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  • [Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . in 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer From the Dance. Now, at almost 80 years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time

    Colm Tóibín, New York Times
  • An unexpectedly timely novel - wise, shrewd, and in its way, kind, if honesty is ever kind. And written with the sure hand of a master

    Alexander Chee
  • Every one of [Andrew Holleran's] books is a gem. If he were straight, his reputation would be immense. The beauty of his language, the empathy for his characters and the world he writes about, are unsurpassed by any other gay writing of our time... He is our Fitzgerald and Hemingway but for one thing: he writes better than both of them

    Larry Kramer, author of The Normal Heart
  • Andrew Holleran writes about desire so beautifully it's occasionally forgotten that he's one of the best living novelists on friendship. This tender, often very funny novel is a book about that final field of play between friends, when all the masks are removed. I wish it never ended

    John Freeman
  • Accomplished . . . Holleran is, as always, sharply observant when it comes to human relationships . . . The writing throughout exhibits the same clinical brilliance that Holleran made his own in his rightly acclaimed first novel, Dancer from the Dance, fifty years ago. His prose remains unnervingly precise in every detail. It is also wryly comic

    Paul Bailey, Literary Review

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