New and forthcoming
The Sunday Times Top 10 Bestseller
The perfect new gift from the bestselling author of Britain's 1000 Best Churches
It is the scene for our hopeful beginnings and our intended ends, and the timeless experiences of coming and going, meeting, greeting and parting. It is an institution with its own rituals and priests, and a long-neglected aspect of Britain's architecture. And yet so little do we look at the railway station.
Simon Jenkins has travelled the length and breadth of Great Britain, from Waterloo to Wemyss Bay, Betws-y-Coed to Beverley, to select his hundred best. Blending his usual insight and authority with his personal reflections and experiences - including his founding the Railway Heritage Trust - the foremost expert on our national heritage deftly reveals the history, geography, design and significance of each of these glories.
Beautifully illustrated with colour photographs throughout, this joyous exploration of our social history shows the station's role in the national imagination; champions the engineers, architects and rival companies that made them possible; and tells the story behind the triumphs and follies of these very British creations.
These are the marvellous, often undersung places that link our nation, celebrated like never before.
The places time forgot
From the magical empty theatres of Detroit to the lost playgrounds of Chernobyl, there are places across the globe that were once a hub of activity, but are now abandoned and in decay. With nature creeping in and reclaiming these spots, we are left with eerie crumbling ruins and breathtaking views that offer us a window into the past and capture our imagination. Abandoned showcases the very best photographs from around the world documenting this phenomenon.
More immersive than a museum and more human that a lecture, abandoned photography has given the world an exciting way to look at our history and the places we have long neglected.
Compiled and curated by photographer and former urban explorer, Mathew Growcoot.
Houses in literature have captured readers’ imaginations for centuries, from Gothic castles to Georgian stately homes, Bloomsbury townhouses and high-rise penthouses. Step on to a tour of real and imagined houses that great English writers have used to reflect the themes of their novels… houses that became like characters themselves, embodiments of the social and historical currents of their time.
Phyllis Richardson takes us on a journey through history to discover how authors’ personal experiences in their homes helped to shape the imaginative dwellings that have become icons of English literature:
Virginia Woolf’s love of Talland House in Cornwall is palpable in To the Lighthouse, just as London’s Bloomsbury is ever-present in Mrs Dalloway. E.M. Forster’s childhood home at Rook’s Nest mirrors the idyllic charm of Howards End. Evelyn Waugh plotted Charles Ryder’s return to Brideshead while a guest at Madresfield. Jane Austen was no stranger to a manor house or a good ballroom. And Horace Walpole’s ‘little Gothic castle’ in Twickenham inspired him to write the first English Gothic novel, The Castle of Otranto.
But the English country house, from the idyllic to the unloved, is also viewed through a modern lens – Kazuo Ishiguro’s Darlington Hall, Ian McEwan’s Tallis House, Alan Hollinghurts’s Two Acres.
Using historic sources, authors’ biographies, letters, news accounts, and the novels themselves, The House of Fiction presents some of the most influential houses in Britain through the stories they inspired, while offering candid glimpses of the writers who brought them to life.
The director of the Design Museum defines the greatest artefact of all time: the city
We live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.
What was it like to live as a royal Tudor? Why were their residences built as they were and what went on inside their walls? Who slept where and with who? Who chose the furnishings? And what were their passions?
The Tudors ruled through the day, throughout the night, in the bath, in bed and in the saddle. Their palaces were genuine power houses - the nerve-centre of military operations, the boardroom for all executive decisions and the core of international politics. Houses of Power is the result of Simon Thurley's thirty years of research, picking through architectural digs, and examining financial accounts, original plans and drawings to reconstruct the great Tudor houses and understand how these monarchs shaped their lives. Far more than simply an architectural history - a study of private life as well as politics, diplomacy and court - it gives an entirely new and remarkable insight into the Tudor world.
