Meik Wiking founded the world's first Happiness Research Institute in 2013, in Copenhagen, Denmark and is a New York Times and Sunday Times Bestselling author. Meik has been called The Indiana Jones of Smiles and probably the World's Happiest Man by The Times. He is the author of four globally bestselling books which have sold over 2 million copies worldwide: The Little Book of Hygge, The Little Book of Lykke, The Art of Making Memories and My Hygge Home.

Meik Wiking

Sue Meikle has always been obsessed with picture books, and after working as an Early Years Specialist for over 25 years, she has read stories to children from Stockport to South Africa. In schools, in early years centres, while on forest school adventures... Sue has even read stories on a travelling play bus! So, perhaps it was always in the stars for Sue to not just read books, but write them, too! When she's not reading or writing stories, Sue can be found walking her dog or chauffeuring her teenagers around the Greater Manchester area (because that’s where they live… in a home that they made from a derelict barn!)

Sue Meikle

David Meikle is a TV scriptwriter and Sunday Times bestselling author. He has written and co-written seven books, including the autobiographies of Charlie Richardson and Bobby Cummines.

David Meikle

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Margery Clark

Everyman's Children's Classics has more than 50 titles in print. It offers the finest editions currently available of the world's greatest children's books in handsome, full cloth hardcover bindings. 
 
The library brings back into print major illustrators such as Ivan Bilibin, Kate Greenaway, Arthur Rackham, Nicolas Bentley, Walter Crane, Aubrey Beardsley, Edward Ardizzone, W.Heath Robinson and Mervyn Peake.

Auntie Katusha has just come from the Old Country, bringing poppy seeds to make cakes for a mischievous four-year-old boy named Andrewshek. A little neighbour, Erminka, who wears red boots which are too big for her, joins Andrewshek for a series of adventures with talking animals, including a greedy goose who steals the cakes; a naughty white goat who hides on the roof; and a kitten, a dog and two chickens who are determined to gatecrash the children’s tea party. There is art on every page, featuring cheeky animals, gooseberry tarts, colourful shawls and Russian dolls, and cheerful Auntie Katusha in her kerchiefed and aproned splendour.

The Poppy Seed Cakes

Rudyard Kipling

Among the best loved of all classics for children are the tales of Mowgli, the boy who learned the law of the jungle as he grew up among a pack of wolves in India's Seeonee Hills. First published in 1894, the book imagines a child living and flourishing in a community of animals - an idea that perhaps had its origin in Kipling's unhappy childhood. 'His stories are not animal stories in the realistic sense; they are wonderful, beautiful fairy tales, ' wrote Ernest Thompson Seton, the great Canadian naturalist. Kurt Wiese's illustrations, commissoned by the American firm of Doubleday in 1932, have never appeared in Britain before. An artist with a particular interest in animals and an amazing visual memory, he remembered all he had observed on his travels in the Far East during the early 1900s, first as a salesman in China and then as a prisoner-of-war of the Japanese.

The Jungle Book

C S Evans

This most beloved of all fairy tales is told in many versions and found in many different cultures - from the Italian CENERANTOLA to the Russian CHERNUSHKA For this edition, first published in 1919, Charles Sedon Evans, a schoolmaster turned publisher, used the features of the tale as told by Charles Perrault - the pumpkin coach the mice horses, the rat coachman, the lizard footmen and the glass slipper - but expanded it to a full-length story so as to offer Arthur Rackham maximum opportunity to illustrate every step of the drama with his exquisite silhouette drawings. This is one of the most beautiful and delightful children's book ever published.

Cinderella

Carlo Collodi

Everyone knows Pinocchio, the walking, talking wooden puppet carved from a table leg. Pinocchio, an endearing scamp, is always getting himself into trouble. But it isn't the sort of trouble most kids get into. Skiving off school, he is kidnapped by a puppeteer, robbed by a Cat and Fox, and persuaded to visit an earthly paradise where naughty children have perpetual fun - and turn into donkeys. Sold to a circus, then to a man who tries to drown him for his donkey-skin, he miraculously turns back into a puppet and goes in search of his 'father' (whom he must rescue from the belly of a giant dogfish ...). 
 
