Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Sheila Tracy

From Palace to Palais, the musicians who played in the big bands tell their own stories, bringing to life an unforgettable era. 
 
Pre-war reminiscences give an insight into a never-to-be-forgotten era, when London's nightclubs were the haunts of the aristocracy and of royalty, and the Prince of Wales would jump at any opportunity to play drums with the resident band. The elegant world of top hat, white ties and tails has gone for ever, but in Talking Swing the musicians relive those nights when they played for as long as the customers wanted to dance - often into the early hours of the morning. Out of London, there were the variety tours, where the band was top of the bill and there wasn't an empty seat in the house. 
 
The problems faced by British musicians during the war years, when London's society bands continued to play throughout the Blitz, were enormous, and they are vividly portrayed in Talking Swing. 
 
Amongst those recalled are Ambrose, Jack Hylton, Geraldo, Ted Heath and Syd Lawrence, who took over when almost everyone else had packed it in and who kept on swinging against all odds. This was the golden age of the big bands, and the story of those days is told by the men and women who made the music.

Talking Swing

The British Big Bands

Nicholas Parsons

Nicholas Parsons enjoyed a long and varied career encompassing theatre, television, film and radio. He was perhaps best known as the straight man to Arthur Haynes in the '60s, as the presenter of Sale of the Century in the '70s and as the chairman of the long-running Radio 4 panel game Just a Minute. 
 
 Along the way, he performed impersonations in the lavatories of a Clydebank engineering yard during the war, was the voice of a Gerry Anderson Texan sheriff, roller-skated in Charlie Girl at the Victoria Palace and appeared in a series of Doctor Who. His comedy chat show at the Edinburgh Fringe Festival ran for eighteen consecutive years. 
 
In My Life In Comedy, Nicholas recalls an extraordinary career that led him to star on the West End stage, work with some of Britain's finest comedians, including Kenneth Williams, Tony Hancock, Benny Hill and Paul Merton, and appear in stockings and suspenders in The Rocky Horror Show. 
 
 Funny, thoughtful and at times moving, Nicholas Parsons: With Just a Touch of Hesitation, Repetition and Deviation celebrates a fascinating life in comedy.

Nicholas Parsons: With Just a Touch of Hesitation, Repetition and Deviation

My Life in Comedy

Elaine C Smith

'How did I end up here?' A question Elaine C. Smith asked herself when sitting in the dressing-room of a top theatre in London's West End, about to go on stage with one of the UK's most successful plays. 
 
In Nothing Like a Dame, Elaine reflects on a 50-year journey that took her to the peak of the entertainment world. She recounts her long struggle to make it in a male-dominated, working-class society when women were supposed to just shut up and stay thin, especially in the sexist world of theatre and television, where she was told, 'Look, women just aren't funny.' 
 
Despite many highs and lows, she proceeded to forge a stellar career in show business, hosting her own TV series and becoming a household name thanks to her comic portrayal of Mary Nesbitt, the long-suffering wife in the award-winning BBC comedy Rab C. Nesbitt. 
 
Nothing Like a Dame is a heart-warming memoir: candid, outspoken, hilarious and at times deeply sad.

Nothing Like a Dame

My Autobiography

Chris Welles Feder

Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame - and, some would say, infamy - of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father. 
 
In My Father's Shadow is a classic story of a life lived in the public eye, told with affection and the wide-eyed wonder of a daughter who never stopped believing that some day she would truly know and understand her elusive and larger-than-life father. The result is a moving and insightful look at life in the shadow of a legendary figure and an immensely entertaining story of growing up in the unreal reality of Hollywood.

In My Father's Shadow

A Daughter Remembers Orson Welles

William Roache

In 50 Years on the Street: My Life with Ken Barlow, William Roache reflects on half a century of treasured memories accumulated during his time working on the long-running soap. He revisits the programme's most memorable moments and ponders the secret of its success while exploring the history of the show from its very early days of live broadcasts to the current demands of the Street's schedule. 
 
Roache reveals what it is like to have played the perennially popular role of Ken Barlow since the very first episode in December 1960 and reflects upon the actors he has worked with during the past 50 years, using his unique perspective to provide insights and anecdotes galore. 
 
50 Years on the Street: My Life with Ken Barlow is a celebration of William Roache's acting career following a year that marked a very special anniversary both for him and for Coronation Street.

50 Years on the Street

My Life with Ken Barlow

Sharon Davis

The '80s were a decade of musical change. As the '70s disco stranglehold was broken, rock, gay, dance and pop music competed with funk and soul, romantic ballads and political protest, computerised music and controversy. 
 
