Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.

Evelyn Waugh

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Ngugi wa Thiong'o

Who owns language? In Decolonizing Language and Other Revolutionary Ideas, Ngugi wa Thiong’o presents a series of essays that build on his vast wealth of work on language and its constructive role in national culture, history, and identity. Intricate, nuanced and accessible, it reaffirms the revolutionary power of African languages to fight back against both the psychic and material impacts of colonialism, past and present.With immense relevance to our present moment, Decolonizing Language and Other Revolutionary Ideas is a brilliant distillation of the enduring themes of Ngugi’s work and a vital addition to the library of one of the world’s greatest and most provocative writers.

Decolonizing Language and Other Revolutionary Ideas

Andrew Graham Dixon

The paintings of Johannes Vermeer of Delft are some of the most beautiful, even sublime, in the history of art. Yet like the life of Vermeer himself, they are mysterious and have for centuries defied explanation. Following new leads, and drawing on a mass of historical evidence, some of it freshly uncovered in the archives of Delft and Rotterdam, Andrew Graham-Dixon paints a dramatically new picture of Vermeer, revealing many of the painter’s hitherto unknown friendships as well as his previously undetected allegiance to a radical movement driven underground by persecution. 
 
He also vividly evokes the world of the Dutch Republic as it was in its so-called Golden Age. This was a watery world of fortresses and flood plains, taverns rocked by argument and cities stunned by devastating attacks and explosions: all linked by a network of canals where a uniquely efficient public transport system, operated by horse-drawn passenger barge, enabled people, goods and ideas to glide effortlessly from one place to another. The author sets Vermeer firmly in the context of his time, revealing the patterns of patronage that make sense of his work, and also exposing the difficulties posed by his home life, which was dominated by his Jesuit mother-in law and disturbed by the psychotic behaviour of her only son. 
 
In the past Vermeer has been imagined as a remote and enigmatic figure, but he emerges from this new account as a man deeply engaged with his own society: well-travelled, a reader of books, a man personally connected to many of the most interesting people of his time, including merchants, philosophers, preachers, bankers and regents, as well as his childhood friend, a philanthropic baker named Hendrick van Buyten. Vermeer was also deeply affected by the struggles that shook his world, the Eighty Years War for Dutch independence and the yet more terrible Thirty Years War, which ravaged the neighbouring German lands and resulted in the deaths of millions. The author shows how he was moved to become a pacifist by such atrocities, and thereafter made many of his closest friends in the ranks of Europe’s first peace movement. A further revelation is that Vermeer’s closest collaborator and chief patron was a woman, as were many others in his immediate circle. These are all previously untold stories. 
 
The many piercingly direct descriptions of Vermeer’s pictures, which are the heart of the book, shed new light on the intentions of the artist. Nearly all of his best loved works, Graham-Dixon shows, were originally painted for a single significant location in Delft. In light of such discoveries every one of Vermeer’s major paintings, including The Girl with a Pearl Earring, A View of Delft and The Milkmaid, are reassessed and their meanings rethought. As a result the two great unresolved questions about Vermeer – why did he paint his pictures, and what do they mean? – are persuasively answered here for the first time.

Vermeer

A Life Lost and Found

Nick Hayes

Early one September, Nick Hayes brought his houseboat up the Thames into rural Oxfordshire, mooring opposite a strange tree that towered over the surrounding meadowland. The tree, he would discover, was a hybrid of the eastern cottonwood, brought back from colonial Canada. The land was the Hardwick estate, whose apparently timeless tranquillity – like so much of the English countryside – masks a darker history. Yet Hardwick also tells another, quite different story. 
 
Over the following months, Hayes learns that its rolling hills and fertile valleys are on the front lines of a battle between ownership and belonging. Through a golden autumn, and the frosts and floods of winter and early spring, Hayes explores an estate that, acknowledging the colonial origins of its wealth, has become a haven for those who are both unable and unwilling to be part of a countryside geared towards profit at any cost. Living and working among this extraordinary community of farmers and craftspeople, Hayes contemplates what we have lost in England, as our sense of kinship with the land, and the deep knowledge that arose from it, was destroyed. 
 
Yet, Hayes suggests, if we can learn from the cultures we have exploited, and from the tentative roots being put down in this radical Oxfordshire estate, perhaps we can start to unpick – and even re-enchant – our relationship with the land. The Medicine Tree is a singular act of storytelling and recovery: of giants, gods, witches, trees, horror and hope, of entanglement, reparation and solidarity.

