Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Xiaolu Guo

The new memoir from prize-winning writer and filmmaker Xiaolu Guo - playful, provocative and original, it's her deeply personal take on striving for a life of her own 
 
'When it comes to spinning light and shadow on the complexities of living, loving and language, Xiaolu Guo is one of the most valuable writers in the world' DEBORAH LEVY 
 
The world can seem strange and lonely when you step away from your family and everything you have tried to call your own. Yet beauty may also appear. In the autumn of 2019 Xiaolu travelled to New York to take up her position as a visiting professor for a year, leaving her child and partner behind in London. The encounter with American culture and people threatens her sense of identity and throws her into a crisis - of meaning, desire, obligation and selfhood. 
 
This is a memoir about separation - by continents, by language, and from people. It's about being an outsider and the desperate longing to connect. Xiaolu uses her exploration of language (one of the meanings of the word 'radical' is the graphic component, or root, of Chinese characters), and her own life, to create this unique text. At once a memoir, a dictionary, and an ardent love letter, it is an expression of her fascination with Western culture and her nostalgia for Eastern landscapes, and an attempt to describe the space in between. An archive of an artist's search for creative freedom, it is above all else an intimate account of her efforts to carve out a life of her own. 
 
'Radical in angle of attack, smart and brave' IAIN SINCLAIR, author of The Gold Machine

Radical

A Life of My Own

Umberto Eco

How much do our perceptions of things depend on our cognitive ability, and how much on our linguistic resources? Where, and how, do these two questions meet? Umberto Eco undertakes a series of idiosyncratic and typically brilliant explorations, starting from the perceived data of common sense, from which flow an abundance of 'stories' or fables, often with animals as protagonists, to expound a clear critique of Kant, Heidegger and Peirce. And as a beast designed specifically to throw spanners in the works of cognitive theory, the duckbilled platypus naturally takes centre stage.

Kant And The Platypus

Pip Williams

'A really thought-provoking novel' Reese Witherspoon 
 
'An enchanting story about love, loss and the power of language' Elizabeth Macneal, author of The Doll Factory 
 
 
Sometimes you have to start with what's lost to truly find yourself... 
 
Motherless and irrepressibly curious, Esme spends her childhood at her father's feet as he and his team gather words for the very first Oxford English Dictionary. 
 
One day, she sees a slip of paper containing a forgotten word flutter to the floor unclaimed. 
 
And so Esme begins to collect words for another dictionary in secret: The Dictionary of Lost Words. But to do so she must journey into a world on the cusp of change as the Great War looms and women fight for the vote. Can the power of lost words from the past finally help her make sense of her future? 
 
Readers love The Dictionary of Lost Words: 
 
'If you only read one book this year, let it be this one!' 
 
'If you're a fan of The Binding and The Betrayals you will surely love this' 
 
'A glorious combination of words, growing up, friendship, love, feminism and so much more' 
 
'The best love letter to words and language' 
 
'This book broke my heart ... I highly recommend it to any historical fiction fans ... it's one I will be reading again'

The Dictionary of Lost Words

Jean Findlay

C. K. Scott Moncrieff’s celebrated translation of Proust’s A La Recherche du Temps Perdu was first published in 1922 and was a work which would exhaust and consume the translator, leading to his early death at the age of just forty. Joseph Conrad told him, ‘I was more interested and fascinated by your rendering than by Proust’s creation’: some literary figures even felt it was an improvement on the original. 
 
From the outside an enigma, Scott Moncrieff left a trail of writings that describe a man expert at living a paradoxical life: fervent Catholic convert and homosexual, gregarious party-goer and deeply lonely, interwar spy in Mussolini’s Italy and public man of letters – a man for whom honour was the most abiding principle. He was a decorated war hero, and his letters home are an unusually light take on day-to-day life on the front. Described as ‘offensively brave’, he was severely injured in 1917 and, convalescing in London, became a lynchpin of literary society – friends with Robert Graves and Noel Coward, enemies with Siegfried Sassoon and in love with Wilfred Owen. 
 
Written by Scott Moncrieff’s great-great-niece, Jean Findlay, with exclusive access to the family archive, Chasing Lost Time is a portrait of a man hurled into war, through an era when the world was changing fast and forever, who brought us the greatest epic of time and memory that has ever been written.

