Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.

Evelyn Waugh

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Emily Bernard

A New Statesman essential non-fiction read of 2021 
 
'Everybody should read [this]' Stylist 
 
"Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book." 
 
In twelve intensely personal, interconnected essays, Emily Bernard sets out to tell stories from her life that enable her to talk about truth, race, family and relationships, and much more. 
 
She observes the complexities and paradoxes, the haunting memories and ambushing realities of growing up black in the South with a family name inherited from a white man, of getting a PhD from Yale, of marrying a white man from the North, of adopting two babies from Ethiopia, of teaching at a white college and living in America's New England today. 
 
Ultimately, she shows us that it is in our shared experience of humanity that we find connection, happiness and hope. 
 
What readers are saying: 
'Perspective changing essays' ***** 
'A page-turner - full of empathy, love, and insight' ***** 
'I raced through this' ***** 
'I loved it' ***** 
'Exquisitely crafted' ***** 
'Essential reading' ***** 
'I couldn't put it down' ***** 
'Beautifully written. A must read for all races' ***** 
'I loved everything about this book' *****

Black is the Body

Stories From My Grandmother's Time, My Mother's Time, and Mine

Fiona Sampson

Born Aurore Dupin in 1804, by the time she was thirty she was internationally renowned as George Sand, her novels out-selling Victor Hugo in the English language. Soon, the legend of Sand herself - cigar-smoking, cross-dressing and promiscuous - scandalised Paris, seeming to break every rule set for women in polite society. 
 
What can we learn from the way she lived? Was her iconoclasm simply an act of courage, a declaration of absolute autonomy, or did her sexual and emotional relationships with the leading figures of her day - from Frederic Chopin to Gustave Flaubert - form part of her dialogue with the world, a dialogue intrinsic to writing itself? 
 
In Becoming George, award-winning poet and biographer Fiona Sampson rehabilitates Sand as an intellectual and artistic giant, the beating heart of French literature in the nineteenth century. For too long underestimated, though never by her peers, she speaks to us as a figure in some ways centuries ahead of her time.

Becoming George

The Invention of George Sand

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