Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.

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Evie Wyld

Joe Sumner

Evie Wyld was a girl obsessed with sharks. Spending summers in the brutal heat of coastal New South Wales, she fell for the creatures. Their teeth, their skin, their eyes; their hunters and their victims. 
 
Everything is Teeth is a delicate and intimate collection of the memories she brought home to England, a book about family, love and the irresistible forces that pass through life unseen, under the surface, ready to emerge at any point.

Everything is Teeth

Mimi Pond

'A total treat - bravo' Sunday Times 
 
'A spectacular, dizzying romp' Alison Bechdel, Fun Home 
 
Outrageous, passionate and glamourous - a stunning graphic biography of the six sisters who blazed their way through the 20th century, beguiling their peers, the press and then the rest of the world 
 
As a young girl living in sun-bleached 1960s suburban California, Mimi Pond fell in love with the Mitford sisters. Nancy, Pamela, Diana, Unity, Jessica and Deborah Mitford brought society glitz, pageantry, scandal, and real (rainy) weather to her own prosaic life. 
 
High society debutantes known for rubbing shoulders with some of history’s most infamous fascists and communists, the sisters were also, in turn, gifted writers, inveterate nicknamers, chicken-raising homebodies, scathing wits, and passionate adventurers in the maelstrom of the 20th century. 
 
Drawn with inimitable artistic flair and a mischievous affinity for the decadent and grandly declining aristocracy, Mimi Pond brings the Mitfords to life in this glittering and lovingly researched family biography. 
 
 
**Delight your loved ones with this perfect festive gift**

Do Admit

The Mitford Sisters and Me

Raymond Briggs

A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway 
 
Utterly original, deeply moving and very funny, Ethel &amp; Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971. 
 
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s. 
 
Ethel &amp; Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.

Ethel & Ernest

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

Driving Short Distances

Julia Blackburn

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. 
 
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. 
 
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. 
 
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers. 
 
'An astounding, disarming book, full of grief and beauty' Olivia Laing 
 
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman

Dreaming the Karoo

A People Called the /Xam

Alison Bechdel

An expansive, moving and captivating graphic memoir from the author of Fun Home. 
 
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven. 
 
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. 
 
'As absorbing as it is graced with a deceptive lightness of touch, it is clever, brilliantly pieced together, and utterly unusual. Sunday Times 
 
'It's a beautiful (and beautifully illustrated) look at the complexity and dysfunctionality of family through a unique lens - and frames things in such a way that you can't help but re-examine your own relationships, too.' Stylist

Are You My Mother?

Becky Barnicoat

'The most accurate account of becoming a parent I have ever read.' PHILIPPA PERRY 
 
‘So clever, so funny, so astute, so healing. Becky Barnicoat is a stone cold genius.' LUCY JONES 
 
A glorious antidote to parenting books, this darkly humorous, candid and insightful graphic memoir brings the early years of parenthood to life – in all their chaos, wonder and delirium. 
 
Intimate, relatable and very funny, Becky Barnicoat explores everything from the anatomy of the hospital bag to the frantic obsession with putting your baby down drowsy but awake, to the tyranny of gentle parenting. From pregnancy to the feral toddler years, Barnicoat extends a sticky hand to all new parents grappling with the impossible but joyous jigsaw puzzle of their lives. 
 
Barnicoat gives us permission to cry when the baby cries – and also laugh, snort, lie on the floor naked, drool and generally revel in a deeply strange new world ruled by a tyrannical tiny leader, growing bigger and more loved by the day. 
 
 
'Tender, moving, beautifully drawn and also, extremely hilarious.' ISABEL GREENBERG 
 
'It made me laugh, weep, cheer and howl... essential reading for parents and their peers.' NELL FRIZZELL 
 
‘The perfect gift for parents overwhelmed by cluster feeding, cabin fever, and the exhausting, exhilarating 'it' of 'having it all'’ ADA CALHOUN

Cry When the Baby Cries

Anna Trench

The story of female footballer Florrie and the amazing hidden history of the women’s game come to life in this debut graphic novel about football, friendship and falling in love. 
 
'Beautifully drawn and very well written' ALISON BECHDEL 
 
'If you put Alison Bechdel's Fun Home in football kit, you might come up with something like Florrie' ZING TSJENG 
 
When Florrie’s great-niece discovers Florrie was a footballer in the early twentieth century, she unearths a secret history both on and off the pitch. 
 
