Carlo Rovelli is an internationally acclaimed writer whose books, including Seven Brief Lessons on Physics, The Order of Time, Helgoland and White Holes, have been number one bestsellers around the world and translated into over forty languages. As a theoretical physicist, he has made significant contributions to the physics of space and time and he is currently directing the quantum gravity research group of the Centre de physique théorique in Marseille, France.

Carlo Rovelli

PublicationStatus

Brand

Format

AgeRange

Series

Imprint

CategoryLabel

Zachary Mason

Not far in the future the seas have risen and the central latitudes are emptying but it’s still a good time to be rich in San Francisco where weapons drones patrol the skies to keep out the multitudinous poor. Irina isn’t rich, not quite, but she does have an artificial memory that gives her perfect recall, and lets her act as a medium between her various employers and their AIs, which are complex to the point of opacity. It’s a good gig, paying enough for the annual visits to the Mayo Clinic that keep her from ageing. 
 
Kern has no such access; he's one of the many refugees in the sprawling drone-built favelas on the city’s periphery, where he lives like a monk, training relentlessly in martial arts, scraping by as a thief and an enforcer. Thales is from a different world entirely – the mathematically-inclined scion of a Brazilian political clan, he's fled to L.A. after the attack that left him crippled and his father dead. 
 
A ragged stranger accosts Thales and demands to know how much he can remember. Kern flees for his life after robbing the wrong mark. Irina finds a secret in the reflection of a laptop’s screen in her employer’s eyeglasses. None are safe as they’re pushed together by subtle forces that stay just out of sight. 
 
Vivid, tumultuous and propulsive, Void Star is Zachary Mason’s mind-bending follow-up to his bestselling debut The Lost Books of the Odyssey.

Void Star

Tim Willocks

**SHORTLISTED FOR THE CWA IAN FLEMING STEEL DAGGER 2019** 
**LONGLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD 2019** 
 
What happens when a man of absolute integrity finds himself trapped in a world of absolute corruption? 
 
During a weekend spree in Cape Town a young, rich Afrikaner fatally injures a teenage street girl with his Range Rover but is too drunk to know that he has hit her. His companions – who do know – leave the girl to die. 
 
The driver’s mother, a self-made mining magnate called Margot Le Roux, intends to keep her son in ignorance of his crime. Why should his life be ruined for a nameless girl who was already terminally ill? No one will care and the law is cheap. But by chance the case falls to the relentless Warrant Officer Turner of Cape Town homicide. 
 
When Turner travels to the remote mining town that Margot owns – including the local police and private security force – he finds her determined to protect her son at any cost. As the battle of wills escalates, and the moral contradictions multiply, Turner won’t be bought and won’t be bullied, and when they try to bury him he rediscovers, during a desperate odyssey to the very brink of death, a long-forgotten truth about himself... 
 
By the time Willocks's tale is finished, fourteen men have died. He shows once again that he is the laureate of the violent thriller.

Memo From Turner

Kay Sohini

At once heartrending and enlivening, this phenomenal graphic memoir is not another ode to New York but a meditation on how easy it is to fall beautifully, ridiculously in love 
 
*AN OBSERVER GRAPHIC NOVEL OF THE MONTH* 
 
'This is such a rich book, both visually and narratively' - Isabel Greenberg, author of Young Hag 
 
'A ravishing new take on a storied city' - Katherine May, New York Times bestselling author of, Wintering and Enchantment 
 
On her first night in New York, Kay Sohini sits on the tarmac of JFK airport making an inventory of all she’s left behind in India. Kay realises two things: she's finally made it to the city that made her in celluloid and prose from across the Pacific – Kerouac, Friends, Plath – and that trauma she’s endured in her relationship has left gaping holes in her memory. 
 
In New York, at last, Kay has room to begin the work of piecing herself back together through art and food. But as her personal story becomes a window onto a mystifying metropolis both inhospitable and inspiring to the many who call it home, Kay embarks on an electric exploration of how to forge the self and a life of one’s own today. 
 
At once heartrending and enlivening, This Beautiful, Ridiculous City is not another ode to New York but a phenomenal meditation on how easy it is to fall beautifully, ridiculously in love with places – and indeed people – that do not always love us back but somehow still save us in weird, unexpected ways. 
 
