Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). 
 
His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.

Len Deighton

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Jennifer Johnston

Alec and Jerry shouldn't have been friends: Alec's life was one of privilege, while Jerry's was one of toil. But this hardly mattered to two young men whose shared love of horses brought them together and whose whole lives lay ahead of them. 
 
When war breaks out in 1914, both Jerry and Alec sign up - yet for quite different reasons. On the fields of Flanders they find themselves standing together, but once again divided: as officer and enlisted man. 
 
And it is there, surrounded by mud and chaos and death, that one of them makes a fateful decision whose consequences will test their friendship and loyalty to breaking point.

How Many Miles to Babylon?

J M Coetzee

In Cape Town, South Africa, an elderly classics professor writes a letter to her distant daughter, recounting the strange and disturbing events of her dying days. She has been opposed to the lies and brutality of apartheid all her life, but now she finds herself coming face-to-face with its true horrors: the hounding by the police of her servant's son, the burning of a nearby black township, the murder by security forces of a teenage activist who seeks refuge in her house. Through it all, her only companion, the only person to whom she can confess her mounting anger and despair, is a homeless man who one day appears on her doorstep. 
 
In Age of Iron, J. M. Coetzee brings his searing insight and masterful control of language to bear on one of the darkest episodes of our times.

Age of Iron

In the early eighteenth century, a woman finds herself set adrift from a mutinous ship and cast ashore on a remote desert island. There she finds shelter with its only other inhabitants: a man named Cruso and his tongueless slave Friday. In time, she builds a life for herself as Cruso's companion and, eventually, his lover. At last, they are rescued by a passing ship, but only she and Friday survive the journey back to London. 
 
Determined to have her story told, she pursues the eminent man of letters Daniel Foe in the hope that he will truthfully relate her memories to the world. But with Cruso dead, Friday incapable of speech and Foe himself intent on reshaping her narrative, Barton struggles to maintain her grip on the past, only to fall victim to the seduction and tyranny of storytelling itself.

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