Boxes from the attic contain photos, objects and letters, revealing football games and love affairs in Norfolk, London and Paris. Florrie’s adventures touch on both invented and real events: huge crowds at matches in London and Preston, international fixtures, dances at lesbian club Le Monocle in Paris, and the devastating consequences of the FA's 1921 ban on women's football. 
 
This is a story of self-discovery, friendship and queer love, alongside huge (and little known) historical moments for the women’s game. In Florrie, Anna Trench brings readers a beautifully drawn, evocative and warm-hearted love-song to an unforgettable woman and sport. 
 
'Bright with the feeling of liberation, and the risks and joys of following your heart' SEÁN HEWITT 
 
Charming and incredibly moving' RACHEL RAMSAY

Florrie

A football love story

Blake Bailey

'Superlative... definitive and genuinely gripping' SUNDAY TIMES 
 
'Utterly engrossing' EVENING STANDARD 
 
'Compulsively readable... Beautifully written... Definitive' OBSERVER 
 
Appointed by Philip Roth and granted complete access and independence, Blake Bailey spent years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the post-war literary scene. 
 
Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth's rivalrous friendships with Saul Bellow, John Updike and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll's House. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of post-war American culture. 
 
*A 'BOOKS OF 2021' PICK IN THE OBSERVER, GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, EVENING STANDARD, SPECTATOR AND NEW STATESMAN*

Philip Roth

The Biography

Astrid Goldsmith

"Brilliant, witty and endlessly inventive – an intimate family portrait of astonishing historical reach. It's warm, humane, complex and with a cumulative emotional power that floored me." Joe Dunthorne, author of Submarine 
 
A road-trip across Europe and back in time: the debut graphic memoir from the prize-winning author of A Funeral In Freiburg. 
 
When her imperious, chain-smoking German Jewish grandmother dies, it falls to Astrid and her father to drive a hire van to the Black Forest and collect the family heirlooms from Gisela's nicotine-stained apartment. 
 
In Freiburg, they are faced with several lifetimes’ worth of belongings to sort through - infested Persian rugs, mysterious photographs, a toy monkey that started a marriage - and a grasping landlord, impatient to renovate. 
 
As the list of demands from uncles, sisters and cousins grows longer, the rabbit-holes of history and memory grow deeper. Long-buried secrets and tales of survival are revealed - from Nazi Germany to colonial Africa - and old feuds are reignited, as father and daughter struggle with the responsibility of preserving the family legacy. More importantly, will they be able to fit everything into a medium wheel-base transit van? 
 
Funny, bittersweet and beautifully drawn, The Crystal Vase is an odyssey of family arguments, identity crises, and late discoveries.

The Crystal Vase

Helen Longstreth

Move away, run away, wash up on a strange shore and the room is the same. It will always be the same room... The same problems in a new arrangement. 
 
Funny, sorrowful and filled with love and life, this beautiful and beguiling memoir goes in search of what we keep behind the doors of the past, how it haunts the present and what it takes to make sense of it all. 
 
Helen Longstreth’s chaotic childhood: the relentless cycle of her father’s alcoholic relapses, the six kids coming and going, the abject apologies and uncertain forgiveness, the meals that bring the family back together again. But while she is studying in America, the land of her parents’ birth, her father dies – and it all comes to an abrupt end. 
 
In the years that follow, she is drawn back to America and another world of chaotic love and alcoholic madness, dying fathers and lost boys. The same problems in a new arrangement. 
 
Ten years after her father’s death, Helen returns to her childhood home to spend a rainy summer with her mother, whose own gift for narrative is a complicated inheritance. Her father’s office, his briefcase, and his desk – all untouched since his death – loom beneath the leaking roof. At last, she begins to open the drawers…

Things in Every Room

Miriam Gold

This is the story of the ordinary extraordinary life of Dr Elena Zadik. 
 
Lives were bent in the furnaces of the twentieth century, but Elena Zadik was unbroken. With a stethoscope, a jar of herring and a hearing aid occasionally switched on, she forged an extraordinary life. Elena ran through the twentieth century without looking back. 
 
A refugee twice before she was 17, she broke glass ceilings to become a doctor during World War 2. She was as brilliant a doctor as she was terrible a driver (she never took a test). Finding community, falling in love and starting a family in Sheffield while her parents were imprisoned and killed in Auschwitz, she swam against the odds with courage and tenacity. 
 
Miriam gathers the threads of her Granny’s story, reflecting on their unconventional relationship and how trauma travels down through the generations in this gorgeous brocade of illustration and collage. 
 
Granny was an unintentionally hilarious woman, often difficult, always opinionated and deeply resourceful. Her hands were always busy and form the heart of this timely, irresistible graphic story of the ordinary extraordinary resilience of women. 
 
