Katie Flynn is the pen name of the much-loved writer, Judy Turner, who published over ninety novels in her lifetime. Judy's unique stories were inspired by hearing family recollections of life in Liverpool during the early twentieth century, and her books went on to sell more than eight million copies. Judy passed away in January 2019, aged 82. 
 
The legacy of Katie Flynn lives on through her daughter, Holly Flynn, who continues to write under the Katie Flynn name. Holly worked as an assistant to her mother for many years and together they co-authored a number of Katie Flynn novels. 
 
Holly lives in the north east of Wales with her husband Simon and their two children. When she's not writing she enjoys walking her dog Tara in the surrounding countryside, and cooking forbidden foods such as pies, cakes and puddings! She looks forward to sharing many more Katie Flynn stories, which she and her mother devised together, with readers in the years to come.

Katie Flynn

Paul Flynn has worked as a journalist for over two decades. He began writing at City Life magazine in Manchester and is currently the Senior Contributing Editor at Love and a columnist for Attitude and Grazia. He has previously been a contributing editor and writer at i-D, Pop, Dazed, Fantastic Man, The Gentlewoman and GQ Style and has written for the Guardian and Observer, Sunday Express and the Sunday Times newspapers. He lives in London.

Paul Flynn

Niki Flynn

Sarah Flynn

Kevin Flynn

Nearly twenty years ago David and Stephen Flynn, a.k.a the Happy Pear twins, discovered the joys and benefits of a plant-based diet and embarked on a mission to encourage everyone to 'eat more veg'. Now, with fans like Russell Brand, Joe Wicks, Rangan Chatterjee and Fearne Cotton, sales of over a quarter of a million copies of their four cookbooks, a social audience of nearly one million, bestselling vegan products throughout Ireland and the UK, and their original Happy Pear cafés still thriving in Ireland, David and Stephen Flynn's vision goes from strength to strength. Their most recent book, The Happy Health Plan, came out in December.

David Flynn

Flynn Meaney is the author of The Boy Recession and Bloodthirsty. She studied marketing and French at the University of Notre Dame, where she barely survived the terrifying array of priests and nuns, campus ghosts, and bone-crushing athletes who inspired Bad Habits. Since completing a very practical MFA in Poetry, she works for a French company and travels often between New York (when she's in the mood for bagels) and Paris (when she's in the mood for croissants).

Flynn Meaney

Dermot is originally from Ireland, where he studied at Dublin's NCAD. En route to London, he completed his MA at the University of Brighton. He now teaches and works as a freelance illustrator for clients such as Publicis, Target USA, the Guardian, the Irish Times, Carton LeVert, McCann Erickson, DDB, Dentsu, 180 Amsterdam and Adidas. In his spare time he plays the cello, cycles and skates around London, and writes letters to Ken Livingstone about the appalling no.15 bus from Aldgate to Regent Street.

Dermot Flynn

Leontia Flynn has published four poetry collections. Her first book, These Days, won the Forward Prize for best first collection, and her most recent, The Radio (2017), won the Irish Times Poetry Now Award. Her other awards include an Eric Gregory Award, the Rooney Prize for Irish Literature, the Lawrence O'Shaughnessy Prize for Irish Literature, and the AWB Vincent Literary Award, and she has twice been shortlisted for the T.S. Eliot Prize. She is Reader in Poetry at Queen's University Belfast and was made a fellow of the Royal Society of Literature in 2022.

Leontia Flynn

Stephen Flynn

Katie Pix

Katie Khan is a writer from London whose first novel, Hold Back the Stars, was published to great acclaim, translated into twenty-two languages, and is being adapted into a feature film. The Light Between Us is her second novel. 
 
Follow her on Twitter and Instagram @katie_khan. 
 
katiekhan.com

Katie Khan

Katie Mack is a theoretical astrophysicist and one of the most popular scientists on Twitter, with more than 350,000 followers. Throughout her career as a researcher at Caltech, Princeton, Cambridge, Melbourne and now North Carolina State University, she has studied dark matter, black holes, cosmic strings and the formation of the first galaxies. As a science writer, she has been published by Slate, Time, and Scientific American, as well as having a regular column in Cosmos magazine.