Chasing Lost Time

The Life of C.K. Scott Moncrieff: Soldier, Spy and Translator

Sarah Ogilvie

**LONGLISTED FOR THE WOMEN’S PRIZE FOR NON-FICTION 2024** 
 
‘Unmissable’ Stephen Fry 
'A delight' Katherine Rundell 
‘Illuminating’ Susie Dent 
'Brilliant' Philippa Perry 
'Enthralling' Jeanette Winterson 
 
What do three murderers, Karl Marx's daughter and a vegetarian vicar have in common? 
They all helped create the Oxford English Dictionary. 
 
The Oxford English Dictionary has long been associated with elite institutions and Victorian men. But the Dictionary didn't just belong to the experts; it relied on contributions from members of the public. By 1928, its 414,825 entries had been crowdsourced from a surprising and diverse group of people, from astronomers to murderers, naturists, pornographers, suffragists and queer couples. 
 
Lexicographer Sarah Ogilvie dives deep into previously untapped archives to tell a people's history of the OED. Here, she reveals, for the first time, the full story of the making of one of the most famous books in the world - and celebrates the extraordinary efforts of the Dictionary People. 
 
'An astonishing book' Sunday Times 
 
'Utterly fascinating, entertaining, astonishing and as clever as a box of monkeys ... I completely love it' Joanna Lumley 
 
‘A fascinating and delightful exploration of the Victorian world … Wonderful’ Nicola Shulman, TLS Podcast 
 
** A Financial Times, TLS and Daunt Books Book of the Year **

The Dictionary People

The unsung heroes who created the Oxford English Dictionary

Gretchen McCulloch

THE ACCLAIMED NEW YORK TIMES BESTSELLER. 
 
Have you ever puzzled over how to punctuate a text message? Wondered where memes came from? Fret no more: Because Internet is the perfect book for understanding how the internet is changing the English language, why that's a good thing, and what our online interactions reveal about who we are. 
 
'McCulloch is such a disarming writer - lucid, friendly, unequivocally excited about her subject - that I began to marvel at the flexibility of the online language she describes, with its numerous shades of subtlety.' New York Times

Because Internet

Understanding how language is changing

Haruki Murakami

Words have power. Yet that power must be rooted in truth and justice. Words must never stand apart from those principles. 
 
'You end this collection…vowing to never let life, or writing, get so complicated again' Guardian 
 
Readers who have long wondered where the mysterious novelist gets his ideas and what inspires his beautifully surreal worlds will be fascinated by this highly personal look at the craft of writing. 
 
In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians. 
 
'Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers' New York Times Book Review 
 
'A fascinating glimpse of the peculiar writerly life' Sunday Times 
 
** A TIMES, SUNDAY TIMES and NEW STATESMAN BOOK OF THE YEAR**

Novelist as a Vocation

Oded Galor

The stunning advances that have transformed human experience in recent centuries are no accident of history - they are the result of universal and timeless forces, operating since the dawn of our species. Drawing on a lifetime's scientific investigation, Oded Galor's ground-breaking new vision identifies these keys to human progress, overturning a host of long-held assumptions and revealing the deeper causes that have shaped the journey of humanity: 
 
- Education rather than industrialisation 
- Family size and gender equality as much as inventions and technology 
- Geography and diversity rather than wars, disease and famine

The Journey of Humanity

And the Keys to Human Progress

Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour. 
 
'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens 
 
'A whip-smart collection' Kamila Shamsie, author of Best of Friends 
 
What if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling, featuring: 
 
• Taymour Soomro on resisting rigid stories about who you are 
• Madeleine Thien on how writing builds the room in which it can exist 
• Amitava Kumar on why authenticity isn't a license we carry in our wallets 
• Tahmima Anam on giving herself permission to be funny 
• Ingrid Rojas Contreras on the bodily challenge of writing about trauma 
• Zeyn Joukhadar on queering English and the power of refusing to translate ourselves 
• Kiese Laymon on hearing that no one wants to read the story that you want to write 
• Deepa Anappara on writing even through conditions that impede the creation of art 
 
Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, Myriam Gurba, Mohammed Hanif and Sharlene Teo. 
 
'This book is essential' Nikesh Shukla 
 
'Bracing and moving . . . No one interested in how we read and should read fiction can afford to miss this' Pankaj Mishra, author of Run And Hide

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