· Baynard’s Castle
· Bridewell Palace
· Durham Place
· Eltham Palace
· Friars’ churches at Greenwich and Richmond
· Kennington Palace
· Palace of Westminster
· Somerset Place
· St James’s Palace
· St Paul’s
· Suffolk Place
· Tower of London
· Westminster Abbey
· Whitehall Palace (formerly York Place)
· Dartford Priory
· Esher Place
· Hampton Court Palace
· Hanworth House
· Nonsuch Palace
· Oatlands Palace
· Richmond Palace
· Syon Monastery
· Wanstead House
· Windsor Castle
· Woking Palace
· Abingdon Abbey (now in Oxfordshire)
· Reading Abbey
· Ditton House
· Basing House
· Birling House
· Cobham Hall
· Dover Castle
· Leeds Castle
· Rochester Priory
· St Augustine’s Priory, Canterbury
· Westenhanger Castle
· Woodstock Palace
· Guildford Friary
· Woking House
· Cowdray House
· Petworth House
· Beaulieu (formerly New Hall)
· Ingatestone Hall
· Ruckholt Manor
· Ewelme Manor
· Thornbury Castle
· Loughborough Hall
· Burghley House
· Collyweston House
· Fotheringay Castle
· Grafton Manor
· Nottingham Castle
· Ludlow Castle
· Kenilworth Castle
· Royal House, Langley
· Tickenhill Manor
· Ampthill House
· Ashridge Priory
· Berkhampstead Castle
· Hatfield House
· Hundson House
· Manor of the More
· Theobalds House
· Tyttenhanger House
· Kenninghall Place
· Hengrave Hall
· Warkworth Castle
· Hull Manor
· Middleham Castle
· Pontefract Castle
· York Abbey
'A great storyteller . . . you would be hard pushed to find a more knowledgeable or entertaining [guide]' Icon
'Such an interesting book . . . I cannot recommend it enough.' Lauren Laverne
In Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing ‘bizarre’ new buildings in wacky shapes and colours. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single ‘iconic’ structure – with the hope of single-handedly transforming the region’s ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle.
Over the last fifty years, there has been a revolution in how our cities operate. In The Age of Spectacle, Tom Dyckhoff tells the story of how architecture became obsessed with the flashy, the monumental and the ostentatious – and how we all have to live with the consequences. Exploring cityscapes from New York to Beijing, and from Bilbao to Portsmouth, Dyckhoff shows that we are not just witnessing a new kind of building: we are living through a fundamental transformation in how our urban spaces work. The corporate explosion of the last few decades has fundamentally shifted the relationship between architects, politicians and cities’ inhabitants, fostering innovative new kinds of engineering and design, but also facilitating ill-conceived vanity projects and commercial power-grabs.
Timely, passionate and bursting with new ideas, The Age of Spectacle is both an examination of how twenty-first century cities work, and a manifesto for a radically new kind of urbanism. Our cities, Dyckhoff shows, can thrive in the age of spectacle – but only if they engage us not just with dazzling structures, but by responding to the needs of the people who inhabit them.
'Engaging . . . The “iconic” building is the most obvious architectural phenomenon of our age yet, somehow, no one has quite done what Tom Dyckhoff does with The Age of Spectacle, which is to tell its story clearly and plainly.' Rowan Moore, Observer
'First class. Finally, a book that nails the iconic movement – Tom Dyckhoff’s The Age of Spectacle is the book that I wish I had written.' Simon Jenkins
'Unusually accessible [and] well argued.' Evening Standard
Lady Carnarvon’s love of history is richly rewarded at Highclere Castle with its mine of family records going back some 300 years. She has delved into the archives to create a book that invites you inside the Castle, past and present. Throughout the centuries, Highclere has welcomed Royalty, Statesmen, Egyptologists and pioneers of technology along with men and women from the worlds of music, art and letters. The etiquette of the invitation, the balance of guests at a weekend house party, their ‘placement’ at dinners, and the entertainment of friends, as well as the domestic management required to execute the perfect occasion, have all preoccupied successive generations of châtelaines. This book tells the story four real life weekends - from 1866 to 1936 - when the great and the good gathered at Highclere to change the world in some large or small part. It then reflects on how the current Countess entertains 'At Home' at Highclere today.
Each weekend showcases the life of the house, both upstairs with the rich and famous and below stairs with the staff and employees. You are transported to a world where guests were collected from the long since defunct Highclere Station in carriages or later in the earliest cars having had the train stop specifically for them and where the allocation of the most prestigious bedrooms really did matter. It looks at what should be served for dinner, the hot topics of conversation and gossip, traditional breakfasts and shooting parties with the Prince of Wales. She explores how menus were, and still are now, put together with the chef, what were the de rigueur cocktails of the day (and why) – and how to make them at home wherever you are. Each chapter will explore some of the recipes and, where practical, have adaptations and photos of the recipes which can be cooked in today’s kitchens. Many recipes are little-changed to this day and Lady Carnarvon shares her commentary on their context at Highclere.
‘Highclere works hard to steer a steady course in today’s world, but the Castle was built for entertainment and pleasure, for convivial weekends. I hope this book gives a glimpse inside a great house, with mouth-watering recipes, eye-catching photographs and fascinating stories about some of the remarkable people who have stayed here.’ Lady Carnarvon
One hundred iconic works of art and design, published to mark the museum's relaunch in Kensington
The Design Museum is home to the visionaries that shape our lives and create our futures: Terrence Conran, Zaha Hadid, Alvar Aalto, Jonathan Ive, David Chipperfield, Tim Berners-Lee, Louis Kahn. From the simple wooden chair to the supersonic Concord, the museum spotlights era-defining designs in architecture, fashion, interiors, transport and technology, helping us to better understand the complex relationship between form and purpose.