Katie Mack

Katie Holt is a New York City resident but a Tennessee native. She studied English with a concentration in creative writing at NYU and fought with every professor to prove that romance novels were worthy of their time. She’s a Nora Ephron fanatic, Swiftie, and warm chocolate chip enthusiast. Not in My Book is her first novel.

Katie Holt

Katie Kear

Katie Hims is a British writer who works extensively in radio drama. A graduate of the National Film and Television School, she began her career by writing theatre plays were were produced in Manchester, Bristol, and London. She was the BBC writer in residence from 2001-2002 and has also written several episodes of the TV series Casualty. Her first radio play The Earthquake Girl won the Richard Imison Memorial Award in 1998. The Gunshot Wedding won the Writers Guild Award for Best Radio Drama in 2009, and The Year My Mother Went Missing won a BBC Audio Drama Award in 2012 for Best Audio Drama.

Katie Hims

Katie Smyth

Katie Piper

Katie Price is one of the UK’s top celebrities. She was formerly the glamour model Jordan and is now a bestselling author, successful businesswoman and star of her own reality TV show. In 2015, Katie won Celebrity Big Brother. She is a patron of Vision Charity and currently lives in Sussex with her five children.

Katie Price

Katie Kirby is a writer and illustrator who lives by the sea in Hove with her husband, two sons and dog Sasha. 
 
She has a degree in Advertising and Marketing and after spending several years working in London media agencies, which basically involved hanging out in fancy restaurants and pretending to know what she was talking about, she had some children and decided to start a blog called 'Hurrah for Gin' about the gross injustice of it all. 
 
Many people said her sense of humour was silly and immature so she now writes children's books. 
 
Katie likes gin, rabbits, over-thinking things, the smell of launderettes and Monster Munch. She does not like losing at board games or writing about herself in the third person.

Katie Kirby

Katie Green is an artist and illustrator living in the south west of England. She has published a regular zine, The Green Bean, since 2010. To see more of her work visit www.katiegreen.co.uk

Katie Green

Crochet designer Katie Jones, alongside her mum Annie, runs a brand that’s purpose is to show you how to make fun, colourful, hand crocheted pieces, embracing the sustainable practices of an old craft while giving it a new twist. Upon graduating from Central Saint Martins in 2013, Katie’s designs have since been stocked in luxury stores and featured on the pages of fashion and craft publications worldwide. Her Granny Square creations have been showcased at The Victoria and Albert Museum as part of its Fashioned from Nature exhibition and in the window of Selfridges Oxford Street Store as part of their Bright New Things Award. Her work now focuses on championing the Make-It-Yourself revolution, showing you how to consciously craft your own amazing pieces!

Katie Jones

Katie Chase is the author of the unmistakeable Little Princesses series. Have you read them all?

Katie Chase

Katie Sayer

Katie Mowat

Katie Beers

Byron Katie is the author of bestsellers Loving What Is, I Need Your Love - Is That True? and A Thousand Names for Joy. She is renowned for her creation of 'The Work', a four-step method of self-inquiry.

Byron Katie

Katie Cottle is a picture-book-maker living and working in Bristol, UK. She has been highly commended for the Macmillan Prize for Illustration and shortlisted for the Waterstones Children's Book Prize.

Katie Cottle

Katie Bishop is an author and journalist based in Birmingham, UK. Her journalism has been published in The New York Times, the Guardian, Vogue and many others. Her debut novel, The Girls of Summer published in 2023. High Season is her second novel.

Katie Bishop

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A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets 
 
'Everyone should be reading her' 
OBSERVER 
 
'One of the most accomplished poets of her generation' 
GUARDIAN 
 
These poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world. 
 
These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song. 
 
This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

Taking Liberties

Andy Hixon

Lucia is a hard town, full of hard people. It stands looking out across the unforgiving sea that is slowly swallowing it. Its people are all unemployed, with nothing to live for but a pint and fight. 
 
Among them are Brick and Morty, one a disabled, heartbroken divorcee and aspiring writer, the other his best friend and protector, a fantasist and aspiring Ultimate Fighting Welterweight Champion of the world.

Lucia

Kate Beaton

*WINNER OF THE EISNER AWARDS FOR BEST MEMOIR AND BEST WRITER/ARTIST* 
 
'A vast and complex tapestry that captures the humanity of people... it shimmers with grace' 
ALISON BECHDEL, author of FUN HOME 
 
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, a tight-knit seaside community. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coast Canadians who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates. 
 
