I’ve been waiting on the Black Panther film since I saw Captain America: Civil War in 2016. I’ve always been a comic book fan and have indulged my love with the movies over the years. So when it was released in February, I walked into the cinema excited to see what the latest Marvel offering would bring . . . and walked out two-and-a-half hours later, a woman transformed. Black Panther went way beyond descriptions such as ‘good’ or ‘brilliant’; it wasn’t simply ‘fun’ or ‘exciting’, it gave me something. It gave me understanding.
Understanding of what it’s like to sit and watch a female hero – well, four of them – who looked like me.
I think it’s very difficult for people who as a default see themselves reflected in society and culture to understand why it feels so incredible to view a film or read a book and discover that person looks like you. I also think it’s hard for those who are regularly portrayed as multi-dimensional beings – the hero, the love interest, the complicated villain, the wise advisor, the heartless siren, the kooky beauty, etc. – to understand what it’s like for us who don’t have that happen very often.
'More often than not, black women and women of colour are the sassy sidekicks, the aggressive interloper, the hyper-sexualised antagonist, the need-to-be-rescued victim.'
More often than not, black women and women of colour are the sassy sidekicks, the aggressive interloper, the hyper-sexualised antagonist, the need-to-be-rescued victim. On those rare occasions when we are at the centre of the story, it isn’t about us in all our complex glory, it is about how badly we’re treated by society, it is about the effect of other people’s racism on us and how the other person grows as a result of it. Don’t get me wrong, those things do affect us and are part of our lives, but it’s not all we’re about. And because of people are rarely shown that, we’re seldom allowed to be the face of a story that is about the universal human experience; hardly ever given the opportunity to be every-woman. This is what Black Panther did. It had multi-dimensional women who had backstories, flaws, strengths, vulnerabilities; hopes and dreams, loves and losses.
I came out of the cinema beaming. For me, Black Panther is a true feminist movie because it gives the female characters their rightful respect as equals to the men in the story and truly celebrates the strength and brilliance of all women.
General Okoye is in charge of the elite, all-female fighting force called the Dora Milaje who are sworn to protect the King of Wakanda. She’s loyal and strong, but also funny and vulnerable. She is put in an impossible situation when the throne is challenged.
The Spy (and love interest)
Nakia is a spy who loves her country but wants to help the world. She’s beautiful and clever, as well as wise and stubborn. She wants to change the world and knows she can’t do it by staying with the isolated confines of Wakanda.
Shuri is the sister of the king and she is so far from what we’ve come to expect from movie princesses. The Kingdom of Wakanda is highly advanced and she is behind most of it – creating some of the best tech anyone has seen. She also has some of the funniest lines in the whole film.
Ramonda is the mother of T’Challa (Black Panther) and Shuri (the genius). She’s struggling to deal with the murder of her husband while supporting her son as he takes over as the king. She is fiercely protective of her children and country, but is she hiding a devastating secret?
If you do check out Black Panther and decide you want to read more fiction about black women and women of colour who are multi-faceted and real, then pick up books by Malorie Blackman, Lola Jaye, Irenosen Okojie, Sareeta Domingo, Anne John Ligali, Patrice Lawrence, Rasheda Malcolm, Frances Mensah Williams, Buchi Emechata to name just a few authors who prove there is more to black women and women of colour than the current narrative allows.
More about the author
What secrets would you kill to keep?
After her husband’s big promotion, Cece Solarin arrives in Brighton with their three children, ready to start afresh. But their new neighbourhood has a deadly secret.
Three weeks earlier, Yvonne, a very popular parent, was almost murdered in the grounds of the local school – the same school where Cece has unwittingly enrolled her children.
Already anxious about making friends when the parents seem so cliquey, Cece is now also worried about her children’s safety. By chance she meets Maxie, Anaya and Hazel, three very different school mothers who make her feel welcome and reassure her about her new life.
That is until Cece discovers the police believe one of her new friends tried to kill Yvonne. Reluctant to spy on her friends but determined to discover the truth, Cece must uncover the potential murderer before they strike again . . .
From the bestselling author of That Girl from Nowhere and When I Was Invisible comes a thrilling new novel that will have you questioning the line between right and wrong.
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