Ajay Chowdhury, the inaugural winner of the Harvill Secker-Bloody Scotland prize, is a tech entrepreneur and theatre director. His children’s book – Ayesha and the Firefish, was published in 2016 and adapted into a musical which premiered in San Francisco. 
 
 
The Waiter (Sunday Times Crime Book of the Month), was published in 2021, and is the first in his critically-acclaimed crime series about Detective Kamil Rahman, an ex-policeman from Kolkata who has moved to Brick Lane in London. It is being adapted for television by Moonage Pictures.The Cook (Guardian Top Crime Books of the Year) was published in May 2022 to excellent reviews and deals with the issue of homelessness. The third book in the series – The Detective (Sunday Times Top Crime Books of the Year) – is about government surveillance and AI. The Spy (Longlisted Wilbur Smith Adventure Writing), the fourth book, sees Kamil infiltrate a terrorist cell. The Shadow (A Sunday Times Crime Book of the Month) is the latest book in the series.

Ajay Chowdhury

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Arundhati Roy

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage. Radical and superbly readable, they speak always in defence of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military and governmental elites. 
 
In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from 'The End of Imagination', which begins this book, to 'My Seditious Heart', with which it ends.

My Seditious Heart

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her relationship to her extraordinary, singular mother Mary, who she describes as ‘my shelter and my storm’. 
 
Distraught and even a “little ashamed” at the intensity of her response to the death of the mother she ran from at age eighteen, Arundhati began to write Mother Mary Comes to Me. The result is this astonishing, disconcerting, surprisingly funny chronicle—unique and simultaneously universal, of the author’s life, from childhood to the present, from Kerala to Delhi. 
 
With the scale, sweep, and depth of her novels and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

Mother Mary Comes To Me

Zadie Smith

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. 
 
She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives. 
 
Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Dead and Alive

Susan Sontag

More than thirty years after On Photography comes Sontag on Film: a collection of Sontag's writings and musings on films and cinema, gathered together for the first time by critic David Thomson and producer Tom Luddy. Inspired, vigorous and enlightening, it includes lucid discussions of the intersection between film and literature; in-depth studies of films and directors; and other such delightful and illuminating fragments as a list of Sontag's top-ten films taken from a 1982 issue of Sight and Sound. 
 
This is an indispensable addition to the literature of film, and a wonderful reminder of the greatness of the writer.

Sontag on Film

Linn Ullmann

Each summer of her childhood, the daughter visited her father at his remote Faro island home on the edge of the Baltic Sea. 
 
Years later, when she is grown with children of her own and he's in his eighties, they plan to write a book together. It will be about age and time, language and memory. She will ask the questions. He will answer them. The tape recorder will record. But old age has caught up with him in ways neither could have foreseen. And when the man is gone, only memories - both remembered and recorded - remain. 
 
Heart-breaking and spellbinding, Unquiet is a seamless blend of fiction and memoir in pursuit of elemental truths about how we live, love, lose and age.

Unquiet

Ta-Nehisi Coates

In his keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us. 
 
The first of the book’s three main parts finds Coates on his inaugural trip to Africa – a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers along with him to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology – visibly on display in this capital of the confederacy, with statues of segregationists still looming over its public squares. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. 
 
Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world – and our own souls – and embrace the liberating power of even the most difficult truths.

The Message

Margaret Busby

Margaret Busby has been at the heart of cultural life in the UK for over 50 years. From becoming Britain’s youngest and first Black woman publisher when she founded publishing house Allison & Busby, to editing the ground-breaking international anthologies Daughters of Africa and New Daughters of Africa, her many achievements are testament to her dedication to championing the lives and stories of others, particularly those throughout the world who have been marginalised by the mainstream. 
 
With little attention previously given to her own skills as a writer, Part of the Story is a unique opportunity to enjoy her own remarkable literary output. It brings together her writings on people, places, politics and publishing, and provides a rich insight into the many elements that have contributed to shaping her life, from her childhood in Ghana to the Black writers, intellectuals, artists and activists she has worked with, befriended, supported and championed for over half a century.

Part of the Story

Writings from Half a Century

Han Kang

In this light-filled and multi-faceted book, her first since being awarded the Nobel Prize in Literature, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs and diaries. 
 
A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. 
 
In a poem written at eight years old, Han Kang imagined a ‘gold thread’ of connection – an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. 
 
Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

Light and Thread

John Updike

In the words of his contemporary, Philip Roth, John Updike was ‘Our time’s greatest man of letters – as brilliant a literary critic and essayist as he was a novelist and short-story writer’. 
 
Over the course of his long and immensely productive career, he also proved himself a brilliant correspondent, his letters filled with comic observations, opinions and personal news, told in his characteristically elegant and exquisitely fluid style. 
 
In this sparkling selection of his letters, edited by James Schiff, we can see Updike in real time, capturing every stage of his unspooling life, from Pennsylvania farm boy to Pulitzer prizewinner; and from young father negotiating his first book contract to the bestselling writer he became, following the international success of his novels Couples and the ‘Rabbit ‘sequence. 
 
Here are letters to family, friends, editors and lovers, a remarkable outpouring over six decades – including, most movingly perhaps, the letters of his final year bidding farewell to children, colleagues and friends. 
 
Taken together, these missives make a page-turning ‘life in letters’ like no other – an intimate testament to one of the greatest of all American writers.

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