'A stunning graphic memoir… a praise-song to her adopted home… with its glorious, candy-coloured drawings' - FINANCIAL TIMES

This Beautiful, Ridiculous City

A Graphic Memoir

Arthur Lubow

Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. 
 
She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.

Diane Arbus

Neil Rollinson

Set against elemental landscapes – the dying coalfields of Northumberland and the barren wastelands of Andalusia – The Dead Don’t Bleed is an unflinching exploration of fraternal rivalry, family trauma and the lasting effects of a violent patriarchy. 
 
Frank Bridge turned his back on his family’s gangland conflicts in Northumberland decades ago. His brother, Gordon, fled to Spain with the proceeds of a disastrously botched robbery and has not been heard from since. Frank’s life has taken a different path: he fell in love, studied Lorca and is now writing a book. 
 
But when their gangster father, the head of their savage dynasty, dies, Frank feels he must track Gordon down and tell him that their father’s reign of terror is over. Can Frank’s appearance after twenty-five years prompt a truce, a reconciliation even, or will his arrival merely be the catalyst for more turmoil and brutality? 
 
Taut, elegiac, violent and beautiful, Neil Rollinson’s debut novel is about how family can make or break us. Beneath the scorching, pitiless Andalusian sun, the two brothers are finally brought together for one last reckoning.

The Dead Don't Bleed

Anne Carson

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

Howard Jacobson

A provocatively entertaining, savagely funny satire on Donald Trump by Britain’s greatest comic novelist. 
 
Pussy is the story of Prince Fracassus, heir presumptive to the Duchy of Origen, famed for its golden-gated skyscrapers and casinos, who passes his boyhood watching reality shows on TV, imagining himself to be the Roman Emperor Nero, and fantasizing about hookers. He is idle, boastful, thin-skinned and egotistic; has no manners, no curiosity, no knowledge, no ideas and no words in which to express them. Could he, in that case, be the very leader to make the country great again? 
 
'Deliciously laugh-aloud nasty about not just the making of this rough beast but what in the American character enabled it to go slouching into the White House' Mail on Sunday 
 
'Undigested rage, whip-smart wit devastating fluency and an aim as straight as an arrow… This is the story, savagely well told by our greatest comic novelist, of how we got in the state we’re in' Oldie

Pussy

Marjane Satrapi

In November 1955, Nasser Ali Khan, one of Iran's most celebrated tar players, is in search of a new instrument. His beloved tar has been broken. But no matter what tar he tries, none of them sound right. Brokenhearted, Nasser Ali Khan decides that life is no longer worth living. He takes to his bed, renouncing the world and all of its pleasures. This is the story of the eight days he spends preparing to surrender his soul. 
 
As the days pass and Nasser Ali Khan grows weaker, those who love him - his wife, his children, his siblings - gather round, incredulous, to try to comfort him. Every visitor stirs up a memory, and in the course of this week Nasser Ali Khan revisits his entire life, a life defined by three relationships in particular. He remembers his late mother, who sacrificed everything for his revolutionary brother, but who also, in the last week of her life, found solace only in smoking and listening to him play his tar; his angry wife, who can't forgive him his melancholy and irresponsibility; and Irane, his first love, whose father forbade her to marry a poor musician and inflicted the wound that fuelled his music. The pieces of Nasser Ali Khan's story slowly fall into place, and as they do, we begin to understand him. By the time the eighth day dawns, having witnessed Nasser Ali Khan communing with Sufi mystics, Sophia Loren, the spirit of his late mother, his own demons and, bravely, with Azrael, the angel of death - we feel privileged to have known him. 
 
Brilliantly weaving together the past, present and future to explore the successes and joys, failures and disappointments of Nasser Ali Khan's life and through his story, the meaning of any of our lives - Marjane Satrapi has also once again presented us with a complex and deeply human portrait of the men and women of her country, and of pre-revolution Iran itself. She delivers this tremendous story about life and death, and the fear and courage both require, with her trademark humour and insight. Chicken With Plums is Marjane Satrapi's finest achievement to date.

