Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.

Evelyn Waugh

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Roxy Dunn

Elliot. Joe. Tommy. Nathanael. Wren. Oliver. Malik. Zach. Frank. Patrick. Noah. These are the men Margot has loved, liked, lusted over. 
 
Since she was seventeen, she's pictured them like stepping stones - each one bringing her closer to finding someone to share her life with and, eventually, father the children she's always imagined in her future. 
 
From her first sexual encounter, to her first love, from grown-up dilemmas to spontaneous thrills, she's soaked up every experience available to her, discovering friendship, joy and despair. Through all of this she's refined her search until she believes she's arrived at 'the ending' to her story. 
 
So how did she find herself here, single at thirty-four, and about to make the biggest decision of her life?

As Young as This

Róisín Lanigan

Renting is a nightmare. 
 
Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can't shake the sense that there's something not quite right about the place... 
 
It's not just the humourless estate agent and nameless landlord: it's the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it’s the upstairs neighbours, whose very presence makes peaceful coexistence very difficult indeed. 
 
The longer Áine spends inside the flat - pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her - the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott...

I Want To Go Home But I'm Already There

Carol Atherton

Twenty years ago, Carol Atherton and her husband Matthew stood together on the doorstep of a suburban house waiting to meet the small, red-headed toddler who would soon be woven into the fabric of their lives. 
 
But that moment was only one of many thresholds they crossed on their journey to becoming adoptive parents. In the years leading up to it, they had found their path strewn with countless questions and clouded by the myths that have shaped our collective ideas about adoption. 
 
What was the truth behind the sensationalist headlines and the dramatic depictions in books, film and television? What level of scrutiny would Carol and Matthew face? Who would their child be, and how had they come to be adopted? And what would they need from the family who were going to give them a home? 
 
In the months following the first nervous call to the adoption agency, all Carol and Matthew’s assumptions would be upended. They would meet social workers, judges, support networks and foster carers, learning not only about the process, but also about the wider social and political realities of adoption – its complicated history, past injustices and ever-evolving future. 
 
So Many Ways to Belong is the handhold Carol wishes she’d had two decades ago, when doubt and uncertainty shadowed every step. Honest, illuminating and essential reading for those whose life has been—or may yet be—touched by adoption, and for anyone wanting to better understand its story, this is an empathetic exploration of belonging, identity and our very human need for rootedness: to know who we are, where we’ve come from, and how we fit in.

So Many Ways to Belong

A Personal History of Adoption

Martina Hefter

Juno Isabella Flock is a dancer and performance artist who spends her days caring for her ailing husband, and her nights chatting to love scammers online. She’s aware of the risks these men pose – she’s watched a documentary about them – but she’s also discovered a heady freedom in these online conversations, and the things they allow her to say. 
 
When Juno meets Owen_Wilson223 – or, to use his real name, Benu - she senses an immediate connection between them, even though they're separated by thousands of miles. Gradually, they reveal more and more about themselves to each other: about their real selves, and about who they really want to be. And just as Juno sees through Benu’s lies, he sees through hers too. 
Hey, Good Morning, How Are You? is a whirlwind of a novel. It’s about yearning to stay young while age marches on; it’s about how to stay truthful while the internet changes everything; it’s about love and desire in all their many, conflicting forms. And most of all, it’s a novel about the way we are all connected, by the same constellations and the same night sky, however different our circumstances.

Hey, Good Morning, How are you?

Leila Mottley

When Adela Woods tells her parents she’s pregnant, they immediately send her a thousand miles away to stay with her grandmother in Padua Beach. The intention is that she will leave her baby in 'the forgotten Panhandle of Florida'. and resume her suburban life nine months later as though nothing happened. But Adela’s plans are soon washed away by the tide. 
 
First, Adela meets Emory, a new mother determined to defy the expectations of everyone around her, returning to high school with her newborn baby strapped to her chest. Then she meets Simone, ringleader of ‘the Girls,’ a group of young mothers who create a village together in the back of her red truck—dancing, breastfeeding, raising their children and themselves. 
 
The town thinks they’ve lost their way. Really, they are finding it. 
 
But as they look for love, make and break friendships, navigate the miracle of motherhood and the paradox of girlhood, Adela, Emory and Simone also find themselves on an inescapable collision course with one another.

The Girls Who Grew Big

Rupert Dastur

It is autumn 2004 and in a farmhouse on the hills outside Llandudno, a family endures the agonizing wait for their son to return from Iraq. His decision to join up has left them reeling, yet there are other pressing concerns to be met at home: the working of the farmland that has been theirs for generations and what to do with their troubled younger son. 
 
Catrin’s childhood sweetheart comes back to their small town, giving the boys’ doting mother a glimpse into the life she could have had. And John, their father, falls once more into his gambling habit, even as the farm sits on the brink of bankruptcy. 
 
As each member of the family grasps at their own tenuous lifeline, they drift further from one another – until, on a cold winter evening, there is a fateful knock at the door. 
 
