New and forthcoming
A major new anthology of great Japanese short stories introduced by Haruki Murakami
This fantastically varied and exciting collection celebrates the great Japanese short story, from its modern origins in the nineteenth century to the remarkable examples being written today. Curated by Jay Rubin (who has himself freshly translated several of the stories) and introduced by Haruki Murakami, this is a book which will be a revelation to many of its readers.
Short story writers already well-known to English-language readers are all included - Tanizaki, Akutagawa, Murakami, Mishima, Kawabata - but also many surprising new finds. From Yuko Tsushima's 'Flames' to Yuten Sawanishi's 'Filling Up with Sugar', from Hoshi Shin'ichi's 'Shoulder-Top Secretary' to Banana Yoshimoto's 'Bee Honey', The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy.
‘Most people I know who have read anything by Curtis Sittenfeld would read anything else the woman wrote, me included’ The Times
In ‘The World Has Many Butterflies’, a married woman flirts with a man she meets at parties by playing You think it, I’ll say it, putting into words the bitchy things she guesses he's thinking about their fellow guests. But she is in for a shock when, in time, she finds out what was really in his mind. ‘The Nominee’ sees Hillary Clinton on the campaign trail, confessing her surprising true feelings about a woman journalist she has sparred with over the years. In ‘Gender Studies’, a visiting academic sleeps with her taxi driver, for what turns out to be all the wrong reasons.
The theme that unites these stories in this dazzling first collection by Curtis Sittenfeld is how even the cleverest people tend to misread others, and how much we all deceive ourselves. Sharp and tender, funny and wise, this collection shows Sittenfeld’s knack for creating real, believable characters that spring off the page, while also skewering contemporary mores with brilliant dry wit.
Abortion is illegal in almost every circumstance in Ireland, making it the only democracy in the western world to have such a constitutional ban:
· Between 1980 and 2015, at least 165,438 Irish women and girls accessed UK abortion services. In 2016, the figure was 3,265.
· Any woman or girl who procures an abortion, or anyone who assists a woman to procure an abortion in Ireland can be criminalised and imprisoned for up to fourteen years.
· A woman may not procure an abortion in Ireland if she is pregnant due to incest or rape, or to prevent inevitable miscarriage and fatal foetal abnormality.
The movement to repeal the Eighth Amendment and make abortion legal in Ireland has grown massively over the last few years. This anthology shares the literature, personal stories, opinions, photography, art and design produced by the movement that catalysed 2018’s momentous referendum.
Featuring prize-winning novelists, critically acclaimed poets, cutting-edge artists and journalists on the front line, this anthology will be the definitive collection of the art inspired by the most pressing debate in contemporary Ireland, and beyond.
Contributors include: Lisa McInerney, Anne Enright, Louise O’Neill, Caitlin Moran, Tara Flynn, Aisling Bing, Sinead Gleeson, Emmet Kiran.
We are living in the anthropocene – an epoch where everything is being determined by the activities of just one soft-skinned, warm-blooded, short-lived, pedestrian species. How best to make our way through the ruins that we have made?
This anthology of commissioned work tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O’Brien; we journey with John Burnside to the Arizona desert, with Hugh Brody to the Canadian Arctic; going from Tessa Hadley’s hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.
Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: ‘I take stock.’ she says, ‘During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.’ This is an important, necessary book.
'Freedom is the freedom to say that two plus two equals four. If that is granted, all else follows.'
This selection of George Orwell’s writing, from both his novels and non-fiction, gathers together his thoughts on the subject of truth. It ranges from discussion of personal honesty and morality, to freedom of speech and political propaganda. Orwell’s unique clarity of thought and illuminating scepticism provide the perfect defence against our post-truth world of fake news and confusion.
'The further a society drifts from the truth, the more it will hate those that speak it.'
Includes an introduction by Alan Johnson and passages from Burmese Days, The Road to Wigan Pier, Coming Up for Air, The Lion and the Unicorn, Animal Farm, Nineteen Eighty-Four, Orwell’s letters, war-time diary, criticism and essays including ‘Fascism and Democracy’, ‘Culture and Democracy’, ‘Looking Back on the Spanish War’, ‘As I Please’, ‘Notes on Nationalism’, ‘The Prevention of Literature’, ‘Politics and the English Language’ and ‘Why I Write’.
For more than forty years I have collected and read travel books... I marked passages that enthused me and so gathered a library that was annotated by triangular corner-folds and barely decipherable jottings. This was my own inadvertent wool-gathering...
Scraps of Wool is a celebration of travel writing, bringing together in a single volume passages that have enthralled generations of readers, encouraged them to dream of exploration and set off on journeys of their own.
Compiled by Bill Colegrave, its excerpts have been selected by today’s travel writers and journalists, who have revealed the books that influenced them: Dervla Murphy, Tony Wheeler, Rory MacLean, Pico Iyer, Jan Morris, Colin Thubron, Artemis Cooper, Sara Wheeler, Alexander Frater and many more.
Each of these scraps is a document of the writer’s passion for place – thick equatorial jungle, the soft ergs of the Sahara, Patagonian steppe – and each story, each memory will transport you to a different corner of the globe, and maybe even inspire you to plan your own great adventure.
An indelible portrait of one of the most famous and beloved authors in the canon of American literature – a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words.
The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lee’s classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the state’s history and literature matured into a deep friendship between them.
Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York – heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally – ‘Dear Dr Flynt’ – as the years passed, their exchanges became more intimate and emotional, opening with ‘Dear Friend’ and closing with ‘I love you, Nelle.’
This is a remarkable compendium of a correspondence that lasted for a quarter century – until Harper Lee’s death in February 2016 – and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.
How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?
Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?
Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms.
Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.
Perhaps no fairy tale is as widely known as 'Beauty and the Beast' - and perhaps no fairy tale exists in as many variations. Nearly every culture tells the story in one fashion or another - such cultural phenomena as The Fault in Our Stars and Me Before You are recent examples - and it is impossible to find one version that laid the foundation for the rest. From Cupid and Psyche, India's Snake Bride to South Africa's 'Story of Five Heads', the partnering of beast and beauties has beguiled us for thousands of years.
In this fascinating volume preeminent fairy tale scholar Maria Tatar brings together tales from ancient times to the present and from a wide variety of cultures.
'A bold anthology ... alive with provocations and insights' John Carey, Sunday Times
'The Boy-scouts mistook my signal, and have killed the postman. I've had very little practice in this sort of thing, you see'
The British short story tradition is probably the richest, most varied and historically extensive in the world. This new anthology celebrates the full diversity and energy of its writers, subjects and tones, from the story's origins with Defoe, Swift and Fielding, to the 'golden age' of the fin de siècle and Edwardian period, ending with the First World War. Including the most famous authors as well as some magnificent, little-known stories never republished since their first appearance in magazines and periodicals, these stories are by turns topical and playful, ghostly and theatrical, rumbustious and sublime.
Edited with an introduction by Philip Hensher