Chicken With Plums

Robert Crumb

Envisioning the first book of the Bible like no one before him, R. Crumb, the legendary illustrator, retells the story of Genesis in a profoundly honest and deeply moving way. 
 
Now, readers of every persuasion can gain astonishing new insights from these stories. Crumb's Book of Genesis reintroduces us to the bountiful tree-lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire, and the Egypt of the Pharaoh. Using clues from the text and peeling away the theological and scholarly interpretations that have often obscured the Bible's most dramatic stories, Crumb fleshes out a parade of biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a 'kind of depressed guy who doesn't strike you as physically courageous', and his bother, Esau, 'a rough and kick-ass guy', to God himself, 'a standard Charlton Heston-like figure with long white hair and a flowing beard'. 
 
Crumb's Book of Genesis, the culmination of five years of painstaking work, is a tapestry of masterly detail and storytelling that celebrates the astonishing diversity of one of our greatest artistic geniuses.

Robert Crumb's Book of Genesis

Elizabeth McCracken

Warm, wise and full of practical tips, this book is the ideal companion to every writing life 
 
'Elizabeth McCracken is one of America's finest writers' Garth Greenwell 
 
Write every day 
Show, don’t tell 
Write what you know 
Kill Your Darlings 
 
These are some of the most popular nuggets of advice given to writers, universally agreed to be true. They are all pieces of writing advice that Elizabeth McCracken expertly and persuasively shoots down in A Long Game. 
 
McCracken has been writing for most of her life. For over thirty-five years, she has also taught creative writing to generations of students, including at Iowa, guiding many writers towards their own answers to the question of how to write fiction. In A Long Game, she shares insights gleaned along the way, deconstructing received wisdom whilst playfully tackling the mysteries that are inherent to writing and creativity. 
 
This book will lead any writer, at any stage of their career, back to the page. As much a book about the life of a working artist as it is a guide to thinking about fiction, A Long Game is a revelatory and indispensable resource, and the ideal companion to every writing life. 
 
‘Elizabeth McCracken was my teacher, and it’s a joy to know that now more people will have access to her brilliance through A Long Game… A guidebook for any fiction writer, and a problem-solving and cheering companion that makes writing a less lonely business’ Yiyun Li

A Long Game

How to Write Fiction

Tom Segev

Simon Wiesenthal was the legendary 'Nazi hunter', a Holocaust survivor who dedicated his life to the punishment of Nazi criminals. A hero in the eyes of many, he was also attacked for his unrelenting pursuit of the past, when others preferred to forget. 
 
For this definitive biography, Tom Segev has obtained access to Wiesenthal's hundreds of thousands of private papers and to sixteen archives, including records of the U.S., Israeli, Polish and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. 
 
Tom Segev has written a brilliant character study of a 'hunter' who was driven by his own memories to ensure that the destruction of European Jewry never be forgotten.

Simon Wiesenthal

Brodie Crellin

A death in the (dysfunctional) family – can they hold it together long enough to organise the funeral? 
 
Mary’s death is bad news – for her daughter Patch, ex-partner Robin, and niece Jude. 
 
It will mean a funeral. But Patch can barely keep track of her mother’s journey from the hospital to the mortuary, let alone host a wake in her childhood home. 
 
Robin wants to support her, but instead of assuming the role of responsible father, he heads to his former haunt: the lay-by where he used to meet farmers for sex. 
 
Jude’s on her way from Naples, worrying less about Patch, her estranged cousin, and more about whether there’s a medicinal bag of cocaine in the boot. She hasn’t told the family she’s en route. This way, any lingering acrimony will be forgotten, and Jude’s past behaviour will be forgiven. 
 
Thrown together in Mary’s tiny house, each of them is trying to feel something: to grieve, atone, join in, be better. But they rarely have one another’s best interests at heart, and as the connection between them twists and contorts, they lose sight of the rules and grasp towards anything that might make it all less painful. 
 
Darkly funny, deeply entertaining, and intensely moving, A Sense of Occasion subverts and perverts your expectations to reveal the fractious desires that simmer beneath the surface of our lives.

