Heidi Perks is the Sunday Times bestselling author of Now You See Her, which was a Richard and Judy Book Club pick, Come Back for Me, Three Perfect Liars, The Whispers and The Other Guest. The Last Resort is her sixth novel. Heidi is a voracious reader of crime and thrillers and is fascinated by the darker side of our closest relationships. Heidi lives in Bournemouth with her husband and two children.

Heidi Perks

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Puk Qvortrup

'Three in the bed. One not yet born, another dead, and I'm alive.' 
 
Puk is 26 years old, preparing for the birth of her second child, when her husband has a heart attack on his morning run. She leaves their toddler with a friend and dashes to the hospital, where Lasse lies unresponsive in a coma. He dies a few hours later. 
 
Into a Star follows Puk and her young family for one year after this tragedy, which has shattered the ordinary life she thought she would live, as she finds her way slowly through the enormous grief and, eventually, out the other side. With remarkable dignity, candour and attention to the domestic details that make us human, Puk Qvortrup invites us into the hardest moments of her life. And she reveals, amid the devastation, a powerful thread of hope.

Into a Star

Michael Marshall

Here, for the first time, is complete collection of actor and entertainer Stanley Holloway&rsquo;s incomparable comic monologues, which he performed between 1929 and 1941. All the much-loved characters such as Albert Ramsbottom (&lsquo;with a stick with an &lsquo;orse&rsquo;s &lsquo;ead &lsquo;andle&rsquo;), Sam Small (&lsquo;Sam, Sam, pick oop tha&rsquo; arm), and King &lsquo;Arold (&lsquo;on his &lsquo;orse with his &lsquo;awk in his &lsquo;and&rsquo;) are gathered together and brilliantly illustrated by cartoonist Bill Tidy.

The Stanley Holloway Monologues

Anna Goldreich

Moving to the countryside is supposed to fix Clare and Phoebe’s relationship. A fresh start, a change of scenery, a chance to heal after the miscarriage of their baby girl. 
 
Instead, Phoebe feels suffocated. Back in the rural community she ran from at seventeen and unable to face the partner she cannot help, she throws herself into work on the family farm. Clare is a stranger in the village, uninitiated and out of place. She spends her days drifting around the cottage, its walls groaning and shifting as she withdraws into a world inside her head. 
 
One day, wandering through the forest nearby, Clare finds a leveret – her own little Isla. A surrogate to lick and love. A way to feel whole again. 
 
But as Isla grows into an adult hare she becomes wild and unruly – a kicking, biting, scratching creature. With Clare’s grasp on reality growing ever more tenuous, Phoebe begins to question whether Isla is the cure for grief Clare is searching for as she desperately clings on to the woman she loves . . . 
 
With this bruisingly tender love story, debut author Anna Goldreich has conjured a hazy dream of a novel about the fantasies we create as a refuge from grief. The Leveret is a heartbreakingly gorgeous and lyrically haunting hymn to queer love and the power to rebuild from the wreckage of a relationship.

The Leveret

Nicola Williams

When the Head Clerk at her Chambers is murdered, Lee Mitchell doesn’t know who she can trust. 
 
One of the last people to see him alive, the crime is pinned on Junior Clerk Dean who ‘seems like the type’. Working-class and still living on the estate where he grew up, he has the most to gain from Tom’s death. 
 
But Lee knows how easily prejudices can snowball into convictions – and steps in to defend him. As the trial progresses, people Lee has worked with for years become suspects as her Chambers crumbles into a world of chaos and deceit. 
 
And, what of the diary, whispered about by those at Chambers? The one Tom used to blackmail Lee’s friends and enemies alike to do his bidding? The one containing secrets some might kill to keep hidden? 
 
Maybe finding it will be the key to solving his murder. Or maybe some secrets are better left buried . . .

Killer Instinct

Margaret Busby

Margaret Busby has been at the heart of cultural life in the UK for over 50 years. From becoming Britain’s youngest and first Black woman publisher when she founded publishing house Allison & Busby, to editing the ground-breaking international anthologies Daughters of Africa and New Daughters of Africa, her many achievements are testament to her dedication to championing the lives and stories of others, particularly those throughout the world who have been marginalised by the mainstream. 
 
With little attention previously given to her own skills as a writer, Part of the Story is a unique opportunity to enjoy her own remarkable literary output. It brings together her writings on people, places, politics and publishing, and provides a rich insight into the many elements that have contributed to shaping her life, from her childhood in Ghana to the Black writers, intellectuals, artists and activists she has worked with, befriended, supported and championed for over half a century.

Part of the Story

Writings from Half a Century

Kiran Desai

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. 
 
Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. 
 
The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

The Loneliness of Sonia and Sunny

Kenan Orhan

Dilara is having her bathroom renovated. Her father's memory has started collapsing, dementia stealing a little more of him each day; her apartment must be adapted so he can move in with her. But when the builders finally unveil their handiwork, there is a problem: instead of a new bathroom, they have built a prison cell. Not just any cell - one that Dilara recognises. It is a room from Silivri Prison in Istanbul. 
 
At first she is outraged, exasperated, determined to reverse the bizarre mistake. Dilara's family are political exiles: they fled Turkey years ago and have never been back. The last thing she wants is a piece of her abandoned homeland appearing uninvited in her new home. But gradually her indignation gives way to curiosity. Even as she struggles to care for her dying father, to stretch their dwindling savings and stop the wheels coming off her marriage, she is drawn back again and again to the mysterious prison cell, which seems to connect, impossibly, to a city that once belonged to her - to the salt wind off the Marmara, the sky full of gulls and domes and minarets - a portal back to Istanbul.

The Renovation

Richard McGuire

Richard McGuire has illustrated the New Yorker's articles for over a decade, using these 'spots' as a unique canvas upon which to practice the art of the graphic miniseries. Each single-panel line drawing stands alone but also fits withing a wider series of variations on a theme or an unfolding story. Here these are collected for the first time, with a single spot per page to allow the series to unfold slowly with each turn of the page, as they would in the original magazine. The result is a charming, joyful and witty 'short story' collection.

Sequential Drawings

Linn Ullmann

‘By writing down what happened, by telling the story as truthfully as I can, I’m trying to bring them together into one body – the woman from 2021 and the girl from 1983. I don’t know if it can be done' 
 
Paris, a winter’s night in 1983. She is sixteen years old, lost in unfamiliar streets. On a scrap of paper in her pocket is the address of a photographer, K, thirty years her senior. Almost four decades later, as her life and the world around her begins to unravel, the grown woman seeks to comprehend the young girl of before. 
Set in Oslo, New York and Paris, Girl, 1983 is a genre-defying and bravura quest through layers of memory and oblivion. As in her landmark previous work, Unquiet, Linn Ullmann continues to probe the elegiac sway of memory as she looks for ways to disclose a long-guarded secret. A delineation of time and place over the course of a life, this remarkable novel insistently crisscrosses the path of a wayward sixteen-year-old girl lost in Paris. 
 
Girl, 1983 is a raw and haunting exposure of beauty and forgetting, desire and shame, power and powerlessness.

Girl, 1983

Lydia Davis

Lydia Davis's writing is a masterclass in control: wry, lucid, penetrating, every word placed deliberately. Here she presents a dazzling collection of literary essays, each one as beautifully formed, thought-provoking, playful and illuminating as her critically acclaimed short fiction. Ranging across her many creative influences, including Thomas Pynchon, Michel Leiris, Maurice Blanchot, Lucia Berlin and Joan Mitchell, she returns again and again to her own writing process, joyfully interrogating the limits of literature and the ways in which we can challenge and reinvent it.

Essays

Each summer of her childhood, the daughter visited her father at his remote Faro island home on the edge of the Baltic Sea. 
 
Years later, when she is grown with children of her own and he's in his eighties, they plan to write a book together. It will be about age and time, language and memory. She will ask the questions. He will answer them. The tape recorder will record. But old age has caught up with him in ways neither could have foreseen. And when the man is gone, only memories - both remembered and recorded - remain. 
 
Heart-breaking and spellbinding, Unquiet is a seamless blend of fiction and memoir in pursuit of elemental truths about how we live, love, lose and age.

Unquiet

Liliane Lijn

In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men. 
 
In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: ‘There never have been.’ 
 
Liquid Reflections is her memoir of these years of experiment and adventure – years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. 
 
And she sought – and found – radical pleasure in the act of creative expression and in the living, sensuous world around her. 
 
Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 
 
'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity…’ Liliane Lijn

Liquid Reflections

Deborah Levy

Who was Gertrude Stein? 
 
Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius — a writer who has baffled readers and critics for a century. 
 
And why does she matter? 
 
The narrator of Deborah Levy’s latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights. 
 
As Paris sweeps her along in its ceaseless flow, she thinks – about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language – how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first. 
 
This is a book about how we put ourselves together— an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.

My Year in Paris with Gertrude Stein

A Fiction

Zadie Smith

'Married five times. Mother. Lover. Aunt. Friend. 
She plays many roles round here. And never 
Scared to tell the whole of her truth, whether 
Or not anyone wants to hear it. Wife 
Of Willesden: pissed enough to tell her life 
Story to whoever has ears and eyes...' 
 
