Ajay Chowdhury, the inaugural winner of the Harvill Secker-Bloody Scotland prize, is a tech entrepreneur and theatre director. His children’s book – Ayesha and the Firefish, was published in 2016 and adapted into a musical which premiered in San Francisco. 
 
 
The Waiter (Sunday Times Crime Book of the Month), was published in 2021, and is the first in his critically-acclaimed crime series about Detective Kamil Rahman, an ex-policeman from Kolkata who has moved to Brick Lane in London. It is being adapted for television by Moonage Pictures.The Cook (Guardian Top Crime Books of the Year) was published in May 2022 to excellent reviews and deals with the issue of homelessness. The third book in the series – The Detective (Sunday Times Top Crime Books of the Year) – is about government surveillance and AI. The Spy (Longlisted Wilbur Smith Adventure Writing), the fourth book, sees Kamil infiltrate a terrorist cell. The Shadow (A Sunday Times Crime Book of the Month) is the latest book in the series.

Ajay Chowdhury

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Haruki Murakami

‘What you see with your eyes is not necessarily real.’ A lavishly illustrated edition of Murakami’s classic story. 
 
Katagiri found a giant frog waiting for him in his apartment. It was powerfully built, standing over six feet tall on its hind legs. A skinny little man no more than five foot three, Katagiri was overwhelmed by the frog's imposing bulk. 
‘Call me “Frog,”’ said the frog in a clear, strong voice. 
Katagiri stood rooted in the doorway, unable to speak. 
‘Don't be afraid. I'm not here to hurt you. Just come and close the door. Please.’ 
Briefcase in his right hand, grocery bag with fresh vegetables and canned salmon cradled in his left arm, Katagiri didn't dare move. 
‘Please, Mr. Katagiri, hurry and close the door, and take off your shoes.’ 
 
Fully illustrated and beautifully designed, this special edition of Murakami’s celebrated short story sees the bewildered Katagiri find meaning in his humdrum life through joining forces with Frog in an effort to save Tokyo from an existential threat. 
 
‘No other author mixes domestic, fantastic and esoteric elements into such weirdly bewitching shades’ Financial Times 
 
‘A master storyteller’ Sunday Times

Super-Frog Saves Tokyo

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