Having made the U.S. financial crisis comprehensible for us all in The Big Short,
Michael Lewis realised that he hadn't begun to get grips with the full story. How exactly
had it come to hit the rest of the world in the face too? Just how broke are we really?
Boomerang is a tragi-comic romp across Europe, in which Lewis gives full vent to
his storytelling genius. The cheap credit that rolled across the planet between 2002 and
2008 was more than a simple financial phenomenon: it was temptation, offering entire
societies the chance to reveal aspects of their characters they could not normally afford to
indulge.
Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to
turn their country into a piñata stuffed with cash and allow as many citizens as possible to
take a whack. The Irish wanted to stop being Irish. The Germans wanted to be even more
German. Michael Lewis's investigation of bubbles across Europe is brilliantly, sadly
hilarious. He also turns a merciless eye on America: on California, the epicentre of world
consumption, where we see that a final reckoning awaits the most avaricious of nations too.
This is the ultimate book of our times. It's time to brace ourselves for impact. And,
with Michael Lewis, to laugh out loud while we're doing it.
» Read the first pages of Boomerang by downloading the Penguin Taster here
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‘This is the best financial book of the year… [Michael Lewis is] a brilliant
journalist, getting extraordinary access to public figures in countries such as Ireland
and Greece who confess their fiscal sins to him in a way that no other writer has come
close to achieving. I'm very jealous,’ The Sunday Times
‘Michael Lewis possesses the rare storyteller's ability to make virtually any subject
both lucid and compelling,’ Michiko Kakutani Michael, The Scotsman
‘We can now see that what once seemed fiendishly difficult was in fact fiendishly
simple… [Lewis is] determined to cut through the forest of dull subplots to get to the
action,’ Andrew Anthony, The Observer
‘He is able to tell lively, vivid tales on dry, opaque subjects like baseball
statistics and high yield bond trading because he illuminates them through the stories of
extraordinary individuals, mavericks, oddballs and misfits almost to a man. Lewis has
managed to inveigle his way into the lives of so many of his characters - to possess them,
even, in the way a fiction writer might possess his creations,’ Stephen Foley, The
Independent
‘Lucid, entertaining expositions of complicated financial subjects,’ Tony Barber,
Financial Times
‘Predictably excellent and strikingly up to date,’ Simon English, Evening
Standard
‘Far from being depressing, it's a hilarious romp that will have you laughing out loud
at the great one liners that just say it all… highly entertaining and perceptive,’
Siobhan Creaton, Belfast Telegraph Morning
‘Boomerang is one of the most spectacularly well-timed books in recent publishing
history, and Lewis is rapidly becoming one of America's most successful modern writers,’
Paul Harris, The Guardian
‘Most people who write well don't understand money, while most people who understand
money can't write. Lewis … is that rare combination: a fellow who can not only tell you
what a collateralised debt obligation actually is, but make it sound amusing into the
bargain’
Robert Harris, The Sunday Times
‘So just how bad is the state of the Western economy right now? If you'd rather not
know, then I seriously wouldn't recommend Boomerang, the latest tour de force from Wall
Street banker turned bestselling financial author Michael Lewis,’ James Delingpole,
The Mail on Sunday
The Secret Lives of Germans
By the time I arrived in Hamburg, in the summer of
2011, the fate of the financial universe seemed to turn
on which way the German people jumped. Moody’s was
set to downgrade the Portuguese government’s debt to junk
bond status, and Standard & Poor’s had hinted darkly that Italy
might be next. Ireland was about to be downgraded to junk
status, too, and there was a very real possibility that the newly
elected local Spanish governments might seize the moment
to announce that the former local Spanish governments had
miscalculated, and owed foreigners a lot more money than
they previously imagined. Then there was Greece. Of the
126 countries with rated debt, Greece now ranked 126th: the
Greeks were officially regarded as the least likely people on
the planet to repay their debts. As the Germans were not
only the biggest creditor of the various deadbeat European
nations but their only serious hope for future funding, it was
left to the Germans to act as moral arbiter, to decide which
financial behaviors would be tolerated and which would not.
As a senior official at the Bundesbank put it to me, “If we
say no, it’s no. Nothing happens without Germany. This is
where the losses come to live.” Just a year ago, when German
public figures called Greeks cheaters, or German magazines
ran headlines like Why Don’t You Sell Your Islands,
You Bankrupt Greeks?, ordinary Greeks took it as an
outrageous insult. In June of 2011 the Greek government
started selling islands, or at any rate created a fire-sale list
of thousands of properties—golf courses, beaches, airports,
farmlands, roads—that they hoped to auction in order to
help repay their debts. It’s safe to say that the idea of doing
this had not come from the Greeks.
