The first volume of John Fowles's Journals ended with him achieving international literary renown after the publication of The Collector and The Magus, and leaving London behind to live in a remote house near Lyme Regis. This final volume charts the rewards and struggles of his continuing literary career, but at the same time reveals the often reluctant celebrity behind the outward success.
Enjoying a reputation as one of the world's leading novelists, Fowles wins enormous wealth, kudos and attention, has the satisfaction of seeing The French Lieutenant's Woman turned into a highly acclaimed Hollywood film, but none the less comes to regard his fame with deep ambivalence.
It cannot repair the growing strains between himself and his wife Elizabeth, who does not share his taste for rural isolation, nor can it cure the disenchantment he feels for an increasingly materialist society.
This concluding volume of the Journals marks a writer's continuing quest for wisdom and self-understanding.
In 1963 John Fowles won international recognition with his first published novel The Collector. But his roots as a serious writer can be traced back long before to the journal he began as a student at Oxford in the late 1940s and continued to keep faithfully over the next half century. Written with an unsparing honesty and forthrightness, it reveals the inner thoughts and creative development of one of the twentieth century's most innovative and important novelists.
This first-hand account of the road to fame and fortune holds the reader's attention with all the narrative power of the novels, but also offers an invaluable insight into the intimate relationship between Fowles's own life and his fiction.
In this series of moving recollections involving both his childhood and his work as a mature artist, John Fowles explains the impact of nature on his life and the dangers inherent in our traditional urge to categorise, to tame and ultimately to possess the landscape. This acquisitive drive leads to alienation and an antagonism to the apparent disorder and randomness of the natural world.
For John Fowles the tree is the best analogue of prose fiction, symbolising the wild side of our psyche, and he stresses the importance in art of the unpredictable, the unaccountable and the intuitive.
This fascinating text gives a unique insight into the author and offers the key to a true understanding of the inspiration for his work.
John Fowles was born in England in 1926 and educated at Bedford School and Oxford University. John Fowles won international recognition with his first published title, THE COLLECTOR (1963). He was immediately acclaimed as an outstandingly innovative writer of exceptional imaginative power and this reputation was confirmed with the appearance of his subsequent works. John Fowles died in 2005.