Arriving in Fort McMurray, Katie finds work in the lucrative camps owned and operated by the world's largest oil companies. As one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For young Katie, her wounds may never heal. 
 
Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

Ducks

Two Years in the Oil Sands: One of Barack Obama’s Favourite Books of 2022

Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Anders Nilsen

From the revered graphic artist and writer Anders Nilsen, Tongues collects together in one volume for the first time Nilsen's cult comics and their retelling of the myth of Prometheus 
 
'Mindbendingly good. It’s up there with Maus, Fun Home, Persepolis, Jimmy Corrigan' 
MARK HADDON, author of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME 
 
In the remotest reaches of Central Asia where rival groups war over oil, a minor god is chained to a mountainside. Unfolding in a series of conversations with his unlikely friend the eagle, who visits every day to carry out a gruesome sentence of torture, Tongues I follows the titan’s pursuit of revenge on the god that imprisoned him. 
 
Entwined with their story are those of Astrid, a teenage East African orphan on an errand of murder, and a man with a teddy bear strapped to his back wandering aimlessly in the wilderness. 
 
Tongues I is a postmodern, apocalyptic reimagining of Prometheus' story, here a fallible god failing in his duty as the creator and protector of humanity. 
 
A visual meditation on our deep evolutionary past and our complicated prospects for the future, Tongues I is both a propulsive story of adventure and an examination of human nature in our present moment. 
 
'A genuinely mind-blowing achievement. [...] A dazzlingly innovative feat which surprises and delights on every page, across the epic whole and in every strange detail.' 
MAX PORTER, author of LANNY 
 
'One utterly gorgeous comic' 
VULTURE

Tongues I

Bryan and Mary Talbot

A stunning new graphic novel and rallying cry to protect the planet, from the Costa-award-winning authors of Dotter of Her Father’s Eyes 
 
Set against the backdrop of disastrous flooding in the North of England, Rain dramatically chronicles the developing relationship between two young women, one of whom is a committed environmental campaigner. Their wild Brontë moorland is being criminally mismanaged. Birds and animals are being slaughtered. Across the country, crops are being systematically poisoned, even the soil itself. Rain centres on one relatively small example of moorland ownership by an elite group that impacts catastrophically on the unlanded majority living in the valley below. But the campaigners know that ‘a million other valleys need saving’. They need saving not just for the sake of their human inhabitants, but for the insects and plants, birds and mammals and all the other inhabitants large and small that we share this planet with – our non-human fellow earthlings. 
 
Rain is the first contemporary graphic novel from Bryan and Mary Talbot, dealing with the here and now of environmental degradation that threatens us all. The story follows the everyday experiences of ordinary people, while engaging with pollution, climate change, moorland mismanagement and the disruption, misery and loss that these things bring. The characters are fictitious; what's happening around them is shockingly real.

Rain

Andrew McMillan

*A 'BOOKS OF 2021' PICK IN THE GUARDIAN, FINANCIAL TIMES AND IRISH TIMES CULTURE* 
 
After two prize-winning collections which examined the intimacies and intricacies of the physical body, McMillan's third book marks a shift: both inward, into the difficult world of mental health, and outwards into the natural and political world. 
 
Keeping his trademark breath-space and lower-case lines, but more formally experimental, incorporating sequences and sonnets, the poems in pandemonium explore the fragility and depth of the human mind - in its panic and its troubled retreat - and map this turmoil onto the chaos and abundance of the garden. Depression is mirrored in the invasive, seemingly untreatable knotweed that slowly suffocates the garden, while the sky conspires in its sudden, terrifying clarity, 'as though the root of the world were ripped clean off'. 
 
McMillan has been celebrated for his unflinchingly frank depictions of the body and sexual love, but these new poems are raw dispatches from a mind in freefall, a body in trouble. Addressing a period of acute depression, they are less about physical union and completeness and more about fracture and distance: tender, savagely moving poems which stare, unblinkingly, into the sudden havoc and hurt of this world, searching for - and finally finding - some redemption.

pandemonium

*Winner of the 2015 Guardian First Book Award* 
 
Raw and urgent, these poems are hymns to the male body – to male friendship and male love – muscular, sometimes shocking, but always deeply moving. 
 
