Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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An inviting and poignant new collection exploring our increasingly turbulent relationship with nature, from award-winning poet Michael Symmons Roberts 
 
'I love Michael Symmons Roberts' poetry... His work is about connection between the things of the spirit and the things of the world' Jeanette Winterson 
 
'An outstanding writer' Sunday Times 
 
Dog Star is a book of linked poems rooted in encounters with real, imagined or mythical birds, trees, fish, flowers, bacteria, chimeras – ancient connections reshaped by technological and political change and critically endangered by species and habitat loss. 
 
In Roberts’ previous work, his poems are attentive to glimpses of grace and presence, but always embodied and grounded. In this new book, that attention is sharper and more urgent than ever, at a time when the essential spiritual relationship between humanity and other forms of life is broken or lost. In a line from his collection Drysalter – ‘there is no way to the soul but through the body’ – he sets out the bearings for these new poems as attempts to tap into what D.H. Lawrence called ‘heaven’s wolfish, wandering electricity.’ 
 
Some encounters in Dog Star are head-on, face-to-face, some are more slant, distant, missed connections. There’s an elegiac sequence for the poet’s mother with each step measured in animals, an extended riff on the world as an aquarium and our lives seen through water – creatures dead and living, met in the flesh or mediated via film or stories. This is a profound, remarkable book by one of our major poets.

Dog Star

**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021** 
 
*A FINANCIAL TIMES 'BOOKS OF 2021' PICK* 
 
Ransom, the new collection from Michael Symmons Roberts, is an intense and vivid exploration of liberty and limit, of what it means to be alive, and searches for the possibility of hope in a fallen, wounded world. The poems in Ransom display all the lyrical beauty and metaphysical ambition for which his work is acclaimed, but with a new urgency, a ragged edge to what the Independent described as his 'dazzling elegance'. At the heart of this new book are three powerful sequences - one set in occupied Paris, one an elegy for his father, and one a meditation on gratitude - that work at the edges of belief and doubt, both mystical and philosophical. The idea of 'ransom' is turned and turned again, poem by poem, seen through the lenses of personal grief and loss, cinematic scenes of kidnap and release, narratives of incarnation and atonement. This is a profound and timely book from one of our finest poets.

Ransom

Shortlisted for the 2017 T. S. Eliot Prize 
Longlisted for the 2019 Portico Prize 
PBS Autumn Recommendation 
 
Mancunia is both a real and an unreal city. In part, it is rooted in Manchester, but it is an imagined city too, a fallen utopia viewed from formal tracks, as from the train in the background of De Chirico’s paintings. In these poems we encounter a Victorian diorama, a bar where a merchant mariner has a story he must tell, a chimeric creature – Miss Molasses – emerging from the old docks. There are poems in honour of Mancunia’s bureaucrats: the Master of the Lighting of Small Objects, the Superintendent of Public Spectacles, the Co-ordinator of Misreadings. Metaphysical and lyrical, the poems in Michael Symmons Roberts’ seventh collection are concerned with why and how we ascribe value, where it resides and how it survives. Mancunia is – like More’s Utopia – both a no-place and an attempt at the good-place. It is occupied, liberated, abandoned and rebuilt. Capacious, disturbing and shape-shifting, these are poems for our changing times.

Mancunia

Michael Longley

Celebrated for his lyrical intensity, his metaphysical wit, his thematic and formal range, Michael Longley is widely regarded as one of the finest poets in these islands. His life in Northern Ireland has contributed to the complexity of a poetic universe in which love, friendship and aesthetics contend with war, death and violance. There are no hard boundaries between Longley's love poetry, his nature poetry, his war poetry and his elegies. Longley looks to the poets of Greece and Rome, particularly Homer and Ovid, and to the poets of the two world wars. His great ability, perhaps, has been to distil the large and difficult themes into highly concentrated forms. 
 
This is Michael Longley's own selection from thirty years of writing; it reveals the strength and coherence of an extraordinary body of work.

Selected Poems

Michael Ondaatje

From independence movements in Sri Lanka to train stations in contemporary Ontario, an intimate and witty selection of Michael Ondaatje’s most widely loved poems taken across fifty years 
 
'My life always stops for a new book by Michael Ondaatje' JHUMPA LAHIRI 
 
Through poems that grow out of his profound understanding of the subtle complexities of life and relationships, of how we lose and find ourselves, Michael Ondaatje navigates his own past, beginning with memories of his childhood in Sri Lanka and his eccentric family, to his life in rural southern Ontario with its beloved rivers, celebrations of treasured friends, the close ties of children. 
 
Ondaatje is one of the great poets of love, and here we follow him through the exhilarations of youth into that ‘storm of music’, the passionate, sensuous swerves of longing and desire, until we reach the calm of that moment when ‘only a cloud’s reflection holding you up / You swim into late afternoon’. 
 
The Distance of a Shout offers us a glimpse into the interwoven life and art of one of our most cherished poets and novelists – a reminder itself of the power of great poetry to shine a light on living. 
 
