Babies: our biggest mystery and our most natural consequence, our hardest test and our enduring love. Anne Enright describes the intensity, bewilderment and extravagant happiness of her experience of having babies, from the exhaustion of early pregnancy to first smiles and becoming acquainted with the long reaches of the night. Everyone, from parents to the mildly curious, can delight in Enright’s funny, eloquent and unsentimental account of having babies.
Selected from the book Making Babies by Anne Enright
VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.
A series of short books by the world’s greatest writers on the experiences that make us human
Also in the Vintage Minis series:
Fatherhood by Karl Ove Knausgaard
Motherhood by Helen Simpson
Drinking by John Cheever
Sisters by Louisa May Alcott
Shortlisted for the Baileys Women's Prize for Fiction 2016
Shortlisted for the 2015 Costa Novel Award
Longlisted for the 2015 Man Booker Prize
Winner of the Irish Novel of the Year 2015
Hanna, Dan, Constance and Emmet return to the west coast of Ireland for a final family Christmas in the home their mother is about to sell. As the feast turns to near painful comedy, a last, desperate act from Rosaleen - a woman who doesn't quite know how to love her children - forces them to confront the weight of family ties and the road that brought them home.
First publication of a new collection of the Booker Prize-winner's stories including those from her most recent hardback 'Taking Pictures'.
In Yesterday's Weather, Booker Prize-winning author Anne Enright presents a series of deeply moving stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's characters are haunted by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out. A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. This collection includes some of Enright's best loved stories as well as her latest works. These are sharp, vivid tales of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.
Winner of the Man Booker Prize
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968.
The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars.
The stories in Taking Pictures are snapshots of the body in trouble: in denial, in extremis, in love. Mapping the messy connections between people - and their failures to connect - the characters are captured in the grainy texture of real life: freshly palpable, sensuous and deeply flawed.
From Dublin to Venice, from an American college dorm to a holiday caravan in France, these are stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's women are haunted by children, and by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out.A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. These are sharp, vivid stories of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.
Beautiful Irishwoman Eliza Lynch became briefly, in the 1860s, the richest woman in the world. The book opens in Paris with Eliza in bed with Francisco Solano Lopez - heir to the untold wealth of Paraguay. The fruit of their congress will be extraordinary, and will send her across the Atlantic on the regal voyage to claim her glorious future in Asunción.
With the lavish imaginative richness of Márquez and the crazed panoramic sweep of Herzog's Fitzcarraldo, The Pleasure of Eliza Lynch is a bold and brilliantly achieved novel about sex, beauty and corruption at the end of the old world.
When Maria turns twenty, she falls in love. She is in the wrong town, and he is the wrong sort of man. Going through his things, she finds a photo of herself when she was twelve years old. She has the same smile, but she is wearing the wrong clothes: she is the same, only different.
Anne Enright's astonishing novel moves between Dublin, New York and London, following the lives of the real Maria and the girl in the picture. Stepping through the mirror to tell the story of the two women, both haunted by their missing selves, What Are You Like? Is an exquisitely written disquisition on families and identity. It is a modern story, full of genetic jokes, of splitting and dislocation, and it is one of the oldest stories there is: a novel about twins. Threading together the lives of two young women, it confirms Anne Enright as not only the most original Irish writer of her generation, but also as one of the finest, funniest, and most affecting.
'Elegant, scrupulously poised, always intelligent and, not least, original' Angela Carter
The characters in Anne Enright's fierce and witty first collection of stories stand at an oblique angle to society. Full of desire, but out of kilter, their response to a dislocated reality is mutinous, wild, unforgettable.
'It was a tough, wiry wig with plenty of personality. It rode around on his head like an animal. It was a vigorous brown. I was very fond of it as a child. I thought that it liked me back.'
Anne Enright's extraordinary first novel is narrated by Grace, a TV producer, whose life is transfigured when she answers the door to a fully-fledged angel. Stephen was a bridge-builder in Canada before he killed himself, but now that he has come to stay with Grace he spends the night hanging by the neck in her shower, to help himself think. Needless, to say, she falls in love, moving steadily from the spiritual to the anatomical. Meanwhile as her TV day job on the 'Love Quiz' begins to spiral out of control, on the other side of her life is her father, benign, bewigged and stricken by a stroke -apparently mad but probably the sanest person in her life. As the three worlds meet and merge in a forest of contradictions, we watch Grace take the pacific path from cynicism to innocence, as all around her the novel thinders to a conclusion.
Anne Enright was born in Dublin, where she now lives and works. She has published two collection of stories, collected as Yesterday’s Weather, one book of non-fiction, Making Babies, and five novels, including The Gathering, which was the Irish Novel of the Year, and won the Irish Fiction Award and the 2007 Man Booker Prize, and The Forgotten Waltz, which was awarded the Andrew Carnegie Medal for Excellence in Fiction. She is the inaugural Laureate for Irish Fiction.