We are witness here to an almost religious celebration of the flesh: a flesh vital with the vulnerability of love and loss, to desire and its departure. In an extraordinary blend of McMillan’s own colloquial Yorkshire rhythms with a sinewy, Metaphysical music and Thom Gunn’s torque and speed – ‘your kiss was deep enough to stand in’ – the poems in this first collection confront what it is to be a man and interrogate the very idea of masculinity. This is poetry where every instance of human connection, from the casual encounter to the intimate relationship, becomes redeemable and revelatory. 
 
Dispensing with conventional punctuation, the poet is attentive and alert to the quality of breathing, giving the work an extraordinary sense of being vividly poised and present – drawing lines that are deft, lyrical and perfectly pitched from a world of urban dereliction. An elegant stylist and unfashionably honest poet, McMillan’s eye and ear are tuned, exactly, to both the mechanics of the body and the miracles of the heart. 
 
Winner of the 2015 Fenton Aldeburgh First Collection Prize 
Shortlisted for the 2015 Costa Poetry Prize 
Shortlisted for the 2015 Forward Prize for Best First Collection

Physical

**WINNER OF THE POLARI PRIZE 2019** 
 
‘Vivid, accessible and honest, sometimes uncomfortably so’ Alan Bennett, London Review of Books 
 
In these intimate, sometimes painfully frank poems, Andrew McMillan takes us back to childhood and early adolescence to explore the different ways we grow into our sexual selves and our adult identities. Examining our teenage rites of passage: those dilemmas and traumas that shape us – eating disorders, masturbation, loss of virginity – the poet examines how we use bodies, both our own and other people’s, to chart our progress towards selfhood. 
 
McMillan’s award-winning debut collection, physical, was praised for a poetry that was tight and powerful, raw and tender, and playtime expands that narrative frame and widens the gaze. Alongside poems in praise of the naivety of youth, there are those that explore the troubling intersections of violence, masculinity, class and sexuality, always taking the reader with them towards a better understanding of our own physicality. ‘isn’t this what human kind was made for’, McMillan asks in one poem, ‘telling stories learning where the skin/is most in need of touch’. These humane and vital poems are confessions, both in the spiritual and personal sense; they tell us stories that some of us, perhaps, have never found the courage to read before.

playtime

Barbara Anderson

Oliver Gurth Perkins is seventy-five, and the darkest cloud on his horizon is that the local bookshop no longer stocks paperbacks of the Times cryptic crosswords. He has an easy companionship with his wife; his dental practice is undemanding; his son is a decent enough sort; and his granddaughter who comes for the school holidays is his delight. But when a minor heart episode convinces Oliver that it's time for him to take more interest in the lives of those close to him, further shocks are in store- Change of Heart is a glittering jewel of a book, an audacious mixture of comic invention and human insight that is Barbara Anderson at her very best.

Change Of Heart

Sarah Lippett

Sometimes, the simplest stories are the best... This is a lovely, tender book... Stan and Nan are all of our grandparents, their stability and infinite kindness much mourned as our ever-changing worlds spin frantically on.' 
Rachel Cooke, Observer 
 
My nan wrote me many letters back in 2011. They were about the love of her life, my grandad, Stanley Burndred. I’ve never met him, he died long before I was born, but his drawings, paintings and ceramics have been in my life for as long as I can remember. Every wall of Nan’s house would be decorated by his artworks and every windowsill bore his ceramic creations. Whenever we visited Nan in the Black Country I would study the ornaments and pictures, wondering who had made them. It wasn’t until I wrote to Nan many years later, receiving in return beautiful handwritten letters detailing his life, that it became apparent that the work was his. 
 
The letters were so beautiful I felt my nan’s story had to be told. Stan and Nan is the story of an ordinary couple and the people who loved them. The narrative follows their lives from Stan’s working-class background, to his premature death, through to Nan’s struggle to cope, and the perils of ageing. It is a memoir about the importance of family, and about death, love, living and human connection.

Stan and Nan

Anne Carson

Anne Carson' s first full-length publication in Britain, Glass and God introduces an assured and challenging new voice: vivid, laconic, precise. Her 'Short Talks' are about everything from Sylvia Plath to Franz Kafka, from waterproofing to walking backwards; the brilliant long poem 'The Glass Essay' deals with the end of a contemporary love affair, but is haunted by the Brontë sisters. 
 