This 'museum in a box' contains 100 world-famous designs, including the first Apple computer, chairs by Eames, Norman Foster blueprints and Alec Issigonis' iconic Mini Cooper.
Deyan Sudjic is Director of the Design Museum. He was born in London, and studied architecture in Edinburgh. He has worked as a critic for the Observer and the Sunday Times, as the editor of Domus in Milan, as the director of the Venice Architecture Biennale, and as a curator in Glasgow, Istanbul and Copenhagen. He is the author of B is for Bauhaus, The Language of Things and The Edifice Complex.
A stunning and unique collection of satellite images of Earth that offer an unexpected look at humanity, derived from the wildly popular Daily Overview Instagram account.
Inspired by the 'Overview Effect' - a sensation that astronauts experience when given the opportunity to look down and view the Earth as a whole - the breathtaking, high-definition satellite photographs in OVERVIEW offer a new way to look at the landscape that we have shaped. More than 200 images of industry, agriculture, architecture, and nature highlight incredible patterns while also revealing a deeper story about human impact. This extraordinary photographic journey around our planet captures the sense of wonder gained from a new, aerial vantage point and creates a perspective of Earth as it has never been seen before.
'Stunning, surprising and intriuging photographs of Earth from the skies.' Guardian
'Absolutely gorgeous, yet absolutely gut-wrenching' Wired
'Addictive ... a charter for wistfulness' Observer
'An enchanting rabbit hole of handmade houses' The New York Times
'The Bible of pared back, natural living' Der Spiegel
'Take a deep breath and let the inspiration sink in' GQ
Cabin Porn began as an on-line project created by a group of friends to inspire their own home building. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.
'In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies' Will Self
During the course of the twentieth century, communism took power in Eastern Europe and remade the city in its own image. Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism.
Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. Most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?
SHORTLISTED FOR THE ALICE DAVIS HITCHCOCK AWARD
'Brilliant' Elain Harwood
'Part history, part aesthetic autobiography, wholly engaging and liable to convince those procrastinators sitting (uncomfortably) on the concrete fence' Jonathan Meades
'A learned and passionate book' Simon Bradley, author of The Railways
‘A compelling and evocative read, meticulously researched, and filled with insight and passion’ Kate Goodwin, Head of Architecture, Royal Academy of Arts
The raw concrete buildings of the 1960s constitute the greatest flowering of architecture the world has ever seen. The biggest construction boom in history promoted unprecedented technological innovation and an explosion of competitive creativity amongst architects, engineers and concrete-workers. The Brutalist style was the result.
Today, after several decades in the shadows, attitudes towards Brutalism are slowly changing, but it is a movement that is still overlooked, and grossly underrated.
Raw Concrete overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and conservative.
Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made – from commission to construction – why they have been so vilified, and why they are beginning to be loved. In it, Barnabas Calder puts forward a powerful case: Brutalism is the best architecture there has ever been, and perhaps the best there ever will be.
Updated, with stunning new photographs
At the beginning of the twenty-first century, the impossible was delivered. From the sterile depths of a disused china clay pit in Cornwall rose one of the most remarkable and ambitious ventures in recent memory. The Eden Project’s Biomes, the world’s largest conservatories, are the symbol of a living theatre of plants and people and their interdependence, of regeneration and of a pioneering forum for the exploration of possible futures.
This is the extraordinary story of the Eden Project, of its conception, design and construction, of the larger-than-life personalities who made it happen and of all that has happened since its doors were first opened to the public in 2001. It is now undisputedly one of the world’s great gardens with more than 17 million visitors flocking there and projects and partnerships all over the world.
‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’
So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.
For centuries carved writings and artworks in churches lay largely unnoticed. So archaeologist Matthew Champion started a nationwide survey to gather the best examples. In this book he shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Drawing on examples from surviving medieval churches in England, the author gives a voice to the secret graffiti artists: from the lord of the manor and the parish priest to the people who built the church itself.
Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders’ accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the ‘evil eye’ and thwart the works of the devil, share church pillars with the heraldic shields of England’s medieval nobility.
This an essential tool kit for understanding the world around us. It's about our obsession with collecting, the quest for authenticity and the creation of national identities. It's about Hitchcock's film sets and why we value imperfection. It's about fashion and technology, about politics and art.
'A memoir and a master class in musing on modern design . . . It's a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic' - Evening Standard