'Read him at your peril, avoid him at your loss' Sunday Times
Captain Lannec has finally managed to buy his own ship with the financial help of his in-laws, the Pitards - and they've never let him forget it. When his temperamental wife Mathilde insists on coming along on the ship's first voyage, Lannec becomes increasingly unnerved by her presence, especially when he receives an anonymous note saying he won't make it back to port. As they hit a storm in the Atlantic, jealousy, spite, snobbery and suspicion are churned up in the boat's stiflingly close quarters...
First published in 1935, The Pitards was one of the first novels Simenon wrote when he shelved his famous Maigret series in order to strike out in a new direction and make a name for himself as a literary writer. This gripping evocation of life at sea revolves around class and the tense unravelling of relationships, powerful themes that Simenon would return to throughout his writing career.
One of the greatest writers of the twentieth century...Simenon was unequalled at making us look inside, though the ability was masked by the brilliance at absorbing us obsessively in his stories.
Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity.
The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining.
A supreme writer . . . unforgettable vividness.
One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories
The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining
Hyper-prolific yet critically adored, the Belgian writer took crime novels into new terrority with his 75 books series – newly translated this week – winning devoted fans from Muriel Spark to Alfred Hitchcock in the process.
The crime writer and Maigret inventor's books were all composed in the same intense mood, as if he were gripped by a fever