Blending the modern and the classical, Anne Carson writes with an intensity and an integrity that is transfiguring.

Glass And God

Antony Gormley

Over a period of 100 days from July to October 2009, 2,400 people stood on the fourth plinth in Trafalgar Square for one hour. They were free to do as they chose during this period in the spotlight. Nobody could predict what would happen or the scale of the response. Many thousands applied for the 2,400 slots and candidates were selected randomly. Millions watched the events as they were all filmed and available online. Hundreds of thousands continued to turn to the website long after the project itself was finished. The event was a phenomenon, which we are grappling to understand. The entire enterprise was the conceived by Antony Gormley, and can be seen as a further example of the artist's ability to tap into the public consciousness. 
 
The book will contain studio portraits of all the 'plinthers' prior to their appearance. Photographs will be drawn from innumerable sources. The whole event has been remarkably photographed by Clare Richardson and the final edit will be drawn from a selection of 600 of her pictures of 'plinthers and public by day and night. Lee Hall will be writing a text about the importance of the square itself as a location. Essays will be included from Hans Ulrich Obrist, the art historian, as well as by both an anthropologist and a psychoanalyst. All the 'plinthers' were subject to extensive interviews set up by an oral history expert and their voices will contribute to the creation of a book that is more than a document. The aim is to capture the emotional intensity and the personally transformative effect that was created by one of the most extraordinary works of public art in our time.

One and Other

Nadia Shireen

Our fearless heroine Billy is back! But, something TERRIBLE has happened! 
 
Billy's loyal sidekick Fatcat is kidnapped by a fire-breathing dragon. Uh-oh! 
 
Luckily for Fatcat, Billy won't stand for that: off she goes on a brave rescue mission... 
 
Join Billy for another fairy tale adventure with a twist. 
 
'It's a great story for everyone, especially those not used to seeing themselves centre-stage'- The Guardian on Billy and the Beast 
 
'Shireen's latest book confirms her as one of the brightest and best picture book creators working in Britain today... Sensational.' - The Observer 
 
Explore the other titles from Billy and Fatcat:: 
 
Billy and the Beast 
Billy and the Pirates

Billy and the Dragon

Adrian Tinniswood

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Joe Sacco

From the ground-breaking graphics journalist and author of Palestine, a revelatory investigation of the deadly sectarian riots in 2013 Uttar Pradesh, India, and their urgent global significance today 
 
Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath. 
 
Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed. 
 
Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, the award winning cartoonist turns his masterful visual reportage to a story that is specific to India but with implications and resonance for us all. 
 
* 
 
PRAISE FOR JOE SACCO: 
 
'One of the masters of his craft' New Statesman 
 
'A pioneer of the genre' TLS 
 
'Formidably talented.' Independent 
 
'The hands-down boss of his particular corner of contemporary literature' Dazed & Confused 
 
'Sacco's brilliant, excruciating books of war reportage are potent territory... He shows how much that is crucial to our lives a book can hold' New York Times Book Review

The Once and Future Riot

Emma Rendel

Emma Rendel is one of the most distinctive and original graphic artists at work today. She joins the Cape list with the extraordinary Pentti and Deathgirl, two strange tales in one beautiful volume. 
 
'Pentti' is the story of two Finnish brothers, Juha and Pentti. When two men move in next to their farm, Pentti is convinced they must be gay. 'So what?' says Juha, but Pentti, full of drink and righteous anger, storms off into town looking for a fight. 
 
'Deathgirl's Diary' tells of Deathgirl, lonely and friendless, talking only to her diary, where she confides her obsessions: stabbing, beheading, poisoning...

Pentti and Deathgirl

Julia Blackburn

In these five stories Julia Blackburn recalls the significant animals in her life and in so doing gives us a sidelong glance at the human members of her family, her painter mother and poet father. 
 
First comes Congo the bush baby, from the jungles of Madagascar via Harrods pet department. He slept in an old cap on the back of the door, and could leap about the room via the picture rails. Then there are tropical fish, tortoises, chickens, guinea pigs, foxes (the last three a combustible combination), pigs, and two very distinctive dogs, Julia's own dog, Jason, a cocker spaniel whose habits of servility and loyalty Julia's father, Thomas, was determined to undo ('He's worse than Rosencrantz and Guildenstern, fawning at my heels!') and Henry, a Parson Jack Russell terrier that Thomas got after his divorce, a dog of great independence, dignity and forbearance, whom his master used to take mountaineering. 
 
