Ajay Chowdhury, the inaugural winner of the Harvill Secker-Bloody Scotland prize, is a tech entrepreneur and theatre director. His children’s book – Ayesha and the Firefish, was published in 2016 and adapted into a musical which premiered in San Francisco. 
 
 
The Waiter (Sunday Times Crime Book of the Month), was published in 2021, and is the first in his critically-acclaimed crime series about Detective Kamil Rahman, an ex-policeman from Kolkata who has moved to Brick Lane in London. It is being adapted for television by Moonage Pictures.The Cook (Guardian Top Crime Books of the Year) was published in May 2022 to excellent reviews and deals with the issue of homelessness. The third book in the series – The Detective (Sunday Times Top Crime Books of the Year) – is about government surveillance and AI. The Spy (Longlisted Wilbur Smith Adventure Writing), the fourth book, sees Kamil infiltrate a terrorist cell. The Shadow (A Sunday Times Crime Book of the Month) is the latest book in the series.

Ajay Chowdhury

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Kiran Desai

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. 
 
Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. 
 
The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

The Loneliness of Sonia and Sunny

Arundhati Roy

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage. Radical and superbly readable, they speak always in defence of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military and governmental elites. 
 
In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from 'The End of Imagination', which begins this book, to 'My Seditious Heart', with which it ends.

My Seditious Heart

Kenan Orhan

Dilara is having her bathroom renovated. Her father's memory has started collapsing, dementia stealing a little more of him each day; her apartment must be adapted so he can move in with her. But when the builders finally unveil their handiwork, there is a problem: instead of a new bathroom, they have built a prison cell. Not just any cell - one that Dilara recognises. It is a room from Silivri Prison in Istanbul. 
 
At first she is outraged, exasperated, determined to reverse the bizarre mistake. Dilara's family are political exiles: they fled Turkey years ago and have never been back. The last thing she wants is a piece of her abandoned homeland appearing uninvited in her new home. But gradually her indignation gives way to curiosity. Even as she struggles to care for her dying father, to stretch their dwindling savings and stop the wheels coming off her marriage, she is drawn back again and again to the mysterious prison cell, which seems to connect, impossibly, to a city that once belonged to her - to the salt wind off the Marmara, the sky full of gulls and domes and minarets - a portal back to Istanbul.

The Renovation

Isabel Waidner

Two men meet in a flat in London. They are total strangers and yet they look remarkably alike. Lewis is grieving his dead wife; Korine is hiding from his very-much-alive one. Lewis never had children; Korine is an ambivalent parent at best. Lewis is an erstwhile actor, too depressed to attend the big audition that has just fallen into his lap. Korine has tried a dozen dead-end jobs but never pursued his acting dreams. 
 
Two men living mirror image lives. Each seeking a second chance to get things right. Each wanting what the other has. 
 
As If is an existential farce about the road not taken. Surreal and slyly poignant, suffused with ironic melancholia, it is a parable for the twenty-first century everyman: a character trapped in reality’s hall of mirrors, endlessly searching for something to live for.

As If

Sophie Mackintosh

Clara and Francis are in love - but nobody knows it. For months they have been slipping away from their respective lives, sharing sweet, stolen afternoons in anonymous hotel rooms. Until one day they wake up in a bedroom neither of them recognises with no memory of how they got there. 
 
They find themselves in a strange, impossible city: a place populated entirely by adulterers. Here they can at last live openly as a couple, without fear of consequence, putting the theory of their love into practice. Here the sky is painted over the old town square in changeless, cloudless blue. Ripe fruits wait on their kitchen table each morning and the sunset comes down in a blaze of pink each night. And contact with the real world is impossible. As long as Clara and Francis are here, they only have each other. 
 
How do you know when you’ve found true love? How much would you sacrifice to keep hold of it? And how long can you stay in paradise before the cracks start to show?

Permanence

Puk Qvortrup

'Three in the bed. One not yet born, another dead, and I'm alive.' 
 
Puk is 26 years old, preparing for the birth of her second child, when her husband has a heart attack on his morning run. She leaves their toddler with a friend and dashes to the hospital, where Lasse lies unresponsive in a coma. He dies a few hours later. 
 
Into a Star follows Puk and her young family for one year after this tragedy, which has shattered the ordinary life she thought she would live, as she finds her way slowly through the enormous grief and, eventually, out the other side. With remarkable dignity, candour and attention to the domestic details that make us human, Puk Qvortrup invites us into the hardest moments of her life. And she reveals, amid the devastation, a powerful thread of hope.

Into a Star

Zadie Smith

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. 
 
She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives. 
 
Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Dead and Alive

Olivia Laing

‘It is dangerous to want someone this much. He has always known it, from the very first night.’ 
 
It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs. 
 
He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism. 
 
But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend. 
 
