Learning to Make an Oud in Nazareth

Learning to Make an Oud in Nazareth

Summary

'Making is our defence against the dark...'

Through images of conflict and craftsmanship, Ruth Padel’s powerful new poems address the Middle East, tracing a quest for harmony in the midst of destruction. An oud, the central instrument of Middle Eastern music , is made and broken. An ancient synagogue survives attacks, a Palestinian boy in a West Bank refugee camp learns capoeira, and a guide shows us Bethlehem's Church of the Nativity during a siege. At the heart of the book are Christ’s last words from the Cross.

Uniting this moving collection is the common ground shared by Judaism, Christianity and Islam: a vision of human life as pilgrimage and struggle but also as music and making. With care and empathy, Ruth Padel suggests how rifts in the Holy Land speak to conflict in our own hearts. 'We identify. Some chasm / through the centre must be in and of us all.'

Reviews

  • There are points where one feels Padel is a poetic Daniel Barenboim. It is inlaid poetry... as if Padel were embroidering a tapestry. Each poem turns out to be an instrument and Padel knows how to play. Her command of register is masterly… There is no doubting Padel's accomplishment, her poems stand tall partly because she tends to rise about the personal.
    Kate Kellaway, Observer

About the author

Ruth Padel

Ruth Padel is a prize-winning poet, author of twelve acclaimed poetry collections and prose works including much-loved books on reading contemporary poetry, a travel-memoir on wild tiger conservation, and a study of the influence of Greek myth on rock music. Awards include a British Council Darwin Now Award, a Travel Bursary and Cholmondley Award from The Society of Authors, and First Prize in the National Poetry Competition. She is Professor of Poetry at King’s College London and a Fellow of the Royal Society of Literature.
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