The Medicine Tree

Repairing the Rotten Roots of England

Lea Ypi

When Lea Ypi discovers a photo of her grandmother, Leman, honeymooning in the Alps in 1941 posted by a stranger on social media, she is faced with unsettling questions. Growing up, she was told records of her grandmother’s youth were destroyed in the early days of communism in Albania. But there Leman was with her husband, Asllan Ypi: glamorous newlyweds while World War II raged.What follows is a thrilling reimagining of the past, as we are transported to the vanished world of Ottoman aristocracy, the making of modern Greece and Albania, a global financial crisis, the horrors of war and the dawn of communism in the Balkans. While investigating the truth about her family, Ypi grapples with uncertainty. Who is the real Leman Ypi? What made her move to Tirana as a young woman and marry a socialist who sympathized with the Popular Front while his father led a collaborationist government? And why was she smiling in the winter of 1941?By turns epic and intimate, profound and gripping, Indignity explores what it means to survive in an age of extremes. It reveals the fragility of truth, both personal and political, and the cost of decisions made against the tide of history. Through secret police reports of communist spies, court depositions, and Ypi’s memories of her grandmother, we move between present and past, archive and imagination, fact and fiction. Ultimately, she asks, what do we really know about the people closest to us? And with what moral authority do we judge the acts of previous generations?

Indignity

A Life Reimagined

Katja Hoyer

Weimar looms large in German history: a crucible of democracy and dictatorship. This ancient town nestled in the heart of the country was home to some of Europe's greatest thinkers, Goethe and Schiller, Liszt and Nietzsche among them. It gave its name to the ambitious Weimar Republic crafted in the aftermath of the First World War. But it was also where fascism took hold. Where Bauhaus architects first experimented with new ways of living, Buchenwald was dug out of a beech forest. 
 
Weimar shows us a town and its people on the edge of catastrophe. Drawing on a wealth of new archival research, acclaimed historian Katja Hoyer takes us from 1919 to 1939 as she tells the stories of the men and women who lived through the new republic and Hitler's regime. We encounter a vividly drawn cast of characters, from bookbinder Carl Weirich and hotel owners Rosa and Arthur Schmidt, to Friedrich Nietzsche's sister Elisabeth. Here are fascists and socialists, artists and workers, politicians and citizens, who, as the events of history swept them up, became witnesses, perpetrators, victims and bystanders. 
 
An unforgettable picture of lives and choices in extraordinary circumstances, Weimar takes us deep into the heart of the storm – to the town that dreamt of a better world, and woke up to tyranny.

Weimar

Life on the Edge of Catastrophe

Philip Gourevitch

Philip Gourevitch's modern classic We Wish to Inform You That Tomorrow We Will Be Killed With Our Families opened our eyes to the 1994 genocide of Rwanda's Tutsi minority: close to a million people murdered by their neighbours in one hundred days. Now Gourevitch brings us an intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, vengefulness and forgiveness. 
 
 A powerful literary reckoning, You Hide That You Hate Me and I Hide That I Know is the culmination of twenty-five years of reporting. The book takes its title from a Rwandan adage that speaks to the uneasy trade-offs that reconciliation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken. 'Truth Heals' was the slogan. But truth also wounds. And truth is always contested. 
 
 As Gourevitch returns to the same families in one small hillside village, their accounts of killing and surviving inform and enlarge one another, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts. This moving book continuously invites us - as only great writing can - to think, and to think again.

You Hide That You Hate Me and I Hide That I Know

Hilton Als

Hilton Als grew up in a corner of Brooklyn scarred by riots, racial segregation and sexual prejudice. As a young teenager, he began to glimpse possibility in the different cultures and ways of being he encountered through high school; in the black men and white men who found ways to be together. As a burgeoning writer in a Manhattan pulsing with new culture - with hip hop, Basquiat, nightclubs and new wave - Hilton at last came together with the gay family he had longed for. The timing was not opportune: reports of a 'rare cancer' were beginning to trickle through the press. 
 
Part autobiography, part reportage, part cultural criticism, I Don't Remember weaves the impossible story of queer America in the age of the AIDs crisis. It is an elegy like no other for an unsung generation of gay men: of heroic lovers and friends, visionary makers, artists and creators. By turns lyrical, wry, and exquisite in its poetic, rapid-fire storytelling, it sings a song of the necessity of connection, and the grandness of human endeavor, especially when it comes to loving, and being loved, in the face of social limitations, stigma, and unspeakable tragedy.

