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Being Ecological by Timothy Morton



Why is everything we think we know about ecology wrong? In this extract from Being Ecological, philosopher Timothy Morton explores a better way of understanding and 'living ecological data'.

Don’t care about ecology? You might think you don’t, but you might all the same. Don’t read ecology books? This book is for you.

It’s understandable: ecology books can be confusing information dumps that are out of date by the time they drop on you. Slapping you upside the head to make you feel bad. Shaking your lapels while yelling disturbing facts. Handwringing in agony about ‘What are we going to do?’ Horseshoe‑in‑a‑boxing-​glove propaganda. This book has none of that. Being Ecological doesn’t preach to the eco-choir. It’s for you: maybe you’re in the choir but only sometimes, or maybe you have no idea what choirs are, or maybe you don’t care at all. Rest assured this book is not going to preach at you. It also contains no ecological facts, no shocking revelations about our world, no ethical or political advice, and no grand tour of ecological thinking. This is a pretty useless ecology book, in fact. But why write something so ‘useless’ in such urgent times? Have I never heard of global warming? Why are you even reading this? Well, the truth is you might already be ecological, you just didn’t know it.

How We Talk to Ourselves about Ecology

Ecological information delivery mode in the media seems most often to consist of what we could call an information dump. At least one factoid – and often a whole plateful – seems to be falling on to our heads. And this falling has an authoritative quality: the delivery mode seems to be saying Don’t question this, or even You should feel very bad if you question this. In particular, ‘global warming information mode’ seems to be about dumping massive platefuls of facts on to us. Why? This is another way of saying What are the moves we can make in the possibility space of global warming information mode? Which is a rather complex way of saying What is the genre of global warming information mode? Which way is up? How are we supposed to feel? What kind of information delivery would destroy this mode? And so on.

Our not having a ready answer for this question, unless we are global warming deniers, should make us pause. Deniers are quite clear: this mode is trying to convince me of something I don’t want to believe. I am having a belief forced down my throat. Why don’t we all feel like that? And if we feel ecologically righteous, we shun people who think they are being dumped on to make them feel something – crude guilt leading to crude belief, maybe. This is not a war of beliefs – this is the truth. Damn it, Mr Denier, why can’t you see that?

'The truth is you might already be ecological, you just didn’t know it'

Despite what factoids would have us believe, no fact just plops out of the sky. There is a whole environment in which the fact can appear – otherwise you can’t see it at all. Consider something you might not regularly say if you grew up in the West: My ancestral spirits are unhappy that I’m writing this book. In what world does this statement make sense? What do you need to know, what do you need to expect? What counts as right and wrong in this world? We need all kinds of assumptions about what reality is, about what counts as real, what counts as existing, what counts as correct and incorrect. Thinking about these kinds of assumptions can take different forms, in philosophy one is called ontology, another is called epistemology. Ontology is the study of how things exist. Epistemology is the study of how we know things.

In addition to the idea that facts are meaningful within certain contexts of interpretation, there are questions you can answer quite easily if you study art, music or literature. These are questions such as How does the mode want you to read this information? How do you look like you received it ‘right’? You don’t look at a Renaissance perspective painting from the side. You have to stand pretty much right in front of the vanishing point, at a certain distance – then the 3D illusion makes sense. The picture positions you in a certain way, the poem asks to be read a certain way – just like a Coca-Cola bottle ‘wants’ you to hold it a certain way, a hammer seems to fit your hand just so when you handle it . . . A whole lot of what is sometimes called ideology theory is about how you are coerced into handling a poem, a painting, a political speech, a concept in a certain way.

All kinds of ontology and epistemology (and ideology) are implied by ecological information dump mode, but we rarely pause to figure out what they are. We are too keen on dumping, or being dumped on. Why? Why don’t we even seem to want to pause and figure it out? Are we scared we might find something? What are we scared we might find? Why do we wring our hands and go Why don’t these deniers get it? or Why doesn’t my neighbour care about all this as much as I do? Ecological information dump mode is a symptom of something much bigger than feelings about stuff you read in the newspaper.

'Being Ecological is starting by peering under the hood of the ways in which we talk to ourselves about ecology'

One way to zoom out and ask these sorts of question again would be to say something like How are we living ecological data? Do we like it? If not, what do we want to do about that? This book, Being Ecological, is about how to live ecological knowledge. It seems to be not enough just to know stuff. In fact, it seems like ‘just knowing stuff’ is never just knowing stuff, according to what I’ve been trying to argue. ‘Just knowing stuff’ is a way of living things too. And knowing that there is a way of living things implies there could be other ways too. If you have tragedy, you can imagine something like comedy. If you live in New York, you can imagine living in not-​New York.

There seem to be plenty of ways of living ecological knowledge. Just think about being a hippy, something with which I am vaguely familiar. Being a hippy is a whole way of life, a whole style. But is being a hippy compulsory as a way to live ecological information? Think about the internet. Before a huge number of people had access to it, there were two or three ways of living with the internet. For instance, there was the amused, playful, experimental, anarchic or libertarian slacker mode in which the internet was supposed to make us feel like our identities were malleable or liquid. Then something strange happened. Loads more people got the internet, and a whole lot of the internet became a really coercive, authoritarian space where you had to have one of about three acceptable opinions or risk being attacked by a mob of judgemental twitterers like the flock descending on the gas station in Alfred Hitchcock’s film The Birds. I’m not going to go into why and how this happened, but you get the point.

Being Ecological is starting by peering under the hood of the ways in which we talk to ourselves about ecology. I think the main way – just dumping data on ourselves – is actually inhibiting a more genuine way of handling ecological knowledge. There are better ways of living all of this than we have now, and we don’t even know that we are living it right now. We are like people caught in a habitual pattern, going along repeating the same thing, without even realizing it. It’s like we find ourselves at the sink, compulsively washing our hands over and over again – but we have no idea how we got there.

More about the author

Being Ecological

Timothy Morton

'To read Being Ecological is to be caught up in a brilliant display of intellectual pyrotechnics' P.D.Smith, Guardian

Why is everything we think we know about ecology wrong?
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Does this mean we even have a future?

Don't care about ecology? This book is for you. Timothy Morton, who has been called 'Our most popular guide to the new epoch' (Guardian), sets out to show us that whether we know it or not, we already have the capacity and the will to change the way we understand the place of humans in the world, and our very understanding of the term 'ecology'. A cross-disciplinarian who has collaborated with everyone from Björk to Hans Ulrich Obrist, Morton is also a member of the object-oriented philosophy movement, a group of forward-looking thinkers who are grappling with modern-day notions of subjectivity and objectivity, while also offering fascinating new understandings of Heidegger and Kant. Calling the volume a book containing 'no ecological facts', Morton confronts the 'information dump' fatigue of the digital age, and offers an invigorated approach to creating a liveable future.

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