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Mary Renault

In two remarkable historical novels, Mary Renault fashions from the myth of Theseus a convincingly flawed hero and weaves a thrillingly plausible account of the Labyrinth and the infamous Minotaur. 
The King Must Die follows the young Theseus as he discovers that his true father is the King of Athens, and volunteers to join the annual tribute of Athenian girls and youths sacrificed to a bull-worshipping cult on the island of Crete. Trapped in the labyrinthine palace of King Minos, Theseus enlists the help of high priestess Ariadne in a daring plan to free his people. 
The Bull From the Sea begins after Theseus's triumphal return to Athens. He is now king, but his confidence will be shaken by a life-changing encounter with the queen of the Amazons, the birth of a son who will insist on choosing his own path, and the tragic results of his wife's treachery. 
Renault's deep knowledge of the Greek world, her sure grasp of psychology and genius for inspired speculation bring the distant world of the legendary past enthrallingly to life.

The King Must Die / The Bull from the Sea

Willa Cather

When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, he finds a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indigenous in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock–while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness. 
 
Death Comes for the Archbishop shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.

Death Comes For The Archbishop

Robert Graves

A grandson of Mark Antony, young Claudius is mistaken for a weakling and an idiot because of his stutter and his physical infirmities and grows up learning to use his reputation for harmlessness as a shield. Dismissed as insignificant by his powerful relatives as they compete with each other for power, he spends his time writing a secret history of the first three emperors of Rome as observed from his remarkable ringside vantage point—a dramatic tale that makes up the pages of I, Claudius. 
 
Claudius’s impersonation of a fool enables him to escape the intrigues and poisonings that mark his predecessors’ reigns, including the machinations of his murderous grandmother Livia and his dangerously mad nephew, Caligula. After assassinating Caligula, the Praetorian Guard declare Claudius the next 
emperor—over his protests. He accepts only to avoid civil war, and Claudius the God traces his attempts to strengthen Rome and restore the Republic. But his efforts are undermined by his corrupt wife, Messalina, and the ambitions of his own son, Britannicus, and he is unable to prevent the doom he foresees for Rome when his great-nephew Nero succeeds him as emperor.

I, Claudius, Claudius the God

Elizabeth Bowen

A brilliant and much admired novelist, Elizabeth Bowen (1899–1973) surpassed herself as a writer of short fiction: 'the supreme genius of her time', writes John Banville in his introduction; 'There is not a story in this substantial volume ... that is not brought off beautifully.'  A substantial volume indeed, Including 79 stories written over four decades, ranging in setting from the County Cork of the author's Anglo-Irish childhood to bomb-ravaged London where she coolly sat out the War, evoked with vivid and impeccable artistry. She has a disturbing sense of the uncanny, an acute eye for social comedy and her often emotionally secretive characters are depicted with penetrating psychological insight. She is good at houses, ghosts, children, animals ... 900 pages of sheer delight

Collected Stories

Penelope Fitzgerald

Sixty-one when she published her first novel, Penelope Fitzgerald based many subsequent books on the experiences of a long and varied life. 
 
Offshore, which won the Booker Prize in 1979, explores her time living on a barge at Battersea Reach. 
 
Human Voices takes place in the BBC where she worked during World War II. Both are vivid, intimate pictures of ordinary life, startling, sad and funny by turns, conjuring up complex worlds with the economy of poetry. 
 
The Beginning of Spring is an historical novel operating on a larger canvas. It presents a life unknown to the author through a story of English émigrés in pre-Revolutionary Russia and has been described by one critic as the best ‘Russian’ novel of the twentieth century. 
 
Written with energy, passion and wit, and each quite different from the others, all three of these masterpieces reveal a lightness of touch with the most serious matters unlike anything else in contemporary fiction.

Offshore, Human Voices, The Beginning Of Spring

James Weldon Johnson

First published anonymously in 1912, this resolutely unsentimental novel gave many white readers their first glimpse of the double standards - and double consciousness - experienced by Black people in modern America. Republished in 1927, at the height of the Harlem Renaissance, with an introduction by Carl Van Vechten, The Autobiography of an Ex-Colored Man became a pioneering document of African-American culture and an eloquent model for later novelists ranging from Zora Neale Hurston to Richard Wright and Ralph Ellison. 
 
