‘Who is this guy, Dad? What is he doing here?’
With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire’s Golden Triangle, he invites him back to his house. It’s the beginning of a remarkable friendship.
Elsewhere in the Golden Triangle, the rich, manipulative Plurabelle (aka Anna Livia Plurabelle Cleopatra A Thing of Beauty is a Joy Forever Christine) is the face of her own TV series, existing in a bubble of plastic surgery and lavish parties. She shares prejudices and a barbed sense of humour with her loyal friend D’Anton, whose attempts to play Cupid involve Strulovitch’s daughter – and put a pound of flesh on the line.
Howard Jacobson’s version of The Merchant of Venice bends time to its own advantage as it asks what it means to be a father, a Jew and a merciful human being in the modern world.
For him to write about and inside of The Merchant of Venice seems to me a marriage made in heaven
Inspired...It does what any good literary subversion should do: deepens and enhances one's appreciation of the original.
Jacobson’s writing is virtuoso. He is the master of shifting tones, from the satirical to the serious. His prose has the sort of elastic precision you only get from a writer who is truly in command … There's also deep and sincere soul-searching going on here
A brilliant conceit… A powerful reimagining and reinvention of Shakespeare’s character.
Howard Jacobson’s reworking of The Merchant of Venice is a sly success… Irascible, eloquent Shylock is a man transplanted from the play to today.
'I wrote Pussy thinking only of how vexed I would be if I didn't write it'. Man Booker prize winner Howard Jacobson on the 'rush of passion' that drove him to pen his Trump-inspired novella.
Howard Jacobson joins Richard E. Grant in the Penguin studio to talk about his new novel Shylock Is My Name, a retelling of Shakespeare’s The Merchant of Venice.