Zadie Smith's first play is a joyous re-imagining of Chaucer's classic, The Wife of Bath's Tale. As the crowd in a small pub on the Kilburn High Road stand up to share their stories, the Wife of Willesden is not afraid to bare it all...

The Wife of Willesden

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. 
 
She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives. 
 
Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Dead and Alive

Avni Doshi

A woman’s husband walks into their bedroom one evening and tells her that he wants a divorce. She is stunned. They have always had a happy marriage, an almost perfect marriage. In the following days, marooned with two young daughters in a hostile suburb, the woman starts coming apart. 
 
As she sifts through the ruins of a shared life, she begins to notice the warning signs which she chose not to see the first time around. She wanders deep into her own mind, where marital scenes intermingle with the old myths of headless women and vengeful goddesses. Over the course of a single summer, she is splitting like an insect in its chrysalis, liquifying and reforming, stretching her new antennae toward the light. 
 
Stiletto-sharp and darkly hypnotic, this is a novel about unhappy families – about the bloody battlefield of the home and the enduring threat posed by those closest to us.

The First House

Noam Chomsky

Marv Waterstone

Is there an alternative to capitalism? In this landmark text Chomsky and Waterstone chart a critical map for a more just and sustainable society. 
 
'Covid-19 has revealed glaring failures and monstrous brutalities in the current capitalist system. It represents both a crisis and an opportunity. Everything depends on the actions that people take into their own hands.' 
 
How does politics shape our world, our lives and our perceptions? How much of 'common sense' is actually driven by the ruling classes' needs and interests? And how are we to challenge the capitalist structures that now threaten all life on the planet? 
 
Consequences of Capitalism exposes the deep, often unseen connections between neoliberal 'common sense' and structural power. In making these linkages, we see how the current hegemony keeps social justice movements divided and marginalized. And, most importantly, we see how we can fight to overcome these divisions.

Consequences of Capitalism

Manufacturing Discontent and Resistance

Olivia Laing

‘It is dangerous to want someone this much. He has always known it, from the very first night.’ 
 
It is September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema, the designer responsible for realising the spectacular visions of Fellini and Pasolini. Donati is in Venice to produce sketches for Fellini’s Casanova. A young – and beautiful – apprentice is just what he needs. 
 
He sweeps Nicholas to Rome, into the looking-glass world of Cinecittà, the studio where Casanova’s Venice will be ingeniously assembled. Then in the spring, the lovers move together to the set of Salò, Pasolini’s horrifying fable of fascism. 
 
But Nicholas has a secret and in this world of constant illusion, his real nature passes unseen. Amidst the rising tensions of Italy’s ‘Years of Lead’, he acts as an accelerant, setting in motion a tragedy he didn’t intend. 
 
The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. It’s a fictional account of real things, and an investigation into the difficult relationship between artifice and truth, illusion and reality, love and power.

The Silver Book

Adam Phillips

Where do we get ideas about the lives we want? And, what do we do – and fail to do – about actually getting them? 
 
In The Life You Want Adam Phillips uses psychoanalytic and literary approaches to show that we are obsessed by the idea of our lives being ones we want and enjoy rather than merely endure, tolerate or make the most of. 
 
Through a series of interlinked essays, Phillips explores the difficulties we have around the whole idea of enjoying – and fashioning – our lives in cultures that insistently promote enjoyment while making it very difficult for so many people. Exploring the personal and political overlap in the issue of our lives, The Life You Want is a profound examination of our ambivalence about enjoyment, and indeed, wanting.

The Life You Want

Isabel Waidner

Two men meet in a flat in London. They are total strangers and yet they look remarkably alike. Lewis is grieving his dead wife; Korine is hiding from his very-much-alive one. Lewis never had children; Korine is an ambivalent parent at best. Lewis is an erstwhile actor, too depressed to attend the big audition that has just fallen into his lap. Korine has tried a dozen dead-end jobs but never pursued his acting dreams. 
 
Two men living mirror image lives. Each seeking a second chance to get things right. Each wanting what the other has. 
 
As If is an existential farce about the road not taken. Surreal and slyly poignant, suffused with ironic melancholia, it is a parable for the twenty-first century everyman: a character trapped in reality’s hall of mirrors, endlessly searching for something to live for.