Narrated by a man whose light skin enables him to 'pass' for white, the novel describes a journey through the strata of Black society at the turn of the century - from a cigar factory in Jacksonville to an elite gambling club in New York, from genteel aristocrats to the musicians who hammered out the rhythms of Ragtime. The Autobiography of an Ex-Colored Man is a complex and moving examination of the question of race and an unsparing look at what it meant to forge an identity as a man in a culture that recognized nothing but colour.

The Autobiography of an Ex-Colored Man

Ivo Andric

The town of Visegrad was long caught between the warring Ottoman and Austro-Hungarian Empires, but its sixteenth-century bridge survived unscathed--until 1914 when tensions in the Balkans triggered the first World War. Spanning generations, nationalities, and creeds, The Bridge on the Drina brilliantly illuminates a succession of lives that swirl around the majestic stone arches. Among them is that of the bridge's builder, a Serb kidnapped as a boy by the Ottomans; years later, as the empire's Grand Vezir, he decides to construct a bridge at the spot where he was parted from his mother. A workman named Radisav tries to hinder the construction, with horrific consequences. Later, the beautiful young Fata climbs the bridge's parapet to escape an arranged marriage, and, later still, an inveterate gambler named Milan risks everything on it in one final game with the devil. With humor and compassion, Ivo Andric chronicles the ordinary Catholics, Muslims, and Orthodox Christians whose lives are connected by the bridge, in a land that has itself been a bridge between East and West for centuries.

The Bridge on the Drina

Mikhail Bulgakov

"My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart." Daniel Radcliffe. 
 
The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent

The Master and Margarita

Günter Grass

THE TIN DRUM presents Hitler's rise and fall through the eyes of the dwarfish narrator whose magic powers become symbolic of the dark forces dominating the German nation in the period. Like Thomas Mann's DOCTOR FAUSTUS, Grass's novel explores the dark roots of power and creativity. An early advocate of 'magic realism'. Gunter Grass is the most powerful and celebrated novelist to appear in post-war Germany. His home city of Danzig is a powerful presence in this novel.

The Tin Drum

Mavis Gallant

This generous collection of fifty-two stories selected from across her prolific career by the author, is preceded by a preface in which she discusses the sources of her art. 
 
With irony and an unfailing eye for the telling detail, Gallant weaves stories of spare complexity, often pushing the boundaries of the form in boldly unconventional directions. The settings in the COLLECTED STORIES range from Paris to Berlin to Switzerland, from the Riviera to the Côte d'Azur, and her characters are almost all exiles of one sort or another, as she herself was the most of her expatriate life. 
 
The wit and precision of her prose, combined with her expansive view of humanity, provide a rare and deep reading pleasure. With breathtaking control and compression, Gallant delivers a whole life, a whole world, in each story.

Mavis Gallant Collected Stories

Ernest Hemingway

Ernest Hemingway (1899-1961) is celebrated as a novelist and man of action. He is perhaps most famous for WHOM THE BELL TOLLS and A FAREWELL TO ARMS. But he was equally prolific as a writer of short stories which touch on the same themes as the novels: war, love, the nature of heroism, reunciation, and the writer's life. The present collection includes all Hemingway's shorter fiction arranged chronologically from 'Up in Michigan' (1923) to 'Old Man at the Bridge (1938) and contains stories not currently available in any other UK edition of Hemingway's work's

The Collected Stories

Virginia Woolf

Tracing a day in the life of society hostess Clarissa Dalloway, Virginia Woolf triumphantly discovers her distinctive style as a novelist. First published in 1925, MRS DALLOWAY is her first complete rendering of what Woolf described as the 'luminous envelope' of consciousness: a dazzling display of the mind's inside as it plays over the brilliant surface and darker depths of reality.