Written in luminous, exquisitely calibrated prose, Cloudless is a masterful portrayal of the fragility and resilience of human connection.

Cloudless

Susanna Crossman

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years. 
 
While the Adults adopted new names and liberated themselves from domestic roles, the Kids ran free. In the community, nobody was too young to discuss nuclear war and children learned not to expect wiped noses or regular bedtimes. Instead, they made a home in a house with no locks or keys, never knowing when they opened doors whether they’d find violent political debates or couples writhing under sheets. 
 
Decades later, and armed with hindsight, Crossman asks what happens to children who are raised as the product of social experiments. Revisiting her past, she turns to leading thinkers in philosophy, sociology and anthropology to examine the society she grew up in, and the many meanings of family and home.

Home Is Where We Start

Growing Up in the Fallout of the Utopian Dream

Marina Lewycka

After walking out on his wife to shack up with 'Brexit Brenda' next door, George Pantis thinks he's got it made - especially when he wins millions on a Kosovan lottery he barely remembers entering. Unfortunately, he can't access the money because he's forgotten his password. What is he meant to tell all the forceful people who keep appearing at his doorstep desperate to know his mother's maiden name? The situation is shadier than he thinks, and George is need of rescue. But will his dysfunctional family be able to save him, and in the process, can they save each other?

The Good, the Bad and the Little Bit Stupid

Independence seems to be drifting away from Misty. Just months ago, she was living with her fiancé and planning their life together. Now she’s single, back in her childhood bedroom, on crutches from knee surgery, and relying on her mother to help her with the smallest of tasks. This isn’t how thirty-two was meant to look. 
 
When Misty turns to dating apps, she's she’s immediately intrigued by charismatic, handsome Christopher – so intrigued that she doesn't doesn’t even notice the acronym ‘ENM’ on his profile. By the time she discovers that it stands for ‘ethical non-monogamy' – and that he’s in a long-term open relationship – she already feels such undeniable, dizzying chemistry that she decides to give things a go. 
 
And so Misty makes a pact with herself to date Christopher for the next six weeks while his partner is away. It’s all part of her plan: she wants to learn to become less attached, and to prepare herself for her next ‘real’ relationship. But is what she wants really what she needs?

Wants and Needs

Courtney Gustafson

People kept asking: Why would you have cats that don’t love you back? 
 
The morning after Courtney Gustafson moved into an old house in the Poets Square neighbourhood of Tucson, Arizona, she noticed tiny pawprints all over her driveway. They were the first evidence of a colony of feral cats who would, in time, become part of her family and help pierce a personal darkness she’d wrestled with for much of her life. 
 
Beebs was the first cat to appear, allowing herself to be petted in the driveway. And then came so many others. There was Monkey, the hissing, dark-blotched calico, and Reverse Monkey, her timid, white-blotched opposite. There were Sad Boy and Lola, the inseparable pair who made their way across the internet and into strangers’ wedding vows. There was the sweet, serene Dr. Big Butt, who brought lessons about grief. And there was Goldie, the tiny king of Poets Square: sick, skinny, but completely unafraid. These cats – and many, many others – would expand her world spectacularly. 
 
Poets Square is a love letter to community in a broken society, told through the cats Courtney meets in dark alleys, neglected homes and her own driveway; cats she cherishes and must sometimes let go. Above all, she explores what her encounters with feral cats can teach us about care, connectedness and the power 
of hope.

Poets Square

A Memoir in Thirty Cats

Joanna Miller

Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship. 
 
Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed. 
 
But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.

The Eights

Previously published as Poets Square: A Memoir in Thirty Cats 
 
People kept asking: Why would you have cats that don’t love you back? 
 
The morning after Courtney Gustafson moved into an old house in the Poets Square neighbourhood of Tucson, Arizona, she noticed tiny pawprints all over her driveway. They were the first evidence of a colony of feral cats who would, in time, become part of her family and help pierce a personal darkness she’d wrestled with for much of her life. 
 
Beebs was the first cat to appear, allowing herself to be petted in the driveway. And then came so many others. There was Monkey, the hissing, dark-blotched calico, and Reverse Monkey, her timid, white-blotched opposite. There were Sad Boy and Lola, the inseparable pair who made their way across the internet and into strangers’ wedding vows. There was the sweet, serene Dr. Big Butt, who brought lessons about grief. And there was Goldie, the tiny king of Poets Square: sick, skinny, but completely unafraid. These cats – and many, many others – would expand her world spectacularly. 
 
Poets Square is a love letter to community in a broken society, told through the cats Courtney meets in dark alleys, neglected homes and her own driveway; cats she cherishes and must sometimes let go. Above all, she explores what her encounters with feral cats can teach us about care, connectedness and the power of hope.

The Cats of Poets Square

A Memoir in Thirty Feral Cats

Rachel Roddy

This is a story of pasta. In it, Guardian columnist and award-winning food writer Rachel Roddy condenses everything she has learned about Italy's favourite food in a practical, easy-to-use and mouth-watering collection of over 120 essential pasta and sauce recipes. 
 
