There’s something liberating about creating flash fiction. Writing a story of under a thousand words, or even one as short as a sentence or two can often let you be more creative. It can spin off in any crazy direction, there isn’t space for too much description or character development, and the limited word count means the reader’s imagination has to play a big part too.

Here are my top twelve tips to get you started with writing flash fiction...

1. Set yourself a word limit and keep to it.

2. If you’re stuck with how to begin get a friend to write down the name of a relative (e.g. My Great Uncle Claude, or My second cousin’s husband Tim), and a place they’ve never been to. Use these two bits of information to start your story.

3. Write your first draft knowing no one else will read it. Be as creative and crazy as you like. Have fun.

4. Write your first draft long. If your word limit is 100, write 150 or 200 words.

5. Try to write a story with a beginning, middle and end.

6. Twists are always good in flash fiction, but don’t treat the ending like a punchline. You’re not writing a gag.

7. Writing the first draft should be one third of your overall time. The remaining two thirds should be spent revising and editing.

8. Be ruthless when editing. Cut adverbs (and not only those ending in ly, but almost, rather, often, just etc), adjectives, and whole sentences and paragraphs where necessary.

9. Be specific with your language. Ambled, rather than walked slowly. Oak, rather than tree. Starlings rather than birds.

10. Make sure every single word earns its place in your story.

11. Read your piece aloud to yourself and then to someone else (it’s amazing how much an audience makes you want to edit some more).

12. Put your story away for a week or a month, and then read and edit it again.

  • Our Endless Numbered Days


    An imaginative, mysterious modern fairytale from the Women's Prize-shortlisted author of Unsettled Ground

    1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change.

    Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remote European forest. There he tells Peggy the rest of the world has disappeared.

    Her life is reduced to a piano which makes music but no sound, a forest where all that grows is a means of survival. And a tiny wooden hut that is Everything.

    'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue' The Times

    'Bewitching . . . a rivetingly dark tale' Sunday Express

    'Extraordinary . . . From the opening sentence it is gripping' Sunday Times

  • Buy the book
  • Swimming Lessons

  • The second novel from the Women's Prize-shortlisted author of Unsettled Ground explores the mysterious truths of a troubled marriage and the ripples it creates.

    'Gil Coleman looked down from the window and saw his dead wife standing on the pavement below.'

    Twelve years ago Flora's mother Ingrid disappeared, vanishing from a Dorset beach, presumed drowned. Everyone - especially her sister and father Gil - believes Ingrid is long dead. Everyone, except Flora. So when she hears that her father has had an accident, and is insisting that he saw his wife, Floral rushes home.

    But the answers she seeks are nowhere to be found - only further questions:

    Is Ingrid dead? Or did she leave? And do the letters hidden within Gil's books hold the answer to the truth behind his marriage, a truth hidden from everyone including his own children?

    'Thrilling, transporting, delicately realised and held together by a sophisticated sense of suspense' Sunday Times

    'Assured, multi-layered, wellcrafted, compelling, excellent' Mail on Sunday

    'A beautifully told story of motherhood, marriage and infidelity' Good Housekeeping

    *A Richard and Judy Book Club Pick*

  • Buy the book

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