A heartfelt and charming graphic memoir of love, family and fearless women.

Elena: A Hand Made Life

In these five stories Julia Blackburn recalls the significant animals in her life and in so doing gives us a sidelong glance at the human members of her family, her painter mother and poet father. 
 
First comes Congo the bush baby, from the jungles of Madagascar via Harrods pet department. He slept in an old cap on the back of the door, and could leap about the room via the picture rails. Then there are tropical fish, tortoises, chickens, guinea pigs, foxes (the last three a combustible combination), pigs, and two very distinctive dogs, Julia's own dog, Jason, a cocker spaniel whose habits of servility and loyalty Julia's father, Thomas, was determined to undo ('He's worse than Rosencrantz and Guildenstern, fawning at my heels!') and Henry, a Parson Jack Russell terrier that Thomas got after his divorce, a dog of great independence, dignity and forbearance, whom his master used to take mountaineering. 
 
This is a delightful book, wry, funny and wise, and unmistakably the work of Julia Blackburn.

My Animals and Other Family

Adrian Tinniswood

Behind the Throne is a history of family life. 
 
The families concerned were royal families. But they still had to get up in the morning. They ate and entertained their friends and worried about money. Henry VIII kept tripping over his dogs. George II threw his son out of the house. James I had to cut back on the drink bills. 
 
The great difference is that royal families had more help with their lives than most. Charles I maintained a household of 2,000 people. Victoria’s medical establishment alone consisted of thirty doctors, three dentists and a chiropodist. Even in today’s more democratic climate, Elizabeth II keeps a full-time staff of 1,200. A royal household was a community, a vast machine. Everyone, from James I’s Master of the Horse down to William IV’s Assistant Table Decker, was there to smooth the sovereign’s path through life while simultaneously confirming his or her status. 
 
Behind the Throne uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire; the practicalities of cooking dinner for thousands, or ensuring the king always won when he played a game of tennis. 
 
Behind the Throne is nothing less than a domestic history of the royal household, a reconstruction of life behind the throne. Readers go on progress with Elizabeth I as she takes her court and her majesty to her subjects. They dance the conga round the state rooms of Buckingham Palace with George VI. 
 
They find out what it was like to dine with queens, and walk with kings.

Behind the Throne

A Domestic History of the Royal Household

Joe Decie

Observer Graphic Novel of the Month 
 
Collecting Sticks is a graphic novel about a family glamping trip. (It's like camping, but much more expensive.) Loosely based on actual events, but sometimes veering unexpectedly into fantasy, the story plays with the challenges nature presents to city folk as they forage for berries, get stuck up a tree, make perilous encounters with stinging wildlife, compete to build the best fire and discover the importance of finding good sticks. Also, it rains. It's about the human desire to get back to nature. Or to return to childhood and hit things with sticks. 
 
Funny, moving, beautifully drawn, Collecting Sticks can stand beside Joff Winterhart’s classic graphic novel of family life, Days of the Bagnold Summer.

Collecting Sticks

Sarah Perry

'Please read this book. It may very well change how you live' Rachel Clarke 
 
'I was spellbound' Kathryn Mannix 
 
Death of an Ordinary Man is an unforgettable account of this universal aspect of life. It is not a book about grief: it is a book about dying, and it is a book about family, and care and love. 
 
Sarah Perry's father-in-law David died in the autumn of 2022, only nine days after a cancer diagnosis. Until then he'd been a healthy and happy man: he loved stamp collecting, fish and chips, comic novels, his local church, and the Antiques Roadshow. He was in some ways a very ordinary man, but as he began to die, it became clear how extraordinary he was. 
 
Sarah and her husband Robert nursed David themselves at home, eventually with the help of carers and visiting nurses. They bathed and cleaned and dressed him, comforted him in pain, sat with him through waking and sleeping, talked to him, sang to him, prayed with him. Day by day and hour by hour, they witnessed what happens to the body and spirit as death approaches and finally arrives. 
 
'By the end I was left shaken, deeply moved' Christos Tsiolkas 
 
'This book will be a lifeline for so many people' Seán Hewitt 
 
'To read this book is a privilege, a gift on the craft of dying' Amy Key

Death of an Ordinary Man

Sharon Olds

Sharon Olds completes her cycle of family poems in a book at once intense and harmonic, playful with language, and rich with a new self-awareness and sense of irony. 
 
The opening poem, with its sequence of fearsome images of war, serves as a prelude to poems of home in which humour, anger, and compassion sing together with lyric energy - sometimes comic, sometimes filled with a kind of unblinking forgiveness. These songs of joy and danger - public and private - illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revision, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds's characteristic passion, imagination, and poetic power.

