are writing about - a bit like dreaming.
3. You must try to feel what it is you're writing about and what you want your readers to be feeling.

Favourite memory?
Sitting on a cross-channel ferry. The sun was shining and the boat was bumping and juddering across the waves sending spray up into the air. I was fifteen and was going to France on holiday with my best friend. It was my first holiday without my parents and the feeling of excitement and freedom was tremendous.

Favourite place in the world and why?
Cassis in France. It has a beautiful little harbour and I love sitting at one of the waterside restaurants eating and drinking while watching the boats gently rocking on the Mediterranean.

What are your hobbies?
Swimming, listening to music, playing guitar, reading, cinema, walking, cycling, bird-watching.

If you hadn't been a writer, what do you think you would have been?
I might have stayed in teaching, or I might have been an actor. E-mail Nigel Hinton at hintonn@twins.co.uk.

How did you become a children’s author
I thought I’d give teaching a few years and I really started writing while I was there. One day I was teaching a class and we were reading a really boring book and I mucked about and said ‘This book is awful, I hate this book’. One of my pupils said ‘You shouldn’t say things are awful unless you can do them better yourself’ so I took up the challenge and wrote a story over the Easter holidays. If filled eight English exercise books! I read it to my class and they said it was really good which gave me the confidence to start writing seriously.

How did you come up with the idea for Beaver Towers?
Basically I got the idea one day when I went round to see a friend of mine who had two awful twin boys – everybody called them the terrible twins! My friend and I were in the kitchen and these two boys were skateboarding down the stairs. My friend was furious and said ‘I hope the next craze they have is something they’ve got to do out of doors like flying a kite’. I thought about the idea of flying a kite. I remember getting one as a kid and losing it on the first day I went out flying with it. At the time I remember wondering where it could have gone. The idea of a kite and a boy flying away just all seemed to fall into place and the story started to develop. I thought about where he could go on this kite and I loved it in books when people went to strange and mysterious islands. So it all started with someone mentioning a kite and me thinking ‘Yeah, that might make a good story’.

Towards the end of the series, Philip, Baby B and Nick learn to think-talk – do you believe it’s possible to communicate through the power of mind?
I do suspect that in many thousands of years human beings will develop the capacity to do things that we’re not aware of at the moment. I think we understand almost nothing of how things work and we only know what we can see and feel and touch. We know for example that dogs can hear more than we can and that if you look under a microscope you see more than you can with just your eyes. The way we see the world is only through limited senses and if we could see the world with other senses we would understand it in a completely different way. One of the senses that would be worth having would be immediate communication between people over long distances. What I suggest in The Dangerous Journey and The Dark Dream is that this ability is a very powerful one and it shouldn’t be misused.

How do you set about writing a book?
It’s difficult because every book is a different experience. Once I have a starting point I often write down that first idea and then ask questions about it. By doing this you can make other ideas come along and in doing so construct a story. Stories never come complete, so bit by bit you have to work out the rest. It’s like setting off across the ocean – you know there are various islands that you’re going to hop to and from but you don’t know much about the little sailing bits in between. The fascinating thing is that when I start to write, it’s as though something else takes over and the idea I’ve got already is like a magnet and the rest of the details just come flying onto it. I’m often amazed by what I’m writing down!

Do you try to convey any particular messages to young people in your books?
I’ve always thought books have a responsibility for telling people what is best about us as human beings. I love the fact that in the Beaver Towers series a group of animals lead by Philip are facing dangers, like Oyin the Witch and being kind and loyal to each other too. At the end of the second Beaver Towers book – The Witches Revenge – the temptation the Oyin give Philip is to leave Beaver Towers and save himself, to think only about himself and forget Baby B who has got himself into trouble. It’s the goodness in Philip that say’s ‘No, he’s my friend and I can’t let him go’. I do believe that the best books always carry something extra, not just a story but ways of helping you develop and grow.

What advice would you give to budding young authors?
There are three things that I think are really essential to writing. One is if you’re serious you have to read a lot because that’s how you learn how to write – by seeing what other people do. Ask yourself questions like Why did I like that chapter? and What was good about that book? and then try and have a go yourself. Next, I think you have to picture your ideas in your mind. Try to imagine what your characters look like and how they behave. The third thing you have to do when you’re writing is think about the emotions your characters are thinking and try and make yourself feel then too. I try to give emotions to words that I’m writing on the page.

Can you describe the room in which you write?
It’s a very small room about twelve feet long and only about four feet wide right at the top of my house. There’s one window so my desk isn’t there, otherwise I’d be looking out of it all the time! I’ve got lots of books on shelves behind me, a mini hi-fi system with lots of CDs, my guitars and pictures of people that matter very much to me.

What do you think makes a children’s book successful?
I think you have to have a strong, gripping story – a real page-turner. I really believe in that but at the same time I think your heart has got to be in the book. You have to believe in what you’re writing and give the very best of yourself and really care about what you are doing. I’m constantly aware of the reader and thinking how can I make reading my book an enjoyable experience.

What books did you enjoy as a child?
My earliest memory of books was being read Winnie the Pooh and it used to make me laugh like a drain. The funny thing is I now live on the Ashdown Forest about half a mile away from where A.A.Milne wrote the books and sometimes I take people to see Pooh Bridge. The thing about books like Winnie the Pooh is that you never tire of them. Now I look at those animals and I realize they represent so much truth about what humans are like. There’s a bit of me that’s like Piglet and a bit of me that’s like grumpy old Eeyore!

What do you do in you spare time?
I’m crazy about music – I love Bob Dylan and play the guitar very badly! I read a lot, go to the cinema and like walking, swimming and bird watching.

Do you surf the Internet?
I’m really into the Internet and I love using e-mail. I can write an e-mail to my friend in San Francisco just like that. It’ like secretly passing notes to your mates at the back of the class!

What are your ambitions?
I’d like to write the greatest books ever written!

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