In the darkly comic novel The Believers, Zoë Heller, author of Notes on a Scandal, explores a family pushed to its limits.

When Audrey makes a devastating discovery about her husband, New York radial lawyer Joel Litvinoff, she is forced to re-examine everything she thought she knew about their forty- year marriage. Joel’s children will soon have to come to terms with this unsettling secret themselves, but for the meantime, they are trying tot cope with their own dilemmas.

Rosa, a disillusioned revolutionary, is grappling with a new found attachment to Orthodox Judasism. Karla, an unhappily married social worker, is falling in love with an unlikely suitor at the hospital where she works. Adopted brother Lenny is back on drugs again.

In the course of battling their own demons and each other, every member of the family is called upon to decide what – if anything – they still believe in.

‘One of the outstanding novels of the year’ Peter Kemp, Sunday Times

‘One of only two British novelists whose work you wouldn’t want to miss’ David Hare, Guardian, Books of the Year

‘A dark beautiful drama. Heller has got the stuff we look for in our best novelists: the sentences, the constant drift towards truth’ Joseph O’Neill, Guardian, Books of the Year

Zoë Heller has written three darkly comic novels: The Believers, Notes on a Scandal (shortlisted for the 2003 Man Booker Prize) and Everything You Know. The 2006 film adaptation of her bestselling novel Notes on a Scandal, starring Cate Blanchett and Judi Dench, received four Oscar nominations.

» Read the prologue and first chapter of The Believers by downloading the Penguin Taster here

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Prologue

London, 1962

At a party in a bedsit just off Gower Street, a young woman stood alone at the window, her elbows pinned to her sides in an attempt to hide the dark flowers of perspiration blossoming at the armholes of her dress. The forecast had been for a break in the week-long heatwave, but all day the promised rain had held off. Now, the soupy air was crackling with immanent brightness and pigeons had begun to huddle peevishly on window ledges. Silhouetted against the heavy, violet sky, the Bloomsbury rooftops had the unreal, one-dimensional look of pasted-on figures in a collage.

The woman turned to survey the room, wearing the braced, defiant expression of someone trying not to feel her solitude as a disadvantage. Most of the people here were students and, aside from the man who had brought her, she knew no one. Two men had separately approached her since she had been standing at the window, but fearful of being patronized she had sent them both away. It was not a bad thing, she told herself, to remain composed on the sidelines while others grew careless and loud. Her aloofness, she fancied, made her intriguing. For sometime now, she had been observing a tall man across the room. He looked older than the other people at the party. (Casting about in the exotic territory of old age, she had placed in him in his early thirties.) He had a habit of massaging his own arms, as if discreetly assessing their muscularity. And from time to time, when someone else was talking, he raised one leg and swung his arm back in an extravagant mime of throwing a ball. He was either very charming or very irritating: she had not yet decided.

‘He’s an American,’ a voice said.

Audrey turned to see a blonde woman smiling at her slyly. She was wearing a violently green dress and a lot of recklessly applied face powder that had left her nose and chin a queer orange colour quite distinct from the rest of her complexion. ‘A lawyer,’ she said, gesturing across the room at the tall man. ‘His name’s Joel Litvinoff.’

Audrey nodded warily. She had never cared for conspiratorial, female conversation of this sort. Its assumption of shared preoccupations was usually unfounded in her experience, its intimacies almost always the trapdoor to some subterranean hostility.

The woman leaned in close so that Audrey could feel the damp heat of her breath in her ear. The man was from New York, she said. He had come to London as part of a delegation, to brief the Labour Party on the American civil rights movement. ‘He’s frightfully clever, apparently.’ She lowered her eyelids confidentially. ‘A Jew, you know.’

There was a silence. A small breeze came in through the gap in the window where it had been propped open with books. ‘Would you excuse me?’ Audrey said.

‘Oh!’ the woman murmured as she watched Audrey walk away.

Pressing her way through the crowd, Audrey wondered whether she had dealt with the situation correctly. There was a time when she would have lingered to hear what amusing or sinister characteristic the woman attributed to the man’s Jewishness – what business acumen or frugality or neurosis or pushiness she assigned to his tribe – and then, when she had let the incriminating words be spoken, she would have gently informed the woman that she was Jewish herself. But she had tired of that party game. Embarrassing the prejudices of your countrymen was never quite as gratifying as you thought it would be; the countrymen somehow never embarrassed enough. It was safer on the whole, to enjoy your moral victory in silence and leave the bastards guessing.

Audrey halted now at the sound of someone calling her name. Several yards to her left, a stout red-haired youth was standing between two taller men in an unwitting turret formation. This was Martin Sedge, her date for this evening. He was waving and beckoning, making little smoky swirls in the air with his cigarette: ‘Audrey! Come over here!’

Audrey had met Martin three months before, at a conference of the socialist Labour League in Red Lion Square. Despite being one year her junior, he was much more knowledgeable about political theory – much more experienced as an activist – than she was and this inequality had given their friendship a rather pedagogical cast. They had been out together four times, always to the same rather grimy pub round the corner from where Audrey worked, and on each of these occasions their conversation had swiftly lapsed into tutorial mode, with Audrey sipping demurely at her shandy, or nibbling at a pickled egg, while Martin sank pints of beer and pontificated.

She did not mind being talked at by Martin. She was keen to improve herself. (On the flyleaf of the diary she was keeping that year, she had inscribed Socrates’ words: ‘I know nothing except the fact of my ignorance.’) There was a girlish, renunciatory streak in her that positively relished Martin’s dullness. What better proof could there be of her serious-mindedness – her rejection of the trivial – than her willingness to spend the spring evenings in a saloon bar, absorbing a young man’s dour thoughts on the Fourth International?

Tonight, however, Martin seemed at pains to cast off his austere instructor’s persona. In deference to the weather, and to the festive nature of the occasion, he had foregone his pilled Shetland jumper in favour of a short-sleeved shirt that revealed his pink, ginger-glazed forearms. Earlier in the evening, when he had met Audrey at Warren Station tube station, he had kissed her on the cheek – a gesture never hazarded before in the short history of their acquaintance.