This is a delightful book, wry, funny and wise, and unmistakably the work of Julia Blackburn.

My Animals and Other Family

Jon Hotten

Los Angeles, 1988. In a summer of hedonism, everyone wants their share. 
 
On Sunset Strip, undiscovered bands dream of emulating their heroes: Mötley Crüe, Van Halen, Poison and all the other chancers who got lucky... Above them in the canyons, the city’s privileged youth already live like rock stars. Drifting between these separate worlds is a journalist on the trail of stories that grow darker by the day: a rock star wannabe who may or may not be who he says he is, a guitar player who will do anything to succeed, crossing the line between reality and fantasy. 
 
Then comes beautiful Iris, distant Brenna, ambivalent Blair, Lana the singer - taking their chances, losing their way, doing whatever it takes… 
 
Set in the glory days when the music business was a vast and amoral empire where stardom seemed arbitrary and sex, drugs and rock ‘n’ roll were the lifestyle of choice, My Life and the Beautiful Music blurs memoir, myth and reality to recreate the last, lost era of a now-vanished world.

My Life And The Beautiful Music

Thomas Lynch

The poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity. In each poem, Lynch is looking for this equilibrium between equal and opposing forces: the gravities of sex and death, love and grief - all the things that make us breathless and horizontal, mortal and memorable. 
 
By means of a wry, mordant wit, telling observation and glorious poise, we are shown the strong tensions that make us human: the forces in our nature that create, replicate, restore, renew us; and those that kill us, constrict our lives, silence us. From spirited invective to meditations on morality, from lyrics of love and desire to a corrosive flyting to his ex-wife, these poems explore an extraordinary emotional range and technical facility but, more importantly, they reveal a compassionate, wise, and genial humanity.

Grimalkin And Other Poems

Bryan Talbot

Mary Talbot

Set against the background of violence and state repression in a turbulent period of French history, The Red Virgin and the Vision of Utopia chronicles the incredible and outrageous life of Louise Michel, the revolutionary feminist dubbed ‘The Red Virgin of Montmartre’. A utopian dreamer, notorious anarchist, teacher, orator and poet, she was decades ahead of her time. Always a radical, she fought on the barricades defending the short-lived Paris Commune of 1871 against the reactionary regime that massacred thousands of French citizens after the Commune’s defeat. Deported to a penal colony on the other side of the Earth, she took up the cause of the indigenous population against French colonial oppression. 
 
Celebrating the utopian urge in nineteenth-century literature and politics and the origins of science fiction, The Red Virgin and the Vision of Utopia is the third collaboration of best-selling academic and graphic novelist Mary M. Talbot with her husband, the graphic novel pioneer Bryan Talbot. Their first book together, Dotter of her Father’s Eyes, won the 2012 Costa Biography Award.

The Red Virgin and the Vision of Utopia

Mark Doty

In this, his eighth book of poetry, Mark Doty's subjects - our mortal situation, the evanescent beauty of the world, desire's transformative power and poetry's ability to give shape to human lives - echo and develop. The first poem, 'Pipistrelle', is a typically eloquent disquisition on the art of communication prompted by the flight of a bat - 'an inky signature too fast to trace' - and is followed by an extraordinary series of meditations and variations on this theme. 
 
The poet listens to cicadas, to Handel, to the calling of birds, to Juan the loquacious Mexican taxi driver; he steeps himself in the colour and incident of the streets and subways of New York City; he goes for a never-ending chi-gong massage and is visited by the shades of Berryman and Whitman. 
 
As the images accumulate and cohere, guided by Doty's unique style - both plainspoken and sophisticated, both wry and profound - we arrive at a new understanding of the way we live and the world we live in. He shows us what we love and its magnificent fragility - that 'the house of beauty is a house of flames' - and we see, once again, why he is regarded as one of America's most recognisable and most significant poets.

Theories and Apparitions

Brandon Taylor

Over a hot summer in New York a painter falls for a priest, in this captivating modern love story from the Booker-Prize shortlisted Brandon Taylor 
 
‘One of the most accomplished, important novelists of his generation’ Guardian 
 
'A piercing, precise, and affecting tale of young love and high art' Kirkus 
Wyeth is a newcomer to New York, a young Black painter who is trying to find his place in the contemporary Manhattan art scene. He shares a studio with his friends and earns money working for a gallery and an art restorer but he’s struggling with his portrait painting, unable to truly capture the life of his subjects. 
 