To no one but a German is Hamburg an obvious place
to spend a vacation, but it happened to be a German holiday,
and Hamburg was overrun by German tourists. When I
asked the hotel concierge what there was to see in his city, he
had to think for a few seconds before he said, “Most people
just go to the Reeperbahn.” The Reeperbahn is Hamburg’s
red-light district, the largest red-light district in the world,
according to one guidebook, though you have to wonder
how anyone figured that out. And the Reeperbahn, as it happens,
was why I was there.
Perhaps because they have such a gift for creating difficulties
with non-Germans, the Germans have been on the
receiving end of many scholarly attempts to understand their
collective behavior. In this vast and growing enterprise a
small book with a funny title towers over many larger, more
ponderous ones. Written in the early 1980s by a distinguished
American anthropologist named Alan Dundes, Life Is Like a
Chicken Coop Ladder set out to describe the German character
through the stories that ordinary Germans liked to tell
one another. Dundes specialized in folklore, and in German
folklore, as he put it, “one finds an inordinate number of
texts concerning Scheisse (shit), Dreck (dirt), Mist (manure),
Arsch (ass). . . . Folksongs, folktales, proverbs, riddles, folk
speech—all attest to the Germans’ longstanding special
interest in this area of human activity.”
He proceeded to pile up a shockingly high stack of evidence
to support his theory. There’s a popular German folk
character called der Dukatenscheisser (The Money Shitter), who
is commonly depicted crapping coins from his rear end.
The world’s first museum devoted exclusively to toilets is in
Munich. (A second has opened in New Delhi.) The German
word for “shit” performs a vast number of bizarre linguistic
duties—for instance, a common German term of endearment
once was “my little shitbag.” The first thing Gutenberg
sought to publish, after the Bible, was a laxative timetable he
called a “Purgation-Calendar.” Then there is the astonishing
number of anal German folk sayings. “As the fish lives in
water, so does the shit stick to the asshole!,” to select but one
of the seemingly endless examples.
Dundes caused a bit of a stir, for an anthropologist, by
tracking this single low national character trait into the most
important moments in German history. The fiercely scato-
logical Martin Luther (“I am like ripe shit and the world is
a gigantic ass-hole,” Luther once explained) had the idea
that launched the Protestant Reformation while sitting
on the john. Mozart’s letters revealed a mind, as Dundes
put it, whose “indulgence in fecal imagery may be virtually
unmatched.” Hitler’s favorite word was Scheisskerl (shithead):
he apparently used it to describe not only other people
but himself as well. After the war Hitler’s doctors told U.S.
intelligence officers that their patient had devoted surprising
energy to examining his own feces; and there was pretty
strong evidence that one of his favorite things to do with
women was to have them poop on him. Perhaps Hitler was
so persuasive to Germans, Dundes suggested, because he
shared their quintessential trait, a public abhorrence of filth
that masked a private obsession. “The combination of clean
and dirty: clean exterior–dirty interior, or clean form and
dirty content—is very much a part of the German national
character,” he wrote.
Dundes confined himself mainly to the study of low German
culture. (For those hoping to examine coprophilia in
German high culture he recommended another book, by a
pair of German scholars, called The Call of Human Nature: The
Role of Scatology in Modern German Literature.) Still, it was hard
to come away from his treatise without the strong sense that
all Germans, high and low, were a bit different from you and
me—a point he made in the introduction to the paperback
version of his book. “The American wife of a German-born
colleague confessed to me that she understood her husband
much better after reading the book,” he wrote. “Prior to that
time, she had wrongly assumed that he must have some kind
of peculiar psychological hang-up inasmuch as he insisted
upon discussing at great length the state of his latest bowel
movement.”
The Hamburg red-light district had caught Dundes’s eye
because the locals made such a big deal of mud wrestling.
Naked women fought in a ring of filth while the spectators
wore plastic caps, a sort of head condom, to avoid being
splattered. “Thus,” wrote Dundes, “the audience can remain
clean while enjoying dirt!” Germans longed to be near the
shit, but not in it. This, as it turns out, is an excellent description
of their role in the current financial crisis.