Bert Coules

The Further Adventures of Sherlock Holmes
  • The Further Adventures of Sherlock Holmes

    • Bert Coules

    • Andrew Sachs (Read by)

    • Clive Merrison (Read by)

    • Full Cast (Read by)

    A gripping collection of fifteen BBC Radio full-cast dramas written by Bert Coules, inspired by Sir Arthur Conan Doyle's original stories.

    In the fifty-six short stories and four novels Arthur Conan Doyle wrote about his great detective, how many times did Dr John Watson tantalise us with references to cases which were never written about in full? These original adventures flesh out those unrecorded cases to wonderful effect.

    Clive Merrison plays the great sleuth hiimself, with Andrew Sachs in the role of Doctor Watson. The star casts include Tom Baker, Jane Asher, Tim West, Toyah Willcox, Lindsay Duncan and Mark Gatiss.

    The stories in this collection are:

    The Madness of Colonel Warburton
    The Star of the Adelphi
    The Saviour of Cripplegate Square
    The Singular Inheritance of Miss Gloria Watson
    The Abergavenny Murder
    The Shameful Betrayal of Miss Emily Smith
    The Tragedy of Hanbury Street
    The Determined Client
    The Striking Success of Miss Franny Blossom
    Thirteen Watches
    Peculiar Persecution of Mr John Vincent Harden
    The Ferrers Documents
    The Remarkable Performance of Mr Frederick Merridew
    The Eyes of Horus
    The Marlbourne Point Mystery

    'A joy from beginning to end ... ingenious extensions of the Conan Doyle originals' - Daily Telegraph

The formula for this long-running and popular radio panel game was devised in the early 1950s by Ian Messiter, a Light Entertainment producer who was on the staff of the BBC from 1942 to 1952. Although Just A Minute was Messiter’s preferred name for the show, the Head of Light Entertainment thought this too slick - and insisted the show e called One Minute, Please. The idea came from a humiliating experience that Messiter had suffered as a schoolboy at Sherborne. The 13-year-old had been staring out of the window, daydreaming during a Latin class. Suddenly the Latin master, Parry-Jones, told him to come up to the front of the class and repeat what had just been said without hesitating or repeating himself. Of course he couldn’t, and the resultant caning in front of the class provided a lasting lesson. In that first show Roy Plomley acted as Chairman, with Gilbert Harding, Kenneth Horne and Reggie Purdell pitting their wits against Yvonne Arnaud, Valerie Hobson and Nan Kenway. One Minute, Please was responsible for introducing the versatile talents of the artist, tuba player and raconteur Gerard Hoffnung to a wider audience. It was on the show that Hoffnung first told his famous Bricklayer Story, which was used to warm up the audience before the start of the programme. In 1952 Messiter left the BBC and set up a commercial radio station in Johannesburg. According to Ian’s wife Enid Messiter, it was here that Just A Minute first went on air in the format we know. Ian Messiter produced and chaired the programme, and Enid herself played Chopin’s Minute Waltz for these South African recordings. In 1967 the Messiters returned to England, and a pilot edition of Just A Minute was proposed to Roy Rich, then Head of Light Entertainment for BBC radio. The pilot was made, but initially rejected. Producer David Hatch threatened to resign unless it was offered to BBC Radio 4 planners. It was, and the rest is history. In addition to the radio series, there have been several TV series on both ITV and BBC. For many years the regular panellists included Clement Freud, Derek Nimmo, Kenneth Williams and Peter Jones. As their numbers dwindled in the early 1990s, however, an increasing number of guests joined the show. Paul Merton has become a mainstay of latter-day Just A Minute, while many others now form a pool of semi-regular contestants. In 2003 the programme won a Gold Sony Radio Academy Award, and in 2012 it celebrated its 45th year. With Nicholas Parsons at the helm for its entire tenure, Just A Minute has been a continually popular feature of the Radio 4 schedules. Decade after decade it has succeeded in both finding new fans and pleasing its legion of loyal older ones.