The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The Silver Book

Zach Williams

A young family are trapped in a time loop in an idyllic holiday cabin. A middle-aged man becomes convinced that his disappointing son is an impostor. Two brothers take a midnight ride in a golf cart and run into trouble. The elderly tour guide at an alien contact site loses control of his guests. Meanwhile, all around them, America is dissolving, fragmenting, distorting beyond recognition. 
 
The antiheroes of Beautiful Days are chronic underachievers, lost in their own lives and plagued by loneliness, self-doubt, toxic rage. They gaze on the world with both wonder and horror, longing for transcendence or salvation. They tune in to the faint buzz of anxiety which seems to come from everywhere and nowhere at once. And when the worst happens, they take to the road - criss-crossing the wilderness in stolen cars, riding trains to the end of the line, or cruising along ruined monorails as the skyline burns. 
 
Zach Williams' stories are haunted by the ghosts of America - its lost illusions, its dark aspirations, its boundless, disquieting potential. They leak through the fabric of reality and out into the void beyond. And they reach, ever-hopeful, towards a moment of connection that might pull a body back from the brink.

Beautiful Days

Oliver Lovrenski

Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up. 
 
Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way. 
 
In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world.

Back in the Day

Han Kang

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die. 
 
Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her. 
 
There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before. 
 
We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

We Do Not Part

Avni Doshi

A woman’s husband walks into their bedroom one evening and tells her that he wants a divorce. She is stunned. They have always had a happy marriage, an almost perfect marriage. In the following days, marooned with two young daughters in a hostile suburb, the woman starts coming apart. 
 
As she sifts through the ruins of a shared life, she begins to notice the warning signs which she chose not to see the first time around. She wanders deep into her own mind, where marital scenes intermingle with the old myths of headless women and vengeful goddesses. Over the course of a single summer, she is splitting like an insect in its chrysalis, liquifying and reforming, stretching her new antennae toward the light. 
 
Stiletto-sharp and darkly hypnotic, this is a novel about unhappy families – about the bloody battlefield of the home and the enduring threat posed by those closest to us.

The First House

Linn Ullmann

‘By writing down what happened, by telling the story as truthfully as I can, I’m trying to bring them together into one body – the woman from 2021 and the girl from 1983. I don’t know if it can be done' 
 
Paris, a winter’s night in 1983. She is sixteen years old, lost in unfamiliar streets. On a scrap of paper in her pocket is the address of a photographer, K, thirty years her senior. Almost four decades later, as her life and the world around her begins to unravel, the grown woman seeks to comprehend the young girl of before. 
Set in Oslo, New York and Paris, Girl, 1983 is a genre-defying and bravura quest through layers of memory and oblivion. As in her landmark previous work, Unquiet, Linn Ullmann continues to probe the elegiac sway of memory as she looks for ways to disclose a long-guarded secret. A delineation of time and place over the course of a life, this remarkable novel insistently crisscrosses the path of a wayward sixteen-year-old girl lost in Paris. 
 
Girl, 1983 is a raw and haunting exposure of beauty and forgetting, desire and shame, power and powerlessness.

Girl, 1983

Susan Sontag

More than thirty years after On Photography comes Sontag on Film: a collection of Sontag's writings and musings on films and cinema, gathered together for the first time by critic David Thomson and producer Tom Luddy. Inspired, vigorous and enlightening, it includes lucid discussions of the intersection between film and literature; in-depth studies of films and directors; and other such delightful and illuminating fragments as a list of Sontag's top-ten films taken from a 1982 issue of Sight and Sound. 
 
This is an indispensable addition to the literature of film, and a wonderful reminder of the greatness of the writer.

Sontag on Film

Each summer of her childhood, the daughter visited her father at his remote Faro island home on the edge of the Baltic Sea. 
 
Years later, when she is grown with children of her own and he's in his eighties, they plan to write a book together. It will be about age and time, language and memory. She will ask the questions. He will answer them. The tape recorder will record. But old age has caught up with him in ways neither could have foreseen. And when the man is gone, only memories - both remembered and recorded - remain. 
 
Heart-breaking and spellbinding, Unquiet is a seamless blend of fiction and memoir in pursuit of elemental truths about how we live, love, lose and age.

Unquiet

Ali Smith

Ghosts don't exist. 
They don't. End of. 
Story, however. 
It is haunting. 
Everything tells it. 
 
It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost. 
Is it imaginary? Is it real? 
 
Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom. 
What to do? She phones her sister. 
 
In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness. 
 
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world. 
 
A standalone novel, it’s family to Gliff (2024).

Glyph

Ta-Nehisi Coates

In his keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us. 
 
The first of the book’s three main parts finds Coates on his inaugural trip to Africa – a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers along with him to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology – visibly on display in this capital of the confederacy, with statues of segregationists still looming over its public squares. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. 
 
Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world – and our own souls – and embrace the liberating power of even the most difficult truths.

The Message

Anna Goldreich

Moving to the countryside is supposed to fix Clare and Phoebe’s relationship. A fresh start, a change of scenery, a chance to heal after the miscarriage of their baby girl. 
 