I Don't Remember

Maria Alyokhina

2014: Russia prepares to host the Winter Olympics. Russia invades Crimea. Putin is re-elected president. Several political prisoners are amnestied and released early from prison.Maria Alyokhina is among them. She had spent two years in a penal colony after performing the punk prayer ‘Virgin Mary, Banish Putin’ with her friends in the Cathedral of Christ the Saviour. They had warned the rest of the world of the dangers of authoritarianism but the Russia she finds when she gets out of prison is even more oppressive.What can you do, she asks, when your country has been seized by all-powerful men who are waging war against another country and their own citizens?As Maria recounts her brave and colourful protests, we are drawn straight into the world of grassroots opposition and witness the absurd measures the Russian state takes to contain protest. And when the full-scale war against Ukraine starts and the Russian opposition is repeatedly silenced, Maria and her activist friends continue to resist despite the high stakes. They fight increasingly absurd cycles of detention and house arrest: sometimes with the smallest acts such as going for a walk or having a rainbow ice cream, until, faced with a new prison sentence, she escapes Russia in May 2022 dressed as a delivery food courier. Her story, like her life, is fiercely courageous, darkly funny and highly inspiring to anyone who wants to stand up for the truth.

Political Girl

Life and Fate in Russia

Edward White

For more than forty years, Diana, Princess of Wales, has been mythologized to the most extraordinary degree. Adored and lionized by some, ridiculed and traduced by others, Diana has always commanded a cultural presence unmatched by any other member of the royal family. 
 
In Dianaworld, Edward White offers both a portrait of the princess and a group portrait of those who existed in her orbit—from her royal in-laws, her servants, and the dilapidated ranks of the British aristocracy from which she rose, to drag performers, artists, Britain’s ethnic minorities, and the Gen Z superfans who maintain her status as a cultural icon. 
 
Drawing on a wide array of sources and perspectives, many never used in books about Diana or the royal family, White vividly recreates the world Diana lived in, explores the growth of her global reputation, and illuminates her lasting impact on the world she left behind.

Dianaworld

An Obsession

Neil Price

Almost everyone has heard of the Vikings: scouring the coasts of Europe in their longships, with plunder and pillage. Those raiders were real and deserved their reputation, but in fact they were only ever a small minority of the Scandinavians. ‘Viking’ comes from the Old Norse word for pirate, and while we may use that label for every Northerner of the eighth to eleventh centuries, in reality they followed many different callings. 
 
In his revelatory new book, archaeologist Neil Price takes us on a journey of individual encounters across the whole of the Norse world. From the beginning of the Viking Age to its end, the true diversity of their lives is brought out in vivid clarity from excavated evidence: we meet sea-kings and sorceresses; arctic hunters and shapeshifters; Sámi nomads and bears given burials; mercenaries and traders; the free and the enslaved; immigrants and diplomats; followers of many gods, and the worshippers of one; townsfolk and farmers; and yes, the real Vikings too. The time that bears their name will never seem so simple again.

The Sea-King and the Sorceress

Life and Death in the Viking Age

Ron Chernow

Born in 1835, the man who would become America’s first, and most influen­tial, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dis­patches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a jour­nalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, politi­cal crusades, and eccentric behaviour that sometimes obscured darker forces at play.Drawing on Twain’s bountiful archives, includ­ing thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing.

Mark Twain

Toby Green

In 1665 Crispina Peres, the most powerful trader in the West African slave trafficking port of Cacheu, was arrested by the Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers: the djabakós. But who was Peres? And why was the Portuguese Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau? 
 
In The Heretic of Cacheu Toby Green takes us to the heart of this conundrum, but also into the atmosphere of a very distant time and place. We learn how people in seventeenth-century Cacheu built their houses, what they wore, how they worshipped – and also the work they did, how they had fun, and how they healed themselves from illness. 
 
Through this story, the haunting realities of the growing slave trade and the rise of European empires emerge in shocking detail. By the 1650s, the relationship between Europe, West Africa, and the Americas was already an old one, with slaving entrepots, colonies, and military bases interweaving over many generations. But Cacheu also challenged the dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women like Crispina Peres ran the town and challenged the patriarchy of empire. 
 
For the first time, through the surviving documents recording Peres’s case, we can see what this world was really like. The Heretic of Cacheu is an extraordinary act of historical recovery. It is the story of a seventeenth-century West African woman, but also of the shifting, sophisticated world in which she lived – its beliefs, values and people.

The Heretic of Cacheu

Struggles over Life in a Seventeenth-Century West African Port

Jeremy Atherton Lin

A Book of the Year for The New Yorker and Electric Lit and a Time Out 10 Best Books of 2025 
 
It’s 1996, and Jeremy, a young American, has met the British boy of his dreams — just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples rights including immigration. The pair snatch time in forests and deserts, London fashion shows, and East Village hotel rooms; eventually, finding no other way to stay together, they shack up illicitly among unlikely allies in San Francisco. 
 
What emerges is an unexpected romantic comedy haunted by centuries of gay ghosts. Deep House moves through the couple’s various domiciles while unlocking doors to a lineage of outsiders who came before them: hapless criminals, sexpot bartenders, friars, pirates, government workers who subvert the system and activists who go all the way to the Supreme Court to fight for their freedoms. Combining cultural history with radically intimate memoir, Deep House is at once a romp through the queer archives and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.