Throughout these manic adventures he is haunted by the ghost of a Talking Cricket he has crushed to death for giving good advice, and watched over by his personal guardian fairy. All the while, Pinocchio dreams of becoming a real boy. Told with wit and humour, his story is also a moral fable about making the right choices, and what it is to be a loving human being. 
 
Pinocchio is an astonishing work of fantasy which has been toned down and sentimentalized over the years, not least by the Walt Disney film. Everyman returns to a beautifully illustrated early translation of 1916 which captures the vivid inventiveness of Collodi's original.

Pinocchio

W Heath Robinson

From the Eastern folk tales that make up the vast collection known as THE THOUSAND AND ONE NIGHTS certain stories - of Aladdin, Sindbad and Ali Baba - have become everlasting favourites with children and a magical ingredient of Christmas pantomine. First introduced to Europe in the early eighteenth century by the French orientalist, Antione Galland, who translated and bowdlerized the stories to suit contemporary taste, this edition presents the fourteen best-known tales selected from an English text of 1821. The illustrations are reproduced from a larger collection in 1899. William Heath Robinson then at the start of his career, was commissioned with four others and his drawings (much the best) reveal a gentle, romantic charm that has been forgotten in the success of his later, purely comic work.

Aladdin

and Other Tales From The Arabian Nights

Philip Pullman

Peter Bailey

‘I was a rat!’ So insists a scruffy boy named Roger. Maybe it’s true, but what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of ‘Rodent Delusion’? The hospital nurse says yes. A lucrative fairground attraction? He is to Mr. Tapscrew. Or is Roger just an ordinary little boy? Only three people believe this version of the story, and it may take a royal intervention–and a bit of magic–to convince everyone 
else. A playful parody of the press, I Was a Rat! is a magical weaving of humour, fairy tale, and adventure. 
 
When, in A Scarecrow and His Servant, a bolt of lightning brings Scarecrow to life, he proves to be a courteous but pea-brained fellow with grand ideas. He meets a boy, Jack, who becomes his faithful servant and the two embark upon a terrifying series of adventures–including battles, brigands, broken hearts, and treasure islands. But little does the Scarecrow know that he is being followed by a family who desperately wishes he’d never sprung to life. 
 
Two stories of myth, magic and adventure from the master teller of tales.

I Was a Rat! Or, The Scarlet Slippers and The Scarecrow and his Servant

Arthur Conan Doyle

Sidney Paget

‘Am dining at Goldini’s Restaurant, Gloucester Road, Kensington. Please come at once and join me there. Bring with you a jemmy, a dark lantern, a chisel, and a revolver – S. H.’ 
 
The game's afoot for the most famous amateur detective of all time in this collection of eight of Sir Arthur Conan Doyle's classic tales. 
 
‘The Speckled Band’, a Victorian melodrama in a country house, comes complete with murderous villain, murdered heroine, and a very unpleasant snake; ‘Silver Blaze’ tells of a missing race horse on Dartmoor which turns out not to be missing at all, and a murder that never was. In ‘The Redheaded League’ a pawnbroker answers an advertisement for a red-headed man and bizarrely finds himself copying out the Encyclopedia Britannica; in ‘The Bruce Partington Plans’ Holmes is skulking in the London Underground with a dead body when his patriotic services are called upon to find some stolen state secrets in the run-up to World War I. 
 
Sidney Paget was the original illustrator and helped to form the image of Sherlock Holmes which exists to this day - in fact, it was he who created the famous deer-stalker!

Sherlock Holmes

Kate Greenaway

This charming volume brings back into print some of the finest illustrated children's books from the Arts and Crafts Movement: Kate Greenaway's much-loved alphabet book, A Apple Pie, along with a selection of her illustrated nursery rhymes. 
 