Then he meets Keating, a white former priest struggling with his faith. The two men seemingly have nothing in common, and yet Keating shows Wyeth how to see the world anew. The hot summer progresses, filled with art openings, walks around the city, and Wyeth’s search for a long-forgotten Black artist. But as the men grow closer, the differences between them become more stark, until Wyeth and Keating must decide what they are willing to risk – for art and for love.A page-turning New York novel and a sweeping modern romance, Minor Black Figures is an involving and tender portrait of loneliness and connection.'Brandon Taylor is without a doubt our laureate of hyper-intelligent yearning - nobody does it better' Lit Hub 
 
Praise for Brandon Taylor: 
 
‘Taylor has both a classic sensibility, expansive and elegant, and a razor-sharp ability to speak to the contemporary moment’ Emma Cline 
 
'A writer of rare daring, his fiction a series of revelations' Katie Kitamura 
 
'‘The moment-to-moment pleasures of Taylor's prose are such that you simultaneously cannot wait to see where he takes you next while being happy for him to take you anywhere’ Colin Barrett

Minor Black Figures

Vicki Feaver

Split between dark and light, this book records the dichotomy of human experience with unflinching force and clarity. It deals with break-up, depression, illness and death. But it also reveals an intense involvement with nature and a capacity for healing and love. There are intimate personal poems reflecting on relationships with people and creatures; poems which enter the lives of real and imaginary characters, Keats and Medea and Blodeuwedd, for example; and also poems which engage with paintings and political events. 
 
Set in a territory which connects child with adult, myth with reality, the personal with the universal, the book shows a poet fully open to the richness and possibilities of the world but also aware of its violence and pain, not as a remote observer but as someone who is a part of it.

The Book of Blood

Anna Trench

The story of female footballer Florrie and the amazing hidden history of the women’s game come to life in this debut graphic novel about football, friendship and falling in love. 
 
'Beautifully drawn and very well written' ALISON BECHDEL 
 
'If you put Alison Bechdel's Fun Home in football kit, you might come up with something like Florrie' ZING TSJENG 
 
When Florrie’s great-niece discovers Florrie was a footballer in the early twentieth century, she unearths a secret history both on and off the pitch. 
 
Boxes from the attic contain photos, objects and letters, revealing football games and love affairs in Norfolk, London and Paris. Florrie’s adventures touch on both invented and real events: huge crowds at matches in London and Preston, international fixtures, dances at lesbian club Le Monocle in Paris, and the devastating consequences of the FA's 1921 ban on women's football. 
 
This is a story of self-discovery, friendship and queer love, alongside huge (and little known) historical moments for the women’s game. In Florrie, Anna Trench brings readers a beautifully drawn, evocative and warm-hearted love-song to an unforgettable woman and sport. 
 
'Bright with the feeling of liberation, and the risks and joys of following your heart' SEÁN HEWITT 
 
Charming and incredibly moving' RACHEL RAMSAY

Florrie

A football love story

William Bee

It's another busy day for Stanley and friends . . . 
 
Today Stanley, Sophie, Benjamin and Little Woo are painting cardboard boxes. But Stanley's paintbox only has red, yellow, blue and white paint! What about orange and green and purple? Don't worry, Stanley has a plan . . . 
 
Join Sophie, Benjamin and Little Woo as they learn how to mix colours in this simple, engaging new board book in the Stanley series.

Stanley's Paintbox

If life is pilgrimage, Walking Papers are the pages - the notes on the journey, news of the world, letters of introduction and dismissal - found in one's breast-pocket amongst one's effects. And Thomas Lynch, the celebrated poet-undertaker is our guide through a world that's painfully aware of its own mortality; as he says in the powerfully moving title poem: 'Listen - /something's going to get you in the end./The numbers are fairly convincing on this,/hovering, as they do, around a hundred/percent. We die. And more's the pity.' 
 
In this, his fourth collection of poems - his first in the new century - Lynch attends to the flora and fauna and fellow pilgrims: dead poets and living masters, a former president and his factotums, a sin-eater and inseminator. Faux-bardic and mock-epic, deft at lament and lampoon, accusation and dispensation, fete and feint, Lynch's poems are powerful medicines, tonics for the long haul and home-going.

