Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). 
 
His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.

Len Deighton

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Malika Booker

Sharon Olds

Warsan Shire

Inspired by Penguin's enormously successful '60s series of the same name, the Penguin Modern Poets are succinct, collectible, lovingly-assembled guides to the richness and diversity of contemporary poetry, from the UK, America and beyond. Every volume brings together representative selections from the work of three poets now writing, allowing the seasoned poetry fan and the curious reader alike to encounter our most exciting new voices. 
 
Volume 3, Your Family, Your Body, features the work of Malika Booker, the Guyanese-British writer and performer behind London- and Chicago-based collective Malika's Kitchen; the Pulitzer Prize-winning Sharon Olds, one of America's most brilliant, beloved and candid voices; and Warsan Shire, the poet who lent her words to Beyoncé's visual album Lemonade.

Penguin Modern Poets 3

Your Family, Your Body

Sam Riviere

Frederick Seidel

Kathryn Maris

Occasional Wild Parties brings together Sam Riviere, one of the most discussed of the new generation of British poets, whose 'post-internet' poetry sees him acting now as scribe, now as DJ, taking in everything from technologized romance to celebrity culture as filtered through Kim Kardashian's make-up routine; the 'elegant ghoul' Frederick Seidel, zooming through the dark underbelly of international high society on his Ducati racing bike; and the wonderfully observant Kathryn Maris, whose work ranges with a dark wit over incomprehensible deities, wayward mothers, the politics of children's sports contests, and psychoanalysis. All three lift the lid on their corners of civilized society to show the less glittering realities that lie just beneath the surface.

Penguin Modern Poets 5

Occasional Wild Parties

Don Paterson

Nick Laird

Kathleen Jamie

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday. 
 
The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Penguin Modern Poets 4

Other Ways to Leave the Room

Toby Martinez de las Rivas

Geoffrey Hill

Rowan Evans

Geoffrey Hill (1932-2016) was often considered the greatest English-language poet of his generation. Penguin Modern Poets 7: God Is Distant gathers a selection spanning Hill's full body of poetry, from the astonishing power and compression of the first five decades to the greater experimentalism and fluency of the creative outpouring that began in 1997, and places it alongside work by two younger British poets: Rowan Evans, whose 'tirelessly inventive' and 'vivid lyrical work' (Denise Riley, Eric Gregory Award citation) plays with the legacy of late modernism to create poetry of great beauty, energy and precision; and Toby Martinez de las Rivas, whose first two collections have seen his 'visionary disposition' (Guardian) build to astonishing rhetorical heights of Blakean dimensions. 
 
Taken together, these are poems of lucid intensity, high seriousness and knowing sidelong glances, as alert to the natural world of the British countryside as they are to the body that suffers and to questions of the soul. They take a long view of humanity's riches and crises, and consider along the way such issues as morality, faith, innocence, redemption, the public spaces of democracy and the acts of violence that rupture them, as well as that patron animal of the Modern Poets series: the urban fox.

Penguin Modern Poets 7

These Hard and Shining Things

Michael Robbins

Patricia Lockwood

Timothy Thornton

The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment. 
 
"Is it any wonder I've got 
too much blood on my hands? The calls 
are coming from inside the house. 
I'm sick of my insane demands." 
- Michael Robbins, 'Peel Off the Scabs' 
 
". . . The childhood of the dunk 
 was no childhood at all. 
He practiced on a paper route, throwing The Sun 
to the same place each morning. Did not sleep long 
but when he slept, the springs of his bed imparted 
something to him. At night the streetlight floated 
down and let him dribble it." 
- Patricia Lockwood, 'The Descent of the Dunk' 
 
"if my signal drops it's because i've climbed with them, we're so high now 
i can in one single inverted yawn of my eyes full of skin and sex and fury see the whole city i so slowly streetlamp by streetlamp from the other side spent my life seeing in a drowning 
 
"and this one boy here he's doing 
he's doing a painting, it's the last day of august, it's a painting of a bed and" 
- Timothy Thornton, 'Voicemail for David Hoyle'

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