Deep House

The Gayest Love Story Ever Told

Fay Bound-Alberti

What’s in a face? 
 
The face is the only part of the body where all the senses come together and, over the course of human history, has come to represent who we are as individuals. We unlock our phones with facial recognition; we have our faces stamped in our passports; and although our faces may change over the course of our lives – whether through ageing, accident, illness or lifestyle – they remain a foundational marker of identity. 
 
In The Face, cultural historian Fay Bound-Alberti explores the ways humans have interpreted faces and how they have shaped our ideas of morality, social hierarchy, psychology and so much more, revealing some of the biases that inform our everyday lives. She charts how new technologies and cultural innovations have transformed our conception of selfhood over time – from the growth of portraiture in the Renaissance and the mass production of mirrors and photography in the nineteenth century, to twenty-first century developments, such as digital avatars and face transplants. 
 
Bringing together a wealth of fascinating research, interviews and illuminating personal narratives, Bound-Alberti probes beneath the surface to ask what our faces really say about us.

The Face

A Cultural History

Sean Cunningham

Henry VII was one of England's unlikeliest monarchs. An exile and outsider with barely a claim to the throne, his victory over Richard III at Bosworth Field seemed to many in 1485 only the latest in the sequence of violent convulsions among England's nobility that would come to be known as the Wars of the Roses – with little to suggest that the obscure Henry would last any longer than his predecessor. To break the cycle of division, usurpation, deposition and murder, he had both to maintain a grip on power and to convince England that his rule was both rightful and effective. Here, Sean Cunningham explores how, in his ruthless and controlling kingship, Henry VII did so, in the process founding the Tudor dynasty.

Henry VII (Penguin Monarchs)

Treason and Trust

Christopher de Hamel

Christopher de Hamel is one of the world’s best-known scholars and writers on illuminated manuscripts. He was mostly brought up in the south of New Zealand, where his family moved when he was four. This book magically evokes a childhood at vast distance from Europe, recalling his thrill and wonder in first encountering medieval manuscripts in libraries there and the realization that they too are migrants far from home. 
 
The Migrants explores the immense journeys of books and people. It is a tale of colonization and the migration of culture – of motives and idealism, triumphs and disasters – bringing us face-to-face with history. We meet the colonial governor on his paradise island, the shipwrecked accountant, the nonagenarian who cut up manuscripts, the magnate who unknowingly bought Becket’s Boethius and the early settler who inscribed his Book of Hours in the Maori language in 1842. We travel with the author today back to where these manuscripts began their own lives, through France and Poland and medieval England, discovering their first owners and following the longest journeys on earth. 
 
This is a coming-of-age saga with extraordinary twists, crossing many hundreds of years and tens of thousands of miles, recounted with passion, humour and a lifetime’s reflection.

The Migrants

A Memoir with Manuscripts

John Cassidy

At a time when we are faced with fundamental questions about the sustainability and morality of the economic system, Capitalism and Its Critics provides a kaleidoscopic history of global capitalism, from colonialism and the Industrial Revolution to the ecological crisis and artificial intelligence. 
 
John Cassidy adopts a bold new approach: he tells the story through the eyes of the system’s critics. From eighteenth-century weavers who rebelled against early factory automation to Eric Williams's paradigm-changing work on slavery and capitalism, to the Latin American dependistas, the international Wages for Housework campaign of the 1970s, and the modern degrowth movement, this absorbing narrative traverses the globe. It looks at familiar figures – Smith, Marx, Luxemburg, Keynes, Polanyi – from a fresh perspective, but also focuses on many less familiar, including William Thompson, the Irish proto-socialist whose work influenced Marx; Flora Tristan, the French proponent of a universal labour union; John Hobson, the original theorist of imperialism; and J. C. Kumarappa, the Indian exponent of Gandhian economics. 
 
Blending biography, panoramic history, and lively exploration of economic theories, Capitalism and Its Critics illuminates the deep roots of many of the most urgent issues of our time.

Capitalism and Its Critics

A Battle of Ideas in the Modern World

Tom Feiling

No sex. No kids. No future? 
 
When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, and a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come – but, he began to realize, it was no longer a beacon. It was a warning. 
 
This book offers a unique portrait of life in contemporary Japan, from the quiet of its furthest flung villages to the dynamism of its megacities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. The country is still peaceful; it is still prosperous. But the population is shrinking. As things stand, it will fall by a third with each new generation. 
 
Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples’ homes, Feiling meets those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and considers the risks – and the opportunities – of the rise in solo living in Japan, and beyond. 
 
Clear-sighted and surprising, Alone in Japan is a portrait of love, sex and death in contemporary Japan that should provoke and engage us all. It is an electrifying portrait of a nation on the brink by one of the most original reporters working today.

Alone in Japan

A Journey to the Future

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