One Secret Thing

David B

The most acclaimed European graphic novel of the last ten years, Epileptic is David B.'s story of his brother's battle with epilepsy - but it turns into a penetrating and sometimes lacerating self-examination on the author's part, as he delves into his own complex emotions and his family's troubled history, as well as his own youthful fantasy life. Particularly pointed is his description of the family journey from one attempted cure to another, including acupuncture, spiritualism and macrobiotics. 
 
David B.'s drawing is utterly extraordinary, balancing literal representation and expressionist psychological distortion.

Epileptic

Hannah Berry

Excitement is building for this year’s Twammies and Clementine Darling is hotly tipped to win Best Female Singer and Political Spokesperson! 
 
The government is embarrassed about the leak of a confidential email exchange, but have you heard about Clementine’s new beau Devon Ayre? Yes, human cloning appears to have been legalised, but wasn’t Devon once together with Clementine’s arch rival Coral Jerome? And does it really matter what dubious corporate connections helped get this bill into place while Clementine and Coral are locking horns in a violent feud? 
 
Livestock is a razor-sharp satire on our relationship with the media from critically acclaimed graphic novelist Hannah Berry. In the fight for the public’s attention, why let public interest get in the way?

Livestock

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Seán Hewitt

On the cusp of adulthood, James dreams of another life far away from his small village. As he contends with the expectations of his family, his burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. 
 
Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, but underneath his bravado lie anxieties and hopes of his own. 
 
With the passing seasons, the two teenagers grow closer and the bond that emerges between them transforms their lives. James falls deeply for Luke, yet he is never sure of Luke’s true feelings. And as the end of summer nears, he has a choice to make – will he risk everything for the possibility of love?

Open, Heaven

Heather Clark

A debut novel about a life-changing romance in the long shadow of European history, inspired by the author's real discovery. 
 
'A singular portrait of intoxicating young love' AUBE REY LESCURE 
 
'You wouldn't be able to put it down' SAMANTHA ROSE HILL 
 
For years after I tried to tell myself that what happened between us was hardly worth remembering. 
 
Harvard, 1996. Anna is about to graduate when she meets Christoph, a German student visiting campus. They only spend a week together – discussing art, ideas and history – but it is long enough for Anna to fall desperately in love. Anna begins to visit Christoph in Germany. As she tries to understand the young, elegant man who fascinates her, he reveals his country to her. 
 
Germany is still reckoning with the Holocaust and its pretty new squares and grand facades belie its recent history and the war’s destruction. Christoph condemns his country’s actions but remains vague about the part his own grandparents played. Anna’s grandfather, meanwhile, was an American GI who took photos of the end of the war, photos that capture its horror, preserved in a scrapbook only Anna has seen. 
 
Anna wants to believe in Christoph and the future he promises her but as their relationship becomes increasingly unsettling, she must face up to everything she has been unwilling to see, and everything Christoph has chosen to ignore. 
 
'An elegant, unsettling novel about the burden of history and the illusions of love' Sana Krasikov, author of The Patriots 
 
'Heather Clark writes with a rare empathy' Times Literary Supplement

The Scrapbook

Arthur Lubow

Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. 
 
She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.

Diane Arbus

Cristina Morales

An explosive and daring novel about bodies, sex, politics and disability by the prize-winning Spanish writer Cristina Morales 
 
Ángela, Patricia, Marga and Nati are cousins living together in Barcelona. As women branded as disabled who share a state-subsidised flat, they must fight every day to retain their independence and find new and inventive ways - from dance to underground zines - to stop the state from managing every aspect of their lives. 
 
Funny and furious, Easy Reading is an indictment of the institutions that stigmatise individuals as disabled and of the language that marginalises them. It is also a portrait - visceral, vibrant, combative - of contemporary Barcelona. But, above all, Easy Reading is a feminist celebration of the body in all its forms, of female desire and queer sexuality, and of the transgressive and revolutionary power of language. 
 
Translated from the Spanish by Kevin Gerry Dunn

Easy Reading

The new novel from the Spanish literary sensation

Sarah Lippett

A moving, often very funny graphic memoir about what it is like to grow up with an illness that no one can diagnose. 
 
 When the headaches started, Sarah Lippett would stand alone on a different side of the playground from the other children. When she started to drag one of her legs, her parents took her to hospital, and so began the visits to many different doctors, each one more bewildered by her illness than the last. Initially schooled at home, when Sarah went back to school she was placed with the struggling kids, and still so often ill, she felt even more alone. 
 