Walking Papers

Sarah Perry

'Please read this book. It may very well change how you live' Rachel Clarke 
 
'I was spellbound' Kathryn Mannix 
 
Death of an Ordinary Man is an unforgettable account of this universal aspect of life. It is not a book about grief: it is a book about dying, and it is a book about family, and care and love. 
 
Sarah Perry's father-in-law David died in the autumn of 2022, only nine days after a cancer diagnosis. Until then he'd been a healthy and happy man: he loved stamp collecting, fish and chips, comic novels, his local church, and the Antiques Roadshow. He was in some ways a very ordinary man, but as he began to die, it became clear how extraordinary he was. 
 
Sarah and her husband Robert nursed David themselves at home, eventually with the help of carers and visiting nurses. They bathed and cleaned and dressed him, comforted him in pain, sat with him through waking and sleeping, talked to him, sang to him, prayed with him. Day by day and hour by hour, they witnessed what happens to the body and spirit as death approaches and finally arrives. 
 
'By the end I was left shaken, deeply moved' Christos Tsiolkas 
 
'This book will be a lifeline for so many people' Seán Hewitt 
 
'To read this book is a privilege, a gift on the craft of dying' Amy Key

Death of an Ordinary Man

Mark Doty has always felt haunted by Walt Whitman’s bold, new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty – a poet, a lover of men, a New Yorker, and an American – keeps company with Whitman and his mutable, landmark work, Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work. 
 
What is it, then, between us? Whitman asks. Doty’s answer is to explore spaces tied to Whitman’s life and spaces where he finds the poet’s ghost, meditating on desire, love, and the mysterious wellsprings of the poet’s enduring work. How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman’s deeply hopeful vision of humanity.

What is the Grass

Michael Longley

The poems collected in Snow Water find their gravity and centre in Michael Longley's adopted home in west Mayo, but range widely in their attention - from ancient Greece to Paris and Pisa, from Central Park to the trenches of the Somme. Meditations on nature and mortality, there is a depth and delicacy to these poems, a state of lucid wonder, that allows for the easy companionship of love poem and elegy, hymns to marriage and friendship and lyric explorations of loss. 
 
Though the embodiment of these themes is often found in the wildlife of Carrigskeewaun and Allaran Point - the plovers and oystercatchers, whooper swans and snow geese, the hares and otters, the marsh marigolds and yellow flags - Snow Water is emphatically a celebration of humanity. These are all, in a way, poems of love and kinship - even the magnificent sequence that links the horrors of the Great War with those of the Trojan War, and with all the wars between. 
 
What Longley says of Edward Thomas might easily be said of him: 'The nature poet turned into a war poet as if/ He could cure death with the rub of a dock leaf'. Full of intensity and grace, tenderness and wisdom, these are poems of deceptive simplicity from a craftsman of international stature.

Snow Water

Katie Morag

Katie Price's Perfect Ponies

Meg and Mog

Ebb and Flo

Lucy and Tom

Ink and Iron

Topsy and Tim

Tuck and Tina

And Other Lies

Pizza and Taco

Emma and James

Sarah and Duck

Chaos and Flame

The Lost and Found

Jack and Millie

Anders Knutas

Charlie and Lola

From the bestselling novel I'm Travelling Alone, two dynamic characters are born. 
Police investigators Holger Munch and Mia Krüger work together to solve the most complex crimes in Oslo, catching serial killers before they strike again but their personal lives are not simple either. As people, they could not be more different but as they battle their own demons their unlikely pairing make Munch and Krüger the best kind of classic detective duo.

Munch and Krüger

Lizzie and Lucky

George and Flora

Gods and Warriors

Faith, Hope and Glory

Wizards and Robots

Noughts and Crosses

Malorie Blackman's ground-breaking, award winning series charts the lives and loves of generations as it takes on race and equality with breathtaking drama and heart wrenching sadness. Set in an alternate reality, where the inferior Noughts live as second class citizens in a world run by Crosses, the four books explore the violent politics of a unstable world, and the ordinary lives caught up in in its terror. Beginning with Noughts and Crosses - and the romance of Seph and Callum - and ending with Double Cross, it is a gripping sequence, and an important, relevant story for our time.

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