Short essays weave together the history, culture and the everyday life of pasta shapes from the tip to the toe of Italy. There is pasta made with water, and pasta with egg; shapes made by hand and those rolled by machine; the long and the short; the rolled and the stretched; the twisted and the stuffed; the fresh and the dried. An A-Z of Pasta suggests how to match pasta shapes with sauces, and how to serve them. The recipes range from the familiar - pesto, ragù and carbonara - to the unfamiliar (but thrilling): ziti with onion and beef, scialatielli with sea bass and lemon; capelli d'angelo with leeks and saffron. 
 
This is a mouthwatering guide to pasta from one of the best food writers of our time.

An A-Z of Pasta

Stories, Shapes, Sauces, Recipes

Frances Ryan

'No one really talks about it. No one really talks about what it is to be a disabled woman, especially a young one. To go a bit mad. To experience pain or exhaustion or feel 92. To navigate all the standard parts of life - exams, careers, dating - but with a body that is different than everyone else’s.' 
 
Part memoir, part manifesto, and full of Frances Ryan’s trademark warmth, humour and honesty (as well as hard-hitting statistics), Who Wants Normal? explores six facets of life: education, careers, body image, health, relationships and representation, as well as how to survive life's bumps in the road. 
 
It draws on Frances’s own experience, as well as from highly personal interviews with over 50 of Britain's best known women and non-binary people with mental and physical health conditions, including Jameela Jamil, Ruth Madeley, Sophie Morgan, Rosie Jones, Fearne Cotton, Emma Barnett, Tanni Grey-Thompson, Marsha de Cordova MP, Ellie Goldstein and Katie Piper. 
 
Who Wants Normal? lifts the lid off a subject that is too often shrouded in stereotypes and silence. It offers support, inspiration and a sense of solidarity to the 1 in 4 women with long-term health conditions – and will open the eyes of anyone wanting to better understand what life is really like with a disability.

Who Wants Normal?

The Disabled Girls’ Guide to Life

Life Lessons from Disabled Women

Gabriel Tallent

Dan and Tamma are two Californian teenagers growing up dirt poor in the shadows of the Joshua Tree National Park, one of the world’s great rock climbing meccas. Their mothers had once been teenage waitresses and best friends until their paths diverged. Now Dan’s mother spends her days locked in her room, her dreams squandered and all her hopes pinned on getting her precociously clever son out of town and away to university. 
 
Tamma’s mother holds no such ambition for her mouthy, queer, truant-playing, snaggle-toothed daughter, who everyone but Dan believes to be a troublemaker and no-hoper. But Tamma and Dan are fuelled by dreams of becoming legendary rock climbers, of devoting their lives to summiting the most challenging climbs and defying all the expectations, both good and bad, that others have for them. 
 
Climbing at sun-up, on cliff faces that test their bodies to the limit, is where their friendship is forged. It’s also the one thing that gives them hope. But as their final year of high school unfolds and their climbs become ever more dangerous, and their home lives ever more extreme, it’s inevitable that something is going to snap...

Crux

Emma Barnett

The essential companion for every mother embarking on maternity leave 
 
'In one important sense maternity leave is poorly named, as it involves no actual leave. You are constantly on, even when your offspring is having a nap. There is nothing restful about it. In another sense maternity leave is aptly named, because it’s a period of leave from all you know: taking leave of one’s mind, body, job, and relationships' 
 
When Emma Barnett began her second maternity leave, she realized that, despite having been there before, as soon as her first leave finished the rose-tinted lenses had descended and she immediately forgot what the experience was actually like when you’re in it. This collective forgetting, which leads to well-meaning comments such as ‘enjoy every minute’ and ‘treasure this special time’, is doing a disservice to women, leaving them unprepared for the more complicated reality of what it means to be on maternity service. 
 
In this warmly reassuring, refreshingly honest book, Emma sets out to capture this reality, in real time while on her latest tour of duty. She isn’t offering advice on sleep-training or weaning or helping your baby reach milestones. Instead, this book is a celebration and acknowledgement of the work of being on maternity leave, with its soaring highs and challenging lows, and its impact on how women feel about our purpose and ourselves.

Maternity Service

A Love Letter to Mothers from the Front Line of Maternity Leave

Stanley Tucci

Before Stanley Tucci became a household name with The Devil Wears Prada, The Hunger Games, and the perfect Negroni, he grew up in an Italian American family that spent every night around the table. Taste is an intimate reflection on the intersection of food and life, filled with anecdotes about growing up in Westchester, NY, preparing for and filming the foodie films Big Night and Julie & Julia, falling in love over dinner, and teaming up with his wife to create conversation-starting meals for their children. Each morsel of this gastronomic journey through good times and bad, five-star meals and burnt dishes, is as heartfelt and delicious as the last. Written with Stanley's signature wry humour and nostalgia, Taste is a heartwarming read for anyone who knows the power of a home-cooked meal.

Taste

My Life Through Food

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