Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.

Evelyn Waugh

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Ngugi wa Thiong'o

Who owns language? In Decolonizing Language and Other Revolutionary Ideas, Ngugi wa Thiong’o presents a series of essays that build on his vast wealth of work on language and its constructive role in national culture, history, and identity. Intricate, nuanced and accessible, it reaffirms the revolutionary power of African languages to fight back against both the psychic and material impacts of colonialism, past and present.With immense relevance to our present moment, Decolonizing Language and Other Revolutionary Ideas is a brilliant distillation of the enduring themes of Ngugi’s work and a vital addition to the library of one of the world’s greatest and most provocative writers.

Decolonizing Language and Other Revolutionary Ideas

Philip Gourevitch

Philip Gourevitch's modern classic We Wish to Inform You That Tomorrow We Will Be Killed With Our Families opened our eyes to the 1994 genocide of Rwanda's Tutsi minority: close to a million people murdered by their neighbours in one hundred days. Now Gourevitch brings us an intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, vengefulness and forgiveness. 
 
 A powerful literary reckoning, You Hide That You Hate Me and I Hide That I Know is the culmination of twenty-five years of reporting. The book takes its title from a Rwandan adage that speaks to the uneasy trade-offs that reconciliation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken. 'Truth Heals' was the slogan. But truth also wounds. And truth is always contested. 
 
 As Gourevitch returns to the same families in one small hillside village, their accounts of killing and surviving inform and enlarge one another, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts. This moving book continuously invites us - as only great writing can - to think, and to think again.

You Hide That You Hate Me and I Hide That I Know

Toby Green

In 1665 Crispina Peres, the most powerful trader in the West African slave trafficking port of Cacheu, was arrested by the Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers: the djabakós. But who was Peres? And why was the Portuguese Inquisition so concerned with policing the faith of a West African woman in today’s Guinea-Bissau? 
 
In The Heretic of Cacheu Toby Green takes us to the heart of this conundrum, but also into the atmosphere of a very distant time and place. We learn how people in seventeenth-century Cacheu built their houses, what they wore, how they worshipped – and also the work they did, how they had fun, and how they healed themselves from illness. 
 
Through this story, the haunting realities of the growing slave trade and the rise of European empires emerge in shocking detail. By the 1650s, the relationship between Europe, West Africa, and the Americas was already an old one, with slaving entrepots, colonies, and military bases interweaving over many generations. But Cacheu also challenged the dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women like Crispina Peres ran the town and challenged the patriarchy of empire. 
 
For the first time, through the surviving documents recording Peres’s case, we can see what this world was really like. The Heretic of Cacheu is an extraordinary act of historical recovery. It is the story of a seventeenth-century West African woman, but also of the shifting, sophisticated world in which she lived – its beliefs, values and people.

The Heretic of Cacheu

Struggles over Life in a Seventeenth-Century West African Port

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