 The glamour of costume, greasepaint and cross-dressing was put to good use by New Romantic groups like Spandau Ballet, Duran Duran, Soft Cell, Culture Club and the Human League, while the world also looked to Britain for the most exciting pop acts such as the multi-million-selling Wham!, Frankie Goes To Hollywood, Eurythmics and the Pet Shop Boys. Mainstream dance music was at its peak, spearheaded by Stock, Aitken and Waterman, and their stable of artists, including Kylie Minogue, Jason Donovan and Rick Astley, were all chart-topping names. 
 
 From the USA came the artist of the decade, Michael Jackson, while Madonna and Whitney Houston provided the 'Girl Power' of the '80s. The decade also saw the philanthropic side of the music industry as the stars responded to famine in Ethiopia with the charity records 'Do They Know It's Christmas?' and 'We Are The World'. 
 
 The'80s catered for all musical tastes, no matter how bizarre, and was far more eclectic than any other decade. From bubble-gum pop with Bucks Fizz to the stadium rock of Simple Minds,'80s Chart-Toppers brings a comprehensive year-by-year, month-by-month guide to the hottest sounds of the decade.

80s Chart-Toppers

Every Chart-Topper Tells a Story

Ian Bell

Half a century ago a youth appeared from the American hinterland and began a cultural revolution. The world is still coming to terms with what he did. How he did it - and why - has never been fully explored. 
 
In Once Upon a Time, award-winning writer Ian Bell draws together the tangled strands of the many lives of Bob Dylan in all their contradictory brilliance. For the first time, the laureate of modern America is set in his entire context: musical, historical, literary, political and personal. 
 
In this acclaimed book, full of new insights into the legendary singer, his songs, his life and his era, the artist who invented himself in order to reinvent America is uncovered. Once Upon a Time is a biographical study of a personality that has splintered and reformed, time after time, in a country forever struggling to understand itself. Dylan has become the puzzle that illuminates. Here, in the first part of a major two-volume work, the puzzle is explained.

Once Upon a Time

The Lives of Bob Dylan

Paolo Hewitt

The Soul Stylists is about six decades of Modernism and a highly influential world of clothes and music, but one deliberately hidden away for years from the mainstream media. This book explores the enduring relationship that exists between American black music and British working-class style, tracing a Mod tradition that began in Soho just after the Second World War and continues to this day. 
 
 From Mod to Casual, from Skinhead to Northern Souler, the soul stylists are an amazing family joined together by a tradition of secrecy, exclusivity and absolute indifference towards the outside world. They pass unnoticed because soul stylists always shun the spotlight. To them, attention to detail is far more important than attention seeking. And here in this book, for the very first time, are some of their stories.

The Soul Stylists

Six Decades of Modernism - From Mods to Casuals

John Collis

John Denver was America's biggest-selling solo star of the '70s. In commercial terms he was on a par with Sinatra in the '40s, Elvis in the '50s and the Beatles in the '60s. He experimented with a variety of styles and won fans from such diverse worlds as folk, pop and country music. 
 
Beneath the often tranquil surface of his music and his clear, clean tenor voice, however, lurked a darker side to Denver's character. The writer of 'Annie's Song', one of the most straightforward and personal expressions of love, became a wife-beater. The man who cavorted with the Muppets was an alcoholic. The committed environmentalist had his own plane, the most polluting form of transport. 
 
John Collis has delved deep to discover exactly who John Denver was. By unravelling the complexities of the singer's personality and background, he reveals Denver as a complicated, contradictory man, much more intriguing than the sometimes placid surface of his music might suggest. Millions of people around the globe found something in his music that touched their souls; Collis, by charting Denver's career and development as an artist, explores his legendary contribution not only to the world of music but also to the society of which he was a protagonist and a victim.

John Denver

Mother Nature's Son

Herbert Breslin

Anne Midgette

In 1967, Luciano Pavarotti was an up-and-coming young tenor with a voice far more impressive than his stage technique or presence. So Decca, his record company, told him, 'Luciano, you're a real nice guy. So you need a real bastard to do your publicity.' Enter Herbert Breslin. The two of them hit it off and thus began a professional association and a friendship that lasted over 36 years. 
 
The King and I is the story of that relationship, during which Breslin guided what he calls, justifiably, 'the greatest career in classical music', moving Pavarotti out of the opera house and into the arms of the mass public. He and Pavarotti changed the landscape of opera and Breslin relates the story of their journey in a candid, witty fashion that is often hysterically frank and profane. His portrait of his friend and client is full of hilarious details that could only come from a true insider. 
 
The King and I is the ultimate backstage book about the greatest opera star of the past century - and the last word comes from none other than Luciano Pavarotti himself.

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