'Each new book of Michael Ondaatje’s is a literary event, but that is particularly true for his books of poetry' TERRANCE HAYES

The Distance of a Shout: Selected Poems

A Guardian / Herald Scotland Book of the Year 
 
Winner of the 2017 PEN Pinter prize 
Shortlisted for the 2017 Forward Prize 
 
 
A remote townland in County Mayo, Carrigskeewaun has been for nearly fifty years Michael Longley’s home-from-home, his soul-landscape. Its lakes and mountains, wild animals and flowers, its moody seas and skies have for decades lit up his poetry. Now they overflow into Angel Hill, his exuberant new collection. In addition, Longley has been exploring Lochalsh in the Western Highlands where his daughter the painter Sarah Longley now lives with her family. She has opened up for him her own soul-landscape with its peculiar shapes and intense colours. In Angel Hill the imaginations of poet and painter intermingle and two exacting wildernesses productively overlap. Love poems and elegies and heart-rending reflections on the Great War and the Northern Irish Troubles add further weight to Michael Longley’s outstanding eleventh collection. Angel Hill will undoubtedly delight this great poet’s many admirers.

Angel Hill

A collection of Michael Longley's greatest poems, spanning an extraordinary career of sixty years as one of the Belfast triumverate, alongside Seamus Heaney and Derek Mahon 
 
'One of the world's greats' IRISH NEWS 
 
'A keeper of the artistic estate, a custodian of griefs and wonders' SEAMUS HEANEY 
 
The title of Michael Longley’s New Selected Poems is taken from his poem ‘Ash Keys’. The wing-shaped, wind-borne seeds of the ash-tree might be an image for poems in search of their readers. This selection, based on thirteen individual collections, represents Longley’s unusual range as a lyric poet. 
 
It shows how his themes, genres and forms have evolved and interlaced since the 1960s. Love, violence, the natural world, art, psychodrama, family, the Great War, the Homeric past and Northern Ireland’s troubled present cohabit in these pages – as do depth, wit and beauty. 
 
'His work is of the level that would be befitting of a Novel Prize for Literature' MICHAEL D HIGGINS 
 
'Michael Longley’s latest lines are just as restless and as promising as his first' Times Literary Supplement

Ash Keys

New Selected Poems

Winner of the 2015 Griffin Poetry Prize 
Shortlisted for the 2014 T.S. Eliot Prize 
 
 
In The Stairwell, his tenth collection, Michael Longley’s themes and forms reach a new intensity. The second part of the book is a powerful sequence of elegies for his twin brother, Peter, and the dominant mood elsewhere is elegiac. The title poem begins: ‘I have been thinking about the music for my funeral …’ The two parts are also linked by Homer. Longley is well-known for his Homeric versions, and the Iliad is a presiding presence – both in poems about the Great War and in the range of imagery that gives his twin’s death a mythic dimension. Yet funeral music can be life-affirming. Longley has built this collection on intricate doublings, not only when he explores the tensions of twinship. The psychologically suggestive word ‘stairwell’ is itself an ambiguous compound. These poems encompass birth as well as death, childhood and age, nature and art, the animal and human worlds, tenderness and violence, battlefield and ‘homeland’. The Stairwell is a richly textured, immensely moving work. Michael Longley has the rare ability to fuse emotional depth with complicated artistry: to make them, somehow, the same thing.

The Stairwell

*AN IRISH TIMES BOOK OF THE YEAR* 
 
'I can't bear the thought of a world without Michael Longley, yet his poetry keeps hurtling towards that fact more and more urgently as it stretches in an unflinching way beyond comfort or certainty.' So wrote Maria Johnston, reviewing Longley's previous book Angel Hill. Yet The Candlelight Master does not only face into shadows. The title poem sums up the chiaroscuro of this collection, named after a mysterious Baroque painter. Other poems about painters - Matisse, Bonnard - imply that age makes the quest for artistic perfection all the more vital. A poem addressed to the eighth-century Japanese poet, Otomo Yakamochi, says: 'We gaze on our soul-landscapes / More intensely with every year.' The soul-landscape of The Candlelight Master is often a landscape of memory. But if Longley looks back over formative experiences, and over the forms he has given them, he channels memory into freshly fluid structures. His new poems about war and the Holocaust speak to our own dark times. Translation brings dead poets up to date too. The bawdy of Catullus becomes Scots 'Hochmagandy'. Yakamochi and the lyric poets of Ancient Greece find themselves at home in Longley's Carrigskeewaun.

The Candlelight Master

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 
 
'My life always stops for a new book by him' JHUMPA LAHIRI 
 
'A generous, moving book' GUARDIAN 
 
Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world &ndash; describing himself as a 'mongrel', someone born out of diverse cultures. 
 
Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière&rsquo;s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: 
 
Reading the lines he loves 
he slips them into a pocket, 
wishes to die with his clothes 
full of torn-free stanzas 
and the telephone numbers 
of his children in far cities 
 
Poetry &ndash; where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

**WINNER OF THE 2022 FELTRINELLI INTERNATIONAL POETRY PRIZE ** 
 
 
'One of the most perfect poets alive. There is something in his work both ancient and modern. I read him as I might check the sky for stars.' Sebastian Barry 
 
Michael Longley's new collection takes its title from Dylan Thomas - 'for the sake of the souls of the slain birds sailing