Mrs Dalloway

Langston Hughes

One of the most important writers to emerge from the Harlem Renaissance, Langston 
Hughes may be best known as a poet, but he was also a brilliant storyteller, blending 
elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. 
Perhaps more than any other writer, Langston Hughes made the white America of the 
1920s and 1930s aware of the Black culture thriving in its midst. Hughes's poetry and 
fiction works are messages from that America, sharply etched vignettes of its daily life, 
cruelly accurate portrayals of Black and white collisions. 
 
Everyman's Library pursues the highest production standards, printing on acid-free paper, 
with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, 
European-style half-round spines, and a full-color illustrated jacket.

Not Without Laughter, The Ways of White Folks, The Weary Blues

John Banville

The Book of Evidence, shortlisted for the Booker prize in 1989 and The Sea, which won the Booker prize in 2005, take us into the hauntingly confused worlds of two ageing male protagonists - washed- up scientist Freddie Montgomery, desperate to explain why he is being held in an Irish prison for murder (The Book of Evidence) and recently widowed art historian Max Morden, who has returned to a sleepy seaside boarding house to relive the events of his first adolescent awakenings (The Sea). With spellbinding virtuosity, Banville piles ambiguity upon ambiguity to construct tense tales of sex, betrayal and self-deception, which keep us turning the page, while questioning our own certainties about memory and identity. In both works, the acclaimed Irish novelist is revealed at his masterful best, conjuring dark wit, suspense and drama from the stunning lyrical beauty of his near-perfect prose.

The Book of Evidence & The Sea

John Updike

From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike's most endearing confection-a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer. 
 
Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.

The Complete Henry Bech

Samuel Beckett

Samuel Beckett is the greatest Irish novelist of the later twentieth century, and this trilogy of novels is his masterpiece -which makes it perhaps the outstanding literary work of our time. Because Beckett has a reputation for being difficult, even obscure, readers of the trilogy are bound to be struck not only by the verbal brilliance and inventiveness of the three novels, but also by their extraordinary humour which ranges from wit to broad comedy and even farce in a recognizably Irish way. Each story records an episode of human endurance in the face of metaphysical adversity with compassion and wisdom and each is a compelling narrative in itself in the great tradition of European fiction from Flaubert to Joyce.

Samuel Beckett Trilogy

Molloy, Malone Dies and The Unnamable

Kiev - Kyiv - is in chaos. Russia has withdrawn from World War I but the Germans have set up a puppet government in Ukraine. Civil war rages: the Bolsheviks have seized power in Russia, but the anti-revolutionary White Guard who have fled to Ukraine, are rallying to resist. In the meantime, Ukrainian nationalists are camped outside the capital, and a Red army is on its way to bring everyone to heel. While all this is going on, the Turbin family try to eke out their existence in Kyiv and discuss what they should do. They are exactly the sort of family - monarchist intelligentsia - for whom the future looks particularly menacing. 
Bulgakov's brilliant and evocative prose brings the city and the moment unforgettably to life and sheds some fascinating light on the complex interwoven histories of Ukraine and Russia.

The White Guard

Jonathan Lethem

Motherless Brooklyn is a compulsively readable riff on the classic noir detective novel. Brooklyn's self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to rip apart our language in startling and original ways. Together with three other veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. But when Frank is fatally stabbed, Lionel's world is suddenly topsy-turvy, and he must untangle the threads of the case while trying to keep the words straight in his head. 
 
The Fortress of Solitude is the vividly told story of Dylan Ebdus growing up white and motherless in Brooklyn in the 1970s. In a neighbourhood where the entertainments include muggings and games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unravelling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheroes, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory. 
From the prize-winning author of Motherless Brooklyn, The Fortress of Solitude is a daring, riotous, sweeping novel that spins the tale of two friends and their adventures in late 20th-century America.

Motherless Brooklyn; Fortress of Solitude

Joseph Heller

A burlesque epic in the tradition of THE GOOD SOLDIER SCHWEIK, CATCH-22 exposes the absurdity of war by applying its own demented logic to America's involvement in Korea. The 'catch' is that soldiers have to claim to be mad in order to get out of fighting - but being capable of making such a claim automatically proves them sane. With a cast of magnificently larger-than-life characters who are rushed along at a breathless pace, for once this really is a novel it's hard to put down. CATCH-22 was made into a film.

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