WITH A FOREWORD BY PATRICK HEMINGWAY AND AN INTRODUCTION BY SEAN HEMINGWAY
In 1918 Ernest Hemingway went to war. He volunteered for ambulance service in Italy, was wounded and twice decorated. Out of his experience came A Farewell to Arms. Hemingway’s unforgettable book recreates the fear, the courage and the comradeship of warfare with total conviction. But A Farewell to Arms is not only a novel of war, it is also a love story of immense drama and uncompromising passion.
This special edition lifts the lid on Hemingway’s creative process. Included here are his early drafts, all 47 alternative endings and the author’s 1948 introduction, providing a fascinating glimpse into the construction of this great masterpiece.
Divided into three parts, Islands in the Stream is Hemingway's last work, originally published posthumously in 1970, nine years after his death.
Thomas Hudson is an artist and adventurer. In the 1930s, Hudson is living in the Bimini Islands in the Gulf Stream. Separated from his sons for most of the year by their controlling mother, Hudson lives a life carved out by the rolling waves of the sea and the currents of the tide. When his sons come to visit the island, Hudson is forced to come to terms with his unfamiliar role as a father.
This compelling novel follows Hudson’s evolution from contemplative artist to antisubmarine adventurer during WWII. Hudson must face the harsh realities of life and death, alongside a cast of colourful and vivid characters, in war-time Cuba and at sea.
Drawing on Hemingway’s own experiences, Islands in the Stream combines one of his most complex and troubled characters with his most exquisite descriptions of nature, in a novel rich in both reflection and action.
Ernest Hemingway’s literary apprenticeship was served in journalism, a career that he pursued for over four decades. From his early work as a correspondent for the Toronto Star in Europe during the 1920s, through his inimitable articles for Esquire and his first-hand reports of the Spanish Civil War, to the mellow, ironic chronicle of his last African adventures, few correspondents have produced a more impressive body of work.
By-Line presents a fascinating and revealing selection of Hemingway’s journalism, and charts the development of one of the greatest novelists of the twentieth century.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Seán Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and his first wife, Hadley. Also included are irreverent portraits of other luminaries, such as F. Scott Fitzgerald and Ford Madox Ford, and insightful recollections of his own early experiments with his craft.
Sure to excite critics and readers alike, the restored edition of A Moveable Feast brilliantly evokes the exuberant mood of Paris after World War I and the unbridled creativity and enthusiasm that Hemingway himself experienced. In the world of letters it is a unique insight into a great literary generation, by one of the best American writers of the twentieth century.
The book opens on the day Hemingway's close friend Pop, a legendary hunter, leaves him in charge of the camp. Tensions have heightened among the various tribes and news arrives of a potential attack on the hunters, forcing Hemingway not only to take on his new role of leader but, equally important, to assist his wife Mary in pursuing the great lion she is determined to kill before Christmas. Passionately detailing the African landscape, the excitement of the chase, and the heartfelt relationships with his African neighbours, Hemingway, a master of dramatic fiction, weaves a tale that is rich in laughter, beauty and insight.
Written when Hemingway returned from his 1953 safari, and edited by his son Patrick, True At First Light is a rich blend of autobiography and fiction, a breathtaking final work from one of this century's most beloved and important writers.
From Ernest Hemingway's Preface: 'There are many kinds of stories in this book. I hope you will find some that you like- In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining, and nothing to say, or smooth and well-oiled in the closet, but unused.'
A collection of Hemingway's first forty-nine short stories, featuring a brief introduction by the author and lesser known as well as familiar tales, including 'Up in Michigan', 'Fifty Grand', and 'The Light of the World', and the Snows of Kilimanjaro, Winner Take Nothing' and Men Without Women collections.
Subtitled 'A Romantic Novel in Honour of the Passing of a Great Race', The Torrents of Spring - Hemingway's second published work - wonderfully parodies the themes and styles of the 'great race' of writers of his generation.
Spring is coming to the small towns of Michigan, but the snow still covers the land when Scripps O'Neil sets of for Chicago, decides to stop a while in Petoskey, and meets up with Yogi Johnson. Their bizarre stories are a brilliant satire on conventional fiction. The characters they meet are absurd and yet strangely familiar. Short, fast-paced, funny, The Torrents of Spring throws light on Hemingway's later work - and is a delight to read. Here we can see the developing talent of one of the great novelists of the twentieth century.
Men Without Women was a milestone in Hemingway's career. Fiesta had already established him as a novelist of exceptional power, but with these short stories, his second collection, he showed that it is possible, within the space of a few pages, to recreate a scene with absolute truth, bringing to life details observed only by the eye of a uniquely gifted artist.
Hemingway's men are bullfighters and boxers, hired hands and hard drinkers, gangsters and gunmen. Each of their stories deals with masculine toughness unsoftened by woman's hand. Incisive, hard-edged, pared down to the bare minimum, they are classic Hemingway territory - they helped establish him as one of the great literary authors of the twentieth century, and one of the best American authors of all time.
Ernest Hemingway was born in 1899. His father was a doctor and he was the second of six children. Their home was at Oak Park, a Chicago suburb.
In 1917, Hemingway joined the Kansas City Star as a cub reporter. The following year, he volunteered as an ambulance driver on the Italian front, where he was badly wounded but decorated for his services. He returned to America in 1919, and married in 1921. In 1922, he reported on the Greco-Turkish war before resigning from journalism to devote himself to fiction. He settled in Paris where he renewed his earlier friendships with such fellow-American expatriates as Ezra Pound and Gertrude Stein. Their encouragement and criticism were to play a valuable part in the formation of his style.
Hemingway's first two published works were Three Stories and Ten Poems and In Our Time but it was the satirical novel, The Torrents of Spring, that established his name more widely. His international reputation was firmly secured by his next three books; Fiesta, Men Without Women and A Farewell to Arms.
He was passionately involved with bullfighting, big-game hunting and deep-sea fishing and his writing reflected this. He visited Spain during the Civil War and described his experiences in the bestseller, For Whom the Bell Tolls.
His direct and deceptively simple style of writing spawned generations of imitators but no equals. Recognition of his position in contemporary literature came in 1954 when he was awarded the Nobel Prize for Literature, following the publication of The Old Man and the Sea. He died in 1961.