A Sense of Occasion

Bryan Talbot

In the middle of a gang war, wanted for murder, truly alone and outside the law, Detective Inspector LeBrock is on the run from both the police and gangster assassins, the victim of a diabolical scheme to annihilate himself and everyone he holds dear, engineered by mastermind crime lord Tiberius Koenig, one of the most despicable villains in the history of detective fiction. 
 
A fiendishly ingenious story of love, tenacity, treachery and tragedy, this fifth, final and longest stand-alone volume of the Eisner and Hugo Award-nominated Grandville series by master storyteller and graphic novel pioneer Bryan Talbot is a veritable rollercoaster of a detective thriller, featuring Grandville’s trademark high-octane excitement, humour and deduction on a Holmesian scale as we finally meet LeBrock’s mentor, Stamford Hawksmoor, and discover LeBrock’s untold backstory. Fan-favourite characters Detective Sergeant Roderick Ratzi and LeBrock’s vivacious fiancée, Parisian prostitute Billie are joined by a new badger in town! Enter Tasso, an Italian badger who’s bigger, meaner and uglier than LeBrock – but is he a force for good or evil? A battle royale ensues as LeBrock fights against truly outrageous odds. How can he possibly survive? 
 
Prepare to be royally badgered!

Grandville Force Majeure

Stephen Collins

The job of the skin is to keep things in… 
 
On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless. 
 
Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable…monster*! 
 
Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave? 
 
The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards. 
 
(*We mean a gigantic beard, basically.)

The Gigantic Beard That Was Evil

Edward St Aubyn

A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series. 
 
 * The Orwell Prize Finalist 2025 * 
 
 ‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’ 
It is summer. Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life. 
Over a year, their fates collide in outrageous and poignant ways, revealing their destinies in a new light. Parallel Lines is a novel about connection, family, love, and the cascading consequences of our choices. 
PRAISE FOR EDWARD ST AUBYN: 
‘Perhaps the most brilliant English novelist of his generation’ 
ALAN HOLLINGHURST 
‘I love Edward St Aubyn’DONNA TARTT 
‘Nothing can prepare you for the rich, acerbic comedy of St Aubyn’s world’ 
ZADIE SMITH

Parallel Lines

Wrong Norma is Anne Carson's first book of original material in eight years 
 
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER FOR POETRY 
 
'Effortlessly readable and – a word critics don’t often use about her – fun' DAILY TELEGRAPH 
 
'I'm a big fan... She pinpoints the collision of oracle and anachronism' TEJU COLE 
 
As with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review. 
 
Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this: 
 
Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".

Wrong Norma

Astrid Goldsmith

"Brilliant, witty and endlessly inventive – an intimate family portrait of astonishing historical reach. It's warm, humane, complex and with a cumulative emotional power that floored me." Joe Dunthorne, author of Submarine 
 
A road-trip across Europe and back in time: the debut graphic memoir from the prize-winning author of A Funeral In Freiburg. 
 
When her imperious, chain-smoking German Jewish grandmother dies, it falls to Astrid and her father to drive a hire van to the Black Forest and collect the family heirlooms from Gisela's nicotine-stained apartment. 
 
In Freiburg, they are faced with several lifetimes’ worth of belongings to sort through - infested Persian rugs, mysterious photographs, a toy monkey that started a marriage - and a grasping landlord, impatient to renovate. 
 
As the list of demands from uncles, sisters and cousins grows longer, the rabbit-holes of history and memory grow deeper. Long-buried secrets and tales of survival are revealed - from Nazi Germany to colonial Africa - and old feuds are reignited, as father and daughter struggle with the responsibility of preserving the family legacy. More importantly, will they be able to fit everything into a medium wheel-base transit van? 
 
Funny, bittersweet and beautifully drawn, The Crystal Vase is an odyssey of family arguments, identity crises, and late discoveries.

The Crystal Vase

Yuval Noah Harari

David Casanave

Discover the second volume of an epic, beautifully illustrated graphic history of humankind, based on Yuval Noah Harari's multi-million copy bestselling phenomenon. 
 
When nomadic Homo sapiens settled to live in one place, they started working harder and harder. But why didn't they get a better life in return? 
 
