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Introduction Adam Nicolson's homage to a new
life is set to become a modern classic of rural England. Funny, poetic,
ironic
and wise, this is a profoundly moving and beautifully crafted book about his
search for the rural idyll.
A particularly savage mugging in London
was the catalyst for his move in
search of a rural Arcadia. And so, without
knowing one end of a hay baler from
the other, Adam Nicolson escaped with his family to a run-down farm in the
Sussex Weald. What he found was a mixture of intense beauty and profound
chaos. Over the three years that the book describes, he struggled with
dockleaves, spring flowers, bloody-minded sheep, his neighbours, his woods
and
his fields, before eventually arriving at some kind of equilibrium.
Perch Hill traces the growing intimacy between a man and his chosen place,
his love affair with it and his frustrations with its intractable realities.
As an attempt to live out the pastoral vision, it makes one heartfelt pleas:
we should never abandon our dreams.
Biography
Adam Nicolson is the son of Nigel
Nicolson and the grandson of Harold
Nicolson and Vita Sacville-West. He was
brought up at Sissinghurst Castle in
Kent. As a boy, he spent many holidays in Scotland, where his father owned a
tiny West Coast island. On his eighteenth birthday, Adam was given the
island
by his father and has owned it ever since. For most of this summer, he has
been living there, living in its sole house, an old stone cottage without
electricity or running water, and spending his time discovering all that he
could about the place. He has helped excavate a Viking grave, scuba-dived to
look at the rich marine life, been whale-watching and bird-watching. He is
an
award-winning writer and journalist. His books include the National Trust
Book
of Long Walks, Frontiers, which won the Somerset Maugham Prize in 1985, and
Restoration, which tells the story of the rebuilding of Windsor Castle. For
four years he wrote 'The View From Perch Hill' column in the Sunday Telegraph
Magazine, although he finished writing it earlier this year. His latest
book,
Perch Hill: A New Life, has been short-listed for the Country Life Book of
the
Year Award. He is married to the writer and horticulturist Sarah Raven, and
they live at Perch Hill Farm in the Sussex Weald, with their
children. Reviews
"Beautifully descriptive, passionate, candid, more knowledgeable than you
may realise, and has a lot of heart." Paul Theroux
"A delight:
beautifully written, acutely observed and laced with
self-mockery."
Jonathan Dimbleby, The Times
Extract
That summer burned. The south of England was bleak with heat. Cars
along the lane raised a floury dust in their wake. The cow parsley and the
trees in the hedges were coated with it like loaves in a bakery. The streams
were dry coming off the hill and the river in the trench of the valley was
little more than a gravel bed across which a line of damp had been drawn,
connecting the shrunken pools.
I spent long days down there in the
dark, deep shade of the riverside trees.
The valley felt enclosed, a place
apart, and secrecy gathered inside it.
Rudyard Kipling lived here for the second half of his life - he bought
Bateman's, a large seventeenth century ironmaster's house just below the last
of our fields, in 1902 - and the whole place remained haunted by his memory.
Everywhere you went, he had already described. It was here, among the hidden
constrictions of the valley where, in Kipling's wonderful phrase, 'wind
prowling through woods sounds like exciting things going to happen' that I
felt
most in touch with where I had come to live.
It was a pathless place,
or at least the only paths were the old deeply
entrenched roads, never
surfaced, which dropped from the ridge to the south,
crossed the river at gravelly fords and then climbed through woods again to
the
ridge on the other side. They were the only intrusion in what felt like an
abandoned world. The woods were named - Ware's Wood, Hook Wood, Limekiln
Wood,
Stonehole Wood, Great Wood, Green Wood - but it felt as if no one had been
here
for half a century.
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