Instead, Phoebe feels suffocated. Back in the rural community she ran from at seventeen and unable to face the partner she cannot help, she throws herself into work on the family farm. Clare is a stranger in the village, uninitiated and out of place. She spends her days drifting around the cottage, its walls groaning and shifting as she withdraws into a world inside her head. 
 
One day, wandering through the forest nearby, Clare finds a leveret – her own little Isla. A surrogate to lick and love. A way to feel whole again. 
 
But as Isla grows into an adult hare she becomes wild and unruly – a kicking, biting, scratching creature. With Clare’s grasp on reality growing ever more tenuous, Phoebe begins to question whether Isla is the cure for grief Clare is searching for as she desperately clings on to the woman she loves . . . 
 
With this bruisingly tender love story, debut author Anna Goldreich has conjured a hazy dream of a novel about the fantasies we create as a refuge from grief. The Leveret is a heartbreakingly gorgeous and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship.

The Leveret

Deborah Levy

Who was Gertrude Stein? 
 
Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius — a writer who has baffled readers and critics for a century. 
 
And why does she matter? 
 
The narrator of Deborah Levy’s latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights. 
 
As Paris sweeps her along in its ceaseless flow, she thinks – about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language – how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first. 
 
This is a book about how we put ourselves together— an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.

My Year in Paris with Gertrude Stein

A Fiction

Richard McGuire

Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989. 
 
Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2033 AD. 
 
The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

Here

Nicola Williams

When the Head Clerk at her Chambers is murdered, Lee Mitchell doesn’t know who she can trust. 
 
One of the last people to see him alive, the crime is pinned on Junior Clerk Dean who ‘seems like the type’. Working-class and still living on the estate where he grew up, he has the most to gain from Tom’s death. 
 
But Lee knows how easily prejudices can snowball into convictions – and steps in to defend him. As the trial progresses, people Lee has worked with for years become suspects as her Chambers crumbles into a world of chaos and deceit. 
 
And, what of the diary, whispered about by those at Chambers? The one Tom used to blackmail Lee’s friends and enemies alike to do his bidding? The one containing secrets some might kill to keep hidden? 
 
Maybe finding it will be the key to solving his murder. Or maybe some secrets are better left buried . . .

Killer Instinct

Richard McGuire has illustrated the New Yorker's articles for over a decade, using these 'spots' as a unique canvas upon which to practice the art of the graphic miniseries. Each single-panel line drawing stands alone but also fits withing a wider series of variations on a theme or an unfolding story. Here these are collected for the first time, with a single spot per page to allow the series to unfold slowly with each turn of the page, as they would in the original magazine. The result is a charming, joyful and witty 'short story' collection.

Sequential Drawings

Margaret Busby

Margaret Busby has been at the heart of cultural life in the UK for over 50 years. From becoming Britain’s youngest and first Black woman publisher when she founded publishing house Allison & Busby, to editing the ground-breaking international anthologies Daughters of Africa and New Daughters of Africa, her many achievements are testament to her dedication to championing the lives and stories of others, particularly those throughout the world who have been marginalised by the mainstream. 
 
With little attention previously given to her own skills as a writer, Part of the Story is a unique opportunity to enjoy her own remarkable literary output. It brings together her writings on people, places, politics and publishing, and provides a rich insight into the many elements that have contributed to shaping her life, from her childhood in Ghana to the Black writers, intellectuals, artists and activists she has worked with, befriended, supported and championed for over half a century.

Part of the Story

Writings from Half a Century

In this light-filled and multi-faceted book, her first since being awarded the Nobel Prize in Literature, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs and diaries. 
 
A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. 
 
In a poem written at eight years old, Han Kang imagined a ‘gold thread’ of connection – an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. 
 
Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

Light and Thread

'Married five times. Mother. Lover. Aunt. Friend. 
She plays many roles round here. And never 
Scared to tell the whole of her truth, whether 
Or not anyone wants to hear it. Wife 
Of Willesden: pissed enough to tell her life 
Story to whoever has ears and eyes...' 
 
Zadie Smith's first play is a joyous re-imagining of Chaucer's classic, The Wife of Bath's Tale. As the crowd in a small pub on the Kilburn High Road stand up to share their stories, the Wife of Willesden is not afraid to bare it all...

The Wife of Willesden

Noam Chomsky

With exceptional clarity and power of argument, Noam Chomsky lays bare as no one else can the realities of contemporary geopolitics. Divided into four sections and originally published in the US as individual short books which have collectively sold over half a million copies, How the World Works is a collection of speeches and interviews with Chomsky by David Barsamian, edited by Arthur Naiman. It includes What Uncle Sam Really Wants, about US foreign policy; The Prosperous Few and the Restless Many, about the new global economy, food, Third World 'economic miracles' and the roots of racism; Secrets, Lies and Democracy, about the US, the CIA, religious fundamentalism, global inequality and the coming eco-catastrophe; and The Common Good, about equality, freedom, the media, the myth of Third World debt and manufacturing dissent.

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