Greenaway's drawings conjure up a never-never land of rural simplicity and innocence–an escape from the squalor of Victorian cities–that is as delightful now as it was when these gems of children's literature first appeared in the 1880s.

An Apple Alphabet And Traditional Nursery Rhymes

Jacob Grimm

Wilhelm Grimm

No children's library is complete without this beautiful Everyman's Library hardcover edition of the Brothers Grimm's original fairy tales. 
Hansel and Gretel, Rapunzel, Rumpelstiltskin, Tom Thumb, and Snow White (Snowdrop) are among the jewels we owe to the German Brothers Grimm, who began in the first decade of the 19th century to seek out and listen to village storytellers. The best-loved of the tales they discovered have inspired generations and are now brought together with the marvellous pictures that in 1900 first established the reputation of one of the greatest children's illustrators of all time, Arthur Rackham. 
 
 
Beautiful illustrations in monochrome by Arthur Rackham make this collection of famous fairy stories a wonderful and timeless gift for children's and adults alike.

Grimms' Fairy Tales

Johann Wyss

This classic story of a Swiss family - pastor, wife and four sons -shipwreaked on an uninhabited island (most fortunately blessed with an unlikely profusion of natural resources) was written by a Swiss army chaplain for the entertainment of his own four sons. The family adventures in survival; also provided a useful starting point for lessons in natural history. First published in Zurich in 1812-13, the story was translated into French and English shortly afterwards and has appeared in many versions ever since. When, in 1909, the American artist Louis John Rhead was invited to illustrate the Robinson's adventures, he based his numerous drawings on 'sketches made in the tropics. '

The Swiss Family Robinson

Gillian Avery

The famous stage-designer Ivan Bilibin was a self-taught artist who was lucky enough to be offered the commission of a lifetime at the very start of his career. In 1899 the Department for the Production of State Documents asked this young Russian artist to illustrate a series of fairy tales, a task that took him four years to complete and inspired his finest work, reflecting his deep love for his country and his passionate interest in its national dress and wooden architecture. This, with ten other traditional tales, make up the collection for which all Bilibin's original artwork has been faithfully reproduced. Gillian Avery has provided a retelling of the texts which admirably complements Bilibin's distinctive illustration, itself rooted in the stylized forms of Russian folk and medieval art.

Russian Fairy Tales

Louisa May Alcott

Just two years after the extraordinarily successful publication of LITTLE WOMEN and GOOD WIVES, Louisa Alcott's brother-in-law died, leaving two sons. She immediately decided to write a sequel to provide for her sister and nephews, and LITTLE MEN, published in 1871, became a tribute to her father's theories of education. The story is set in Plumfield, a school run by Jo and her German husband, Professor Bhaer, and they follow the precepts of Grandpa March in cultivating the little mind - 'not tasking it with long hard lessons, parrot-learned, but helping it to unfold as naturally and beautifully as sun and dew help roses bloom'. The different ways in which the children, good and bad, respond to this kind of nurturing make up the episodes of the novel which instantly proved as popular as its predecessors, selling 42, 000 in the first year after its publication.

Little Men

Life at Plumfield With Jo's Boys

Randolph Caldecott

'The very essence of all illustration for children's books' said The Times on Christmas Eve, 1878, shortly after the publication of Caldecott's first two picture books, or Toy Books as they were called, John Gilpin and The House that Jack Built. They were an immediate success, and in Caldecott's special talent for juxtaposing words and pictures, he created a tradition of children's picture-book making that continues to the present day and has influenced many artists, in particular, Maurice Sendak. Between 1878 and 1886 Cldecott produced sixteen picture books, taking as texts traditional rhymes and songs, and illustrating them in sepia colour with great humour and feeling for the English countryside which so often provides the background. The collection reproduces eight of his books, including The Babes in the Wood, Oliver Goldsmith's Elegy on the Death of a Mad Dog, The Great Panjandrum Himself, The Queen of Hearts, Ride a Cock-Horse to Banbury Cross, and Sing a Song Of Sixpence.