In The Pillars of Civilization, Yuval Noah Harari and his companions including Prof. Saraswati and Dr. Fiction travel the length and breadth of human history to investigate how the Agricultural Revolution changed society forever. Discover how wheat took over the world, how war, famine, disease and inequality became a part of the human condition, and why we might only have ourselves to blame. 
 
The origins of modern farming are told through Elizabethan tragedy, the changing fortunes of domesticated plants and animals are tracked in the columns of the Daily Business News, and the history of inequality is revealed in a superhero detective story. 
 
A radical, witty and colourful retelling of the story of humankind, adapted from Yuval Noah Harari's Sapiens: A Brief History of Humankind, Volume 2 can be read as a standalone or as a follow-up to Volume 1, The Birth of Humankind. 
 
Praise for Yuval Noah Harari's Sapiens: 
 
'I would recommend Sapiens to anyone who's interested in the history and future of our species.' Bill Gates 
 
'Interesting and provocative... It gives you a sense of how briefly we've been on this Earth' Barack Obama 
 
'Jaw-dropping from the first word to the last... It may be the best book I've ever read' Chris Evans 
 
'Contains a remarkable piece of information on almost every page and reminds us that we should be grateful to be human.' Matt Haig 
 
'Sweeps the cobwebs out of your brain... Radiates power and clarity, making the world strange and new' Sunday Times 
 
'Provocative and fascinating and opinionated...it makes the familiar seem unfamiliar. It altered how I view our species and our world.' Guardian

Sapiens A Graphic History, Volume 2

The Pillars of Civilization

Emma Rendel

Emma Rendel is one of the most distinctive and original graphic artists at work today. She joins the Cape list with the extraordinary Pentti and Deathgirl, two strange tales in one beautiful volume. 
 
'Pentti' is the story of two Finnish brothers, Juha and Pentti. When two men move in next to their farm, Pentti is convinced they must be gay. 'So what?' says Juha, but Pentti, full of drink and righteous anger, storms off into town looking for a fight. 
 
'Deathgirl's Diary' tells of Deathgirl, lonely and friendless, talking only to her diary, where she confides her obsessions: stabbing, beheading, poisoning...

Pentti and Deathgirl

David B

The most acclaimed European graphic novel of the last ten years, Epileptic is David B.'s story of his brother's battle with epilepsy - but it turns into a penetrating and sometimes lacerating self-examination on the author's part, as he delves into his own complex emotions and his family's troubled history, as well as his own youthful fantasy life. Particularly pointed is his description of the family journey from one attempted cure to another, including acupuncture, spiritualism and macrobiotics. 
 
David B.'s drawing is utterly extraordinary, balancing literal representation and expressionist psychological distortion.

Epileptic

Thomas Pynchon

Milwaukee 1932, the Great Depression going full blast, repeal of Prohibition just around the corner, Al Capone in the federal pen, the private investigation business shifting from labour-management relations to the more domestic kind. Hicks McTaggart, a onetime strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case, locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering. Before he knows it, he’s been shanghaied onto a transoceanic liner, ending up eventually in Hungary where there’s no shoreline, a language from some other planet, and enough pastry to see any cop well into retirement – and of course no sign of the runaway heiress he’s supposed to be chasing. 
 
By the time Hicks catches up with her he will find himself also entangled with Nazis, Soviet agents, British counterspies, swing musicians, practitioners of the paranormal, outlaw motorcyclists, and the troubles that come with each of them, none of which Hicks is qualified, forget about being paid, to deal with. Surrounded by history he has no grasp on and can’t see his way around in or out of, the only bright side for Hicks is it’s the dawn of the Big Band Era and as it happens he’s a pretty good dancer. 
 
Whether this will be enough to allow him somehow to Lindy-hop his way back again to Milwaukee and the normal world, which may no longer exist, is another question.

Shadow Ticket

Akshi Singh

The celebrated psychoanalyst Marion Milner invented new ways of thinking about leisure. A hundred years on, Akshi Singh follows her methods, with life-changing consequences.'Illuminating and thought-provoking' Darian Leader 
 
'Astounding, generous, and quietly exhilarating' Daisy LaFarge 
 
Marion Milner lived for the entirety of the twentieth century. By the age of ninety-eight she had written nine books revealing how free time and creativity are vital for a fulfilled life. 
 
