A fascinating journal written after the creation of Derek Jarman’s The Last of England, covering the making of the film itself and the origins of its deeply autobiographical content.
In 1986 Derek Jarman started filming The Last of England, one of his most original and innovative films. It is also his most personal work, with the strongest autobiographical content. Shortly after filming began Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. Jarman writes of his extraordinary childhood and his kleptomaniac father; the process by which he came to terms with his sexuality; his early work as painter and designer; and finally his debut as a film director. Throughout, however, the reader will follow Jarman at his most fervent, as he writes of the corruption of the cinema industry, of the moral and personal consequences of the AIDS virus, and of the evils of Thatcher's Britain.
A divine, meditative and inspiring diary of Derek Jarman's famous garden at Dungeness.
'An essential – urgent – book for the 21st Century' Hans Ulrich Obrist
WITH AN INTRODUCTION BY OLIVIA LAING
In 1986 Derek Jarman discovered he was HIV positive and decided to make a garden at his cottage on the barren coast of Dungeness. Facing an uncertain future, he nevertheless found solace in nature, growing all manner of plants. While some perished beneath wind and sea-spray others flourished, creating brilliant, unexpected beauty in the wilderness.
Modern Nature is both a diary of the garden and a meditation by Jarman on his own life: his childhood, his time as a young gay man in the 1960s, his renowned career as an artist, writer and film-maker. It is at once a lament for a lost generation, an unabashed celebration of gay sexuality, and a devotion to all that is living.
WITH A NEW INTRODUCTION BY NEIL BARTLETT
Smiling in Slow Motion is Derek Jarman’s last journal, stretching from May 1991 until a fortnight before his death in February 1994. Jarman writes with his trademark humour and candour about friends and enemies, as he races through his final years of film-making, gardening and radical political protest.
Written from Jarman’s Charing Cross Road flat, his famed garden at Dungeness, and finally from his bed in St Bartholomew's Hospital, Jarman meditates on his own deteriorating health and the loss of his contemporaries. Yet Smiling in Slow Motion is not simply a chronicle of illness and regret: it is, at its heart, one of endeavour, determination and pride.
Derek Jarman was one of our most celebrated artists- painter, poet, film-maker - and the author of many books, including the bestsellers Modern Nature and At Your Own Risk.
The film scripts collected here for the first time- including Akenaten, Jubilee, Bob-Up-A-Down, B Movie: Little England/ A Time of Hope, Neutron and Sod 'Em - confirm Derek Jarman's reputataion as a leading independent film-maker.
Spanning his entire life and divided into decades from the forties to the nineties, this book brings together Jarman's poetry, prose, memoirs, photographs and film transcripts and includes newspaper extracts on aspects of gay culture. The result is a rounded portrait of homosexuality through the twentieth century seen through a fiercely personal perspective.
At Your Own Risk is angry, entertaining and humane, both a powerful argument against homophobia and a wild celebration of an individual's sexuality and freedom.
Derek Jarman was born in London in 1942. His career spanned decades and genres, from painter, theatre designer, director, film maker, to poet, writer, campaigner and gardener. His features include Sebastiane (1976), Jubilee (1978), Caravaggio (1986), The Last of England (1987), Edward II (1991) and Blue (1993). His paintings – for which he was a Turner Prize nominee in 1986 – continue to be exhibited worldwide, and his garden in Dungeness remains a site of pilgrimage to fans and newcomers alike.