But although Sarah's parents often despaired of the stream of appointments and no cure, they never showed it and she grew up in the midst of a boisterous, loving family and found good friends at last, as well as venturing into bands, art, boys, books and records. Finally, when Sarah turned sixteen, she was admitted to Great Ormond Street Hospital where the doctors diagnosed her with the rare disease, Moyamoya. The book ends with Sarah waking up after brain surgery.

A Puff of Smoke

Alison Weir

Triumph and tragedy, love and loss, murder and malice in the lives of five fifteenth-century queens, from 'the queen of history writing' (Sunday Express) 
 
The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. 
 
Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. 
 
They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination. 
 
Alison Weir uncovers their stories in this final volume of her ground-breaking series on the queens of medieval England. Queens at War is a stunning culmination of research by a historian at the full extent of her powers and gripping account of five women on the throne. 
 
* 
PRAISE FOR ALISON WEIR: 
 
‘A meticulous scholar’ New York Times 
‘She is an excellent storyteller: descriptions are vivid and her knowledge of the sources is extensive’ Spectator 
‘Weir’s hugely popular history books are as gripping as novels’ The Times 
‘[Weir] writes in a pacy, vivid style, engaging the heart as well as the mind’ Independent 
‘Alison Weir has the rare gift of being able to bring history vividly to life’ Choice

Queens at War

England's Medieval Queens

Mary Talbot

Kate Charlesworth

Bryan Talbot

Discover the stunning graphic novel from the Costa Award-winning authors of Dotter of her Father's Eyes. 
 
Sally Heathcote: Suffragette is a gripping inside story of the campaign for votes for women. A tale of loyalty, love and courage, set against a vividly realised backdrop of Edwardian Britain, it follows the fortunes of a maid-of-all-work swept up in the feminist militancy of the era. Sally Heathcote: Suffragette is another stunning collaboration from Costa Award winners, Mary and Bryan Talbot. Teamed up with acclaimed illustrator Kate Charlesworth, Sally Heathcote's lavish pages bring history to life.

Sally Heathcote

Suffragette

Kate Beaton

*WINNER OF THE EISNER AWARDS FOR BEST MEMOIR AND BEST WRITER/ARTIST* 
 
'A vast and complex tapestry that captures the humanity of people... it shimmers with grace' 
ALISON BECHDEL, author of FUN HOME 
 
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, a tight-knit seaside community. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coast Canadians who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates. 
 
Arriving in Fort McMurray, Katie finds work in the lucrative camps owned and operated by the world's largest oil companies. As one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For young Katie, her wounds may never heal. 
 
Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Ducks

Two Years in the Oil Sands: One of Barack Obama’s Favourite Books of 2022

Margaret Atwood

Renée Nault

Provocative, startling, prophetic, and more relevant than ever, The Handmaid's Tale has become a global phenomenon. Now, in this stunning graphic novel edition of Margaret Atwood's modern classic, the terrifying reality of Gilead is brought to vivid life like never before. 
 
"Everything Handmaids wear is red: the colour of blood, which defines us." Offred is a Handmaid in the Republic of Gilead, where women are prohibited from holding jobs, reading, and forming friendships. She serves in the household of the Commander and his wife, and under the new social order she has only one purpose: once a month, she must lie on her back and pray that the Commander makes her pregnant, ecause in an age of declining births, Offred and the other Handmaids are valued only if they are fertile. But Offred remembers the years before Gilead, when she was an independent woman who had a job, a family, and a name of her own. Now, her memories and her will to survive are acts of rebellion. 
 
The Handmaid's Tale and its iconic images - the red of the Handmaids, the blue of the Wives, the looming Gileadean Eye - have been adapted into a film, an opera, a ballet, and multi-award-winning TV series. This groundbreaking new graphic novel edition, adapted and featuring arresting artwork by Renée Nault, is destined to become a classic in its own right.

The Handmaid's Tale

The Graphic Novel

Lucie Arnoux

A funny, heartfelt graphic memoir about living in foreign countries, and finding one's place both at home and abroad. 
 
In this delightful graphic novel, Lucie Arnoux chronicles her adventures around the world. Growing up in Marseille as a misfit with a passion for drawing, she decides to settle in London to pursue her dream career as a comics writer. Je Ne Sais Quoi shows us London through the eyes of a mischievous and clear-sighted young French woman, the joys and pains of being an outsider and, ultimately, how to live life to its fullest.

Je Ne Sais Quoi

The Adventures of a French Woman in London

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