Akshi Singh was born ninety years after Milner, in Rajasthan, over four thousand miles away from where Milner lived and worked. At first glance, the worlds of these two women seem entirely separate. Yet when Singh found herself standing at a crossroads in her life and grieving personal loss, she realised the questions and preoccupations Milner was exploring were her own. 
 
In Defence of Leisure presents Marion Milner as a writer for our times. In asking the simple question: how do I want to spend my free time? Milner developed a method for discovering her true likes and dislikes. As Singh follows Milner's approach - from keeping a diary to painting, building a home to travelling to the sea - she discovers the importance of rest, creativity and play in all of our lives, and how it can open the door to achieving what we truly desire. 
 
'An exquisite, open-hearted celebration of desire, friendship and lives imaginatively lived' Marianne Brooker, author of Intervals 
 
'Singh's verve and intelligence radiate from every page' Hannah Zeavin

In Defence of Leisure

Experiments in Living with Marion Milner

Isabel Greenberg

The entrancing story of the Brontë sisters' childhood imaginary world, from the New York Times bestselling graphic novelist. 
 
Four children: Charlotte, Branwell, Emily and Anne have invented a world so real and vivid that they can step right into it. But can reality be enough, when fiction is so enticing? And what happens to an imaginary world when its creators grow up? 
 
Plots are spiralling, characters are getting wildly out of hand, and a great deal of ink is being spilt... 
 
Welcome to Glass Town.

Glass Town

Michael Longley

Michael Longley has remarkable powers of reinvention. Certain themes remain constant - the natural world, war, violence, love, friendship, art, death - but they also keep changing because the forms and genres of his poetry never stand still. In A Hundred Doors a sinuous short line complements his variations on pentameter and hexameter. And Longley's interlacing of individual lyrics, so that a diverse collection seems a single poem, intensifies in the shadow of mortality. 
 
A sequence about his grandchildren's births is counterpointed by elegies, including Longley's continuing elegy for the Great War dead. The Mayo townland, Carrigskeewaun, with its cast of leverets, otters, swans, wrens, lesser twayblade and bird's-foot trefoil, also takes on fresh guises. Longley is among Europe's foremost 'ecological' poets. Yet Carrigskeewaun is ultimately symbolic, a microcosm, a 'soul-arena'. 
 
A Hundred Doors roams in time and space. The title-poem evokes the oldest Byzantine church in Greece: Our Lady of a Hundred Doors on the island of Paros. The remains of a Greek temple 'ache' beneath its floor. Wild orchids, which crop up in Greece and the Italian Garfagnana as well as Ireland, are among the collection's multiple 'doors'. Others are music and paintings, 'cloudberry jam from Lapland', a Shetland pony. This is work of power, precision and delicacy: poems that 'bend and magnify the daylight', poems by a master craftsman.

A Hundred Doors

‘It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...’ – Samuel Taylor Coleridge to William Sotheby, 27 September 1802 
 
This anthology of poems and prose ranges from literary weather – Homer’s winds, Ovid’s flood – to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting – weather rhymes, journals and jottings, diaries and letters – to the drama unfolding above our heads. 
 
The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other’s elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.

Gigantic Cinema

A Weather Anthology

Daniel Casanave

David Vandermeulen

The first volume of the graphic adaptation of Yuval Noah Harari's global phenomenon and smash Sunday Times #1 bestseller, with gorgeous full-colour illustrations and a beautiful package - the perfect gift for the curious beings in your life. 
 
One hundred thousand years ago, at least six different species of humans inhabited Earth. Yet today there is only one-homo sapiens. What happened to the others? And what may happen to us? 
 
In this first volume of the full-colour illustrated adaptation of his groundbreaking book, renowned historian Yuval Harari tells the story of humankind's creation and evolution, exploring the ways in which biology and history have defined us and enhanced our understanding of what it means to be "human". From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, Sapiens challenges us to reconsider accepted beliefs, connect past developments with contemporary concerns, and view specific events within the context of larger ideas. 
 