As If

With exceptional clarity and power of argument, Noam Chomsky lays bare as no one else can the realities of contemporary geopolitics. Divided into four sections and originally published in the US as individual short books which have collectively sold over half a million copies, How the World Works is a collection of speeches and interviews with Chomsky by David Barsamian, edited by Arthur Naiman. It includes What Uncle Sam Really Wants, about US foreign policy; The Prosperous Few and the Restless Many, about the new global economy, food, Third World 'economic miracles' and the roots of racism; Secrets, Lies and Democracy, about the US, the CIA, religious fundamentalism, global inequality and the coming eco-catastrophe; and The Common Good, about equality, freedom, the media, the myth of Third World debt and manufacturing dissent.

How the World Works

Oliver Lovrenski

Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up. 
 
Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way. 
 
In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world.

Back in the Day

Arundhati Roy

Arundhati Roy’s first work of memoir, this is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her relationship to her extraordinary, singular mother Mary, who she describes as ‘my shelter and my storm’. 
 
Distraught and even a “little ashamed” at the intensity of her response to the death of the mother she ran from at age eighteen, Arundhati began to write Mother Mary Comes to Me. The result is this astonishing, disconcerting, surprisingly funny chronicle—unique and simultaneously universal, of the author’s life, from childhood to the present, from Kerala to Delhi. 
 
With the scale, sweep, and depth of her novels and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

Mother Mary Comes To Me

Sophie Mackintosh

Clara and Francis are in love - but nobody knows it. For months they have been slipping away from their respective lives, sharing sweet, stolen afternoons in anonymous hotel rooms. Until one day they wake up in a bedroom neither of them recognises with no memory of how they got there. 
 
They find themselves in a strange, impossible city: a place populated entirely by adulterers. Here they can at last live openly as a couple, without fear of consequence, putting the theory of their love into practice. Here the sky is painted over the old town square in changeless, cloudless blue. Ripe fruits wait on their kitchen table each morning and the sunset comes down in a blaze of pink each night. And contact with the real world is impossible. As long as Clara and Francis are here, they only have each other. 
 
How do you know when you’ve found true love? How much would you sacrifice to keep hold of it? And how long can you stay in paradise before the cracks start to show?

Permanence

Han Kang

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die. 
 
Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her. 
 
There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before. 
 
We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

We Do Not Part

A new book from Nobel Prize-winning author Han Kang. 
 
Containing poetry, essay and her Nobel Prize in Literature essay, Light and Thread will be an illuminating insight into Han Kang's creative practice - perfect for any fan of her writing.

Light and Thread

Ali Smith

Ghosts don't exist. 
They don't. End of. 
Story, however. 
It is haunting. 
Everything tells it. 
 
It all starts when Petra and her little sister Patch hear a horrifying story from the past and find themselves making up a ghost. 
Is it imaginary? Is it real? 
 
Then it all starts again thirty years later when Petra, now estranged from Patch, finds a phantom horse kicking the furniture to pieces in her bedroom. 
What to do? She phones her sister. 
 
In a chiaroscuro dance through our increasingly antagonistic era, Glyph asks if we’re attending to the history that’s made us and to the history we’re making. A funny, warm and clear-eyed take on where we are now, Glyph is about what our imaginations are for and how, in a broken, brutal and divided time, we rekindle care, solidarity, resistance and openness. 
 
This anti-war novel, Ali Smith’s most soulful, playful and vital yet, is a work of lightness that goes deep to counter the forces currently flattening the modern world. 
 
A standalone novel, it’s family to Gliff (2024).

Glyph

'A writer as mighty as Kafka, as subtle as Flaubert, and as epoch-making, in her own way, as Proust'(Ali Smith) 
Lydia Davis gathered a selection of her non-fiction writing for the first time in 2019 with Essays. Now, she continues the project with Essays Two, focusing on the art of translation, the learning of foreign languages through reading, and her experience of translating, amongst others, Flaubert and Proust, about whom she writes with an unmatched understanding of the nuances of their styles. 
Every essay in this book is a revelation.

Essays Two

John Updike

Collected in chronological order, from precocious undergraduate efforts to frequently anthologized classics, this is an autobiography in verse for every Updike fan. 
 
Updike had a boundless capacity for curiosity and delight. This collection from across his career displays his extraordinary range in form and subject: from metaphysical epigrams, and lyrical odes to blank-verse sonnets, on topics from Roman busts to Lucian Freud to postage stamps. These poems are nimble and inventive, exploring art, science, popular culture, foreign travel, erotic love, growth, decay and rebirth. From one of our generation's greatest writers, Selected Poems is a celebration of twentieth century American life.

Selected Poems

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage. Radical and superbly readable, they speak always in defence of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military and governmental elites. 
 
In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from 'The End of Imagination', which begins this book, to 'My Seditious Heart', with which it ends.

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