New and forthcoming
Sunday in Hell is an iconic documentary about the 1976 Paris-Roubaix Classic, made by the celebrated Danish director Jorgen Leth. Leth’s mission was to capture the spirit of this magnificent one-day spectacle through the cobbled roads of northern France and legends of the sport such as Eddy Merckx and Roger de Vlaeminck. He did so using revolutionary camera and sound techniques which improved the experience of watching cycling on screen forever.
This book looks at the men and the places behind the film: Leth and his work, the cyclists such as Merckx, De Vlaeminck and the ill-fated winner Marc de Meyer and revisits locations which have changed little to this day.
From Grange Hill to Top of the Pops, Reggie Yates has been on camera nearly all of his life, but it’s as a documentary filmmaker – and a pretty fearless one at that – where he has truly been making his mark, investigating everything from gun crime in Chicago, to life as a refugee in Iraq.
In his first book, Unseen, Reggie takes us behind the scenes on his journey from TV host to documentary storyteller. Using some of the key moments and extreme circumstances he has found himself in, Reggie examines what he has learned about the world, and himself as a person.
Beginning as a brief exploration of Reggie’s relationship with the camera and life growing up on screen, Unseen explores the journey Reggie has taken in the documentary world. Initially resistant to documentary making, Reggie was convinced his point of view as a young black working class man with a history in music, children’s TV and entertainment would not make his films remotely credible. Through conflict and challenges on screen, the understanding gained from the very thing once seen as a weakness would become his strength on camera, as the eye of the everyman and voice of the audience. Unseen unpicks the stories behind the fascinating characters and situations Reggie encounters across a series of films, as well as chronicling the personal growth through each testing shoot for Yates himself.
ARE YOU READY FOR SEASON TWO?
No? Then grab your Eggos and prepare to enter Hawkins, Indiana – just don't forget your fairy lights
If you devoured Stranger Things and you're looking to fill the demogorgon-sized hole in your life, then look no further than Notes From the Upside Down. This fan handbook is here to tell you more about the origins of the show, including the mysterious Montauk Project conspiracy theory, get you clued up on the inspirations behind the characters, and assess the show's DNA.
If you've ever wondered why Spielberg is such a huge influence, which Stephen King books you need to read (HINT: pretty much all of them) and how State Trooper David O’Bannon earned his name, then this book is for you.
Guy Adams is a superfan and this is his amusing and informative guide to everything you're going to need to know to understand Stranger Things.
The New York Times bestseller based on the Oscar nominated documentary film
In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today.
'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times
'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety
'A cinematic séance . . . One of the best movies about the civil rights era ever made' Guardian
'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone
West of Eden is the definitive story of Hollywood, told, in their own words, by the people on the inside: Lauren Bacall, Arthur Miller, Dennis Hopper, Frank Gehry, Ring Lardner, Joan Didion, Stephen Sondheim – all interviewed by Jean Stein, who grew up in the Forties in a fairytale mansion in the Hollywood Hills.
The book takes us from the discovery of oil in the Twenties with the story of the tycoon Edward Doheny (There Will Be Blood) and traces the growth of corruption through the syndicates, the mob, and the movie studios – from the beginnings of the film industry to the end, with News Corp. and Rupert Murdoch (who bought the Stein mansion in 1985).
West of Eden is about money, power, fame and terrible secrets: the doomed Hollywood of the late Fifties, early Sixties – ‘the rotten heart of paradise’. Like her last book, the best-selling Edie, this is an oral history told through brilliantly edited interviews. As this is Hollywood, it’s a book full of sex, drugs and celebrity glamour; but because it’s built from the firsthand accounts of people who were actually there, many of them writers, actors and artists, it’s also strangely claustrophobic, seductive, and completely compelling.
The Princess Diarist is Carrie Fisher’s intimate, hilarious and revealing recollection of what happened behind the scenes on one of the most famous film sets of all time, the first Star Wars movie.
When Carrie Fisher recently discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved—plaintive love poems, unbridled musings with youthful naiveté, and a vulnerability that she barely recognized. Today, her fame as an author, actress, and pop-culture icon is indisputable, but in 1977, Carrie Fisher was just a (sort-of) regular teenager.
With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher’s intimate and revealing recollection of what happened on one of the most famous film sets of all time—and what developed behind the scenes. And today, as she reprises her most iconic role for the latest Star Wars trilogy, Fisher also ponders the joys and insanity of celebrity, and the absurdity of a life spawned by Hollywood royalty, only to be surpassed by her own outer-space royalty. Laugh-out-loud hilarious and endlessly quotable, The Princess Diarist brims with the candour and introspection of a diary while offering shrewd insight into the type of stardom that few will ever experience.
A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway
Utterly original, deeply moving and very funny, Ethel & Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971.
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s.
Ethel & Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.
In the summer of 1962, one year after the rise of the Berlin Wall, a group of daring young West Germans risked prison, Stasi torture and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall.
Then, as the world’s press heard about the secret projects, two television networks raced to be the first to document them from the inside, funding two separate tunnels for exclusive rights to film the escapes. In response, President John F. Kennedy and his administration, wary of anything that might raise tensions and force a military confrontation with the Soviets, maneuvered to quash both documentaries.
As Greg Mitchell's riveting narrative unfolds, we meet extraordinary characters: the legendary cyclist who became East Berlin’s most wanted man; the tunneller who had already served four years in the East German gulag; the Stasi informer who betrays the ‘CBS tunnel’; the young East Berliner who escapes with her baby, then marries one of the tunnellers; and an engineer who would later help build the tunnel under the English Channel.
Capturing the hopes and fears of everyday Berliners, the chilling reach of the Stasi secret police, and the political tensions of the Cold War, The Tunnels is breaking history, a propulsive read whose themes still reverberate today.
In One-Man Band, the third volume in his epic survey of Orson Welles’ life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another – theatre, radio, film, television, even, at one point, ballet – in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities.
The book begins with Welles’ self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life.
The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?
People love Bill Murray movies, but even more, they love crazy stories about Bill Murray out in the world.
Bill reads poetry to construction workers. Bill joins in strangers' kickball games. Bill steals a golf cart in Stockholm. Bill follows the Roots – a hip hop band – around. Bill pays a kid $5 to ride his bicycle into a swimming pool.
The most popular Bill Murray story of all time (which he will neither confirm nor deny): on a crowded street, he puts his hands over a stranger's eyes from behind and says "Guess who?" When he lifts his hands to reveal his identity as Bill Murray, he tells the gobsmacked stranger, "No one will ever believe you."
For The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing, best-selling author Gavin Edwards tracked down the best authentic Bill Murray stories. People savour these anecdotes; they consume them with a bottomless hunger; they routinely turn them into viral hits.
The book not only has the greatest hits of Bill's eye-opening interactions with the world, it puts them in the context of a larger philosophy (revealed to the author in an exclusive interview): Bill Murray is secretly teaching us all how to live our lives.
Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age he entertained his family with impressions and was often told he should 'be on the telly'. Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image.
The late eighties and early nineties saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On The Hour and The Day Today, that Alan Partridge emerged, almost fully formed.
Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically-acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations, for producing and co-writing.
In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.