Featuring 256 pages of full-colour illustrations and easy-to-understand text covering the first part of the full-length original edition, this adaptation of the mind-expanding book furthers the ongoing conversation as it introduces Harari's ideas to a wider new readership.

Sapiens A Graphic History, Volume 1

The Birth of Humankind

Anne Enright

For thirty years Anne Enright has been paying attention: casting her lucid and distinctive gaze across the world, literature and her own life, and gifting us with her precise insights. 
 
Anne Enright has aways been alert to the places where public and private meet, where individual lives are caught by, or alter, the sweep of history. These essays, collated from across Enright's career, take us from Dublin to Galway, Canada to Honduras, and through voices, bodies and time. They delve into Enright’s own family history, and explore the free voices and controlled bodies of women in society and fiction. Enright has spent a lifetime reading as well as writing, and she offers new perspectives on writers including Alice Munro, Toni Morrison, James Joyce, Helen Garner and Angela Carter. 
 
Attention brings Anne Enright’s wide-ranging cultural criticism, literary and autobiographical writing together for the first time. In Enright’s fiction, speech can transform, rupture, enliven and liberate. In these essays, she speaks to us directly. Electrifying, probing and exuberant, this is a defining collection from one of our most distinguished literary voices.

Attention

Writing on Life, Art and the World

Mary Talbot

Set against the background of violence and state repression in a turbulent period of French history, The Red Virgin and the Vision of Utopia chronicles the incredible and outrageous life of Louise Michel, the revolutionary feminist dubbed ‘The Red Virgin of Montmartre’. A utopian dreamer, notorious anarchist, teacher, orator and poet, she was decades ahead of her time. Always a radical, she fought on the barricades defending the short-lived Paris Commune of 1871 against the reactionary regime that massacred thousands of French citizens after the Commune’s defeat. Deported to a penal colony on the other side of the Earth, she took up the cause of the indigenous population against French colonial oppression. 
 
Celebrating the utopian urge in nineteenth-century literature and politics and the origins of science fiction, The Red Virgin and the Vision of Utopia is the third collaboration of best-selling academic and graphic novelist Mary M. Talbot with her husband, the graphic novel pioneer Bryan Talbot. Their first book together, Dotter of her Father’s Eyes, won the 2012 Costa Biography Award.

The Red Virgin and the Vision of Utopia

Sarah Lippett

Sometimes, the simplest stories are the best... This is a lovely, tender book... Stan and Nan are all of our grandparents, their stability and infinite kindness much mourned as our ever-changing worlds spin frantically on.' 
Rachel Cooke, Observer 
 
My nan wrote me many letters back in 2011. They were about the love of her life, my grandad, Stanley Burndred. I’ve never met him, he died long before I was born, but his drawings, paintings and ceramics have been in my life for as long as I can remember. Every wall of Nan’s house would be decorated by his artworks and every windowsill bore his ceramic creations. Whenever we visited Nan in the Black Country I would study the ornaments and pictures, wondering who had made them. It wasn’t until I wrote to Nan many years later, receiving in return beautiful handwritten letters detailing his life, that it became apparent that the work was his. 
 
The letters were so beautiful I felt my nan’s story had to be told. Stan and Nan is the story of an ordinary couple and the people who loved them. The narrative follows their lives from Stan’s working-class background, to his premature death, through to Nan’s struggle to cope, and the perils of ageing. It is a memoir about the importance of family, and about death, love, living and human connection.

Stan and Nan

Alex Halberstadt

'Engrossing' Daniel Beer, Guardian 
 
'A beautiful book... incisive, radiant' Olivia Laing 
 
'Illuminating, dramatic... majestic writing' Spectator 
 
'Enthralling... a triumph' Andrew Solomon 
 
Alex Halberstadt returns to Russia, the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family, in this haunting work of memoir and history. 
 
In Ukraine, Halberstadt tracks down his paternal grandfather - most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother's home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers' wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. 
 
Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

Showing results for: ‘Carlo Rovelli’

Filters

Category

Age

Publication Date

Format

Series

Imprint

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter