Between a Mother and Her Child is the heart rending story of a family torn apart by grief. Read the novel's intriguing prologue below
The dream, the one she had dreamt most nights for many, many months, always started out the same way. She sometimes thought she started dreaming it before she was even asleep. Willed herself into it, in some twisted, masochistic way. Sometimes it could even seem comforting, when it began, when it started. Familiar and warm, sound muffled, the world far away. She wondered if she thought, each time, that it might end differently. But it never did. Like an amnesiac, as though each night was the first, she forgot that the gentle, soothing start inevitably gave way to something much darker.
When she’d been a young girl, back in Australia, she and her brother and sister had often slept, on hot summer nights, on the family’s ancient deck boat. It was their thing. Their mum had kept some old sleeping bags and pillows on board, the faint scent of mildew mingling with her fabric softener on worn cotton pillowcases, utterly comfortable and familiar. The gentle rocking, small waves lapping against the hull, had been her favourite way to fall asleep. Her childhood lullaby.
In the dream, she was swimming. It had always been her favourite thing to do. It had always been what she did best. Her dad had called her Goldie. It made no sense to people – Maggie’s hair was espresso dark – unless you knew that it was short for Goldfish. Because she swam like one, he said.
She loved to swim. In the dream, right at the start, she clearly felt the surge of joy she was familiar with in water. Strong, confident, able. Her arms moving forward, the backs of her hands together, fingers stretching, arms straight. Then pushing her arms apart, feeling herself moving forward. Her lungs were relaxed. She could feel all her muscles, in her shoulders and her back, in her thighs, moving the way she wanted them to, at her command, the way they had been taught, and how she had practised, over the days and weeks and months of her adolescence, in the perfect rhythm. The water around her was the mythical turquoise-aqua clear of her childhood, cool and refreshing, with rays of the bright sunshine on the surface shining through the shallows and dappling on the wet sand below her. She was perfectly happy here. She was perfect, here.
But then, without warning, the sunshine receded, not gradually, but at once, as though a light switch had been suddenly flicked off. The water became darker, and became agitated, not moving with its age-old ebb and flow. Now it was no longer clear, and she couldn’t see her hands in front of her face. She wanted to come to the surface – she knew she had to, but she couldn’t. She wasn’t even sure, after a few moments, which way the surface was – above her or below – only that she couldn’t get there. It was the feeling you got when a wave dumped you, body surfing on Manly or on Bondi: total disorientation. Her lungs were tense and rigid, and panic was rising in her chest. Her limbs, the same arms and legs that had been moving in their perfect dance, were flailing now, ungainly and ugly. She was in pain, and she was afraid. So, so afraid. And she couldn’t break the surface...
The world, with all its sights, sounds and people, was getting further and further away. And what scared her the most about it – this process of becoming invisible – was how strangely comfortable it felt; how familiar and unthreatening.
Kate Miller felt, every day, like she was fading out and away. Echoing around, getting fainter and fainter. The world, with all its sights, sounds and people, was getting further and further away. And what scared her the most about it – this process of becoming invisible – was how strangely comfortable it felt; how familiar and unthreatening. It was like life was being lived on the surface of a pond, and she was sinking towards the dark, silty bottom. People said, didn’t they, that drowning was soothing, almost peaceful: how ridiculous that was, when surely you should be fighting for breath, terrified, panicking. Apparently not – you read about some sort of surrender, some sense of peace, and almost hallucinatory happiness. And this was the same. Kate knew she should fight this feeling, this sapping apathy. But something about it, she realized sadly, suited her
There were days when she didn’t leave the house. Her home, this place – it was safe and it didn’t challenge her. She knew every inch – everything in it. She slept poorly at night, but often drifted off as dawn broke and slept until ten. Waking so late, it felt as though the day had started without her and the energy to catch up sometimes – often – deserted her. She’d lost weight, though she had been slim enough before. The loss didn’t suit her, but cooking for one held no appeal, whatever Delia Smith might have to say on the subject, and anyway, she didn’t look at her shape much – she dressed without mirrors, and without variety. Most days the phone didn’t ring, and she didn’t dial.
It seemed to Kate, when she thought about it, and she thought about almost nothing else these days, that in her sixty-plus years of life, she’d been two distinct and very different people. There was the woman she had been, had allowed herself to be, for most of her adult life, and that woman lived her life in quiet black and white; and there was woman she had been for the last ten or fifteen years, before she lost him, who had basked in glorious Technicolor for all of that time. How quickly she had gone back to black and white. How weak she must be. And how she hated herself for it.
More about the author
Elizabeth Noble, the No. 1 bestselling author of Things I Want My Daughters to Know and The Reading Group, takes a look at relationships within families in her heartbreaking novel Between a Mother and her Child.
For Maggie and Bill it was love at first sight . . .
One impulsive wedding later and with the arrival of three perfect children, Jake, Aly and Stan, the Barrett family seem to have it all. Until the day their world stops turning.
When Jake dies suddenly, they're swept away on a tide of grief that fractures Maggie and Bill's marriage. She and the children are left clinging to the wreckage of their family. And they need help, because in her grief Maggie is in danger of losing Aly and Stan too.
Enter Kate, housekeeper, companion and shoulder to cry on. She's here to pick up the pieces and fix what isn't completely broken. But can Maggie trust Kate? And why is Kate so keen to help?
When Bill falls for another woman, Maggie realizes she will have to fight to put her family back together - but will they still want her?
Let the storytelling magic of Elizabeth Noble capture your heart in Between a Mother and her Child.
Praise for Elizabeth Noble:
'Tissues are essential. You'll ricochet between delicately watering eyes at the romance of it all and howling sobs at the unbearable tenderness' Heat
'It would be a hard heart indeed that remained unmoved... the tender feelings that Noble engenders in her readers are to be cherished' Daily Express
Elizabeth Noble lives in New York and Surrey with her husband and two daughters. Her six previous novels, The Reading Group, The Friendship Test (formerly published as The Tenko Club), Alphabet Weekends, Things I Want My Daughters to Know, The Girl Next Door and The Way We Were, were all Sunday Times bestsellers, with The Reading Group reaching Number One.