Ride A Cock Horse And Other Rhymes And Stories

Hans Christian Andersen

When Kay gets a splinter of the wicked troll's magic mirror in his heart it becomes hard and cold - just like a lump of ice. Kay is abducted and bewitched by the chillingly beautiful Snow Queen and his loyal sister, Gerda is prepared to face anything to find her brother and bring him home. So, she undertakes the nightmarish journey to the Snow Queen's icy labyrinth. . . .

The Snow Queen

Joseph Jacobs

One of the great nineteenth-century folklorists, Joseph Jacobs collected stories from oral sources and made scholarly notes on their origin, but he deliberately recorded them in a plain and direct style which he thought suitable for children and which makes them 'supremely tellable'. First published in 1890, his famous collection includes all the well-known tales, such as JACK AND THE BEANSTALK and DICK WHITTINGTON, as well as British variants of stories common to many cultures. The illustrations by John Batten are taken from the first edition.

English Fairy Tales

Richard Doyle

The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family. Growing up in the 1830s, they were all gifted children, especially Richard, whose natural talent for draughtsmanship was matched by imaginative invention and a passion for legend and the grotesque. In 1842, when only eighteen, he created for his own delight a picture-book version of Jack The Giant Killer, writing the text by hand, and carefully placing on each page a water-colour illustration within a pictorial border. The new everyman edition has typeset the text for greater legibility and redesigned the book for contemporary appeal, while retaining Doyle's vivid and characterful illustrations, enlarged and enhanced by modern colour printing techniques. The result is a book that will satisfy the modern child's appetite for bloodthirsty exploits of wonder and magic, yet is at the same time a true collector's item for anyone interested in the history of children's book illustration.

Jack The Giant Killer

Walter Jerrold

Every child's bookshelf should start with a collection of nursery rhymes so that these fantastic and nonsensical verses (some so old their meaning is long forgotten) are among the first magical words to sound in a child's ear. This collection of over two hundred rhymes was assembled in 1903 with the family in mind ('Tradition in the nursery has acted as a severe editor'). and each page is illustrated each verse decorated, with the imcomparable drawing of Charles Robinson.

Mother Goose's Nursery Rhymes

Rosemary Sutcliff

C. Walter Hodges

The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954. 
 
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond Hadrian's Wall to find out what happened to the discredited legion in which his father served, and to salvage, if he can, its Eagle and its honour. 
 
All the essential elements of a classic adventure are here - the daring quest, the uncovering of the secrets of the past, and a nerve-racking escape across the mountains, pursued by vengeful tribesmen. But it is the human element which triumphs, and one of the most memorable scenes in the book is Marcus appealing to a crowd baying for blood to save a young British gladiator from certain death during the Saturnalia Games. Proud son of a Brigantian chieftain, Esca becomes his slave, then his freedman, and the indispensable companion of his travels. The Eagle of the Ninth is partly the story of their growing friendship, crossing the divide created by conquest and colonialism; and partly Marcus's journey of self-discovery as he learns of his father's fate and comes to terms with the end of his own military career. At the end he embraces a different, more hopeful future - not in Rome but 'under the pale and changeful northern skies' - acquiring a farm in the Downs, and marrying the girl next door. 
 
The Eagle of the Ninth has all its author's hallmark qualities - a mature and complex story, a wealth of historical detail, cultural sensitivity, wit and compassion. Above all, Sutcliff is able to conjure up the atmosphere of a distant age in a totally convincing way. It is hardly surprising that her work would set the standard for all historical fiction to come.

The Eagle of the Ninth

Jean Webster

The grandniece of Mark Twain is now remembered only for the last two books she wrote, DADDY-LONG-LEGS (1912) and its sequal DEAR ENEMY (1915). Both remain endearing stories that, as the critic Naomi Lewis says ' make rewarding reading'. Told in the form of letters, this modern version of the Cinderalla tale is an irresistible love-story of an orphan and her unknown benefactor.

Daddy-Long-Legs

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