Vintage Feminism: classic feminist texts in short form
WITH AN INTRODUCTION BY JEANETTE WINTERSON
‘What conditions are necessary for the creation of works of art?’ Security, confidence, independence, a degree of prosperity – a room of one’s own. All things denied to most women around the world living in Virginia Woolf’s time, and before her time, and since. In this funny, provoking and insightful polemic, Virginia Woolf challenges her audience of young women to work on even in obscurity, to cultivate the habit of freedom, and to exercise the courage to write exactly what we think.
ALSO IN THE VINTAGE FEMINIST SHORT SERIES:
The Second Sex by Simone de Beauvoir
A Vindication of the Rights of Woman by Mary Wollstonecraft
The Beauty Myth by Naomi Wolf
My Own Story by Emmeline Pankhurst
One realises afresh the full meaning of originality, the magic of the mind which plays around concrete facts as though they were all spirit. And when it is finished it is with a renewed sense of zest and stimulus that one takes up life again and looks anew at objects which before were only ordinary.
Brilliant interweaving of personal experience, imaginative musing and political clarity
Mornings and afternoons becoming one and the same? Days turning to weeks? Try reading to get a grasp on a routine.
This radical portrayal of gender-fluidity and love letter to the female muse is the perfect accompaniment to Palme D’or nominee Portrait of a Lady on Fire, out this week.
These beautiful Vintage Classic editions of Virginia Woolf’s greatest works will have you wanting to dive into the stories but where do you begin reading this famous member of the Bloomsbury Group? Enthusiastic Woolf fan, Eric Karl Anderson of LonesomeReader, gives his thoughts on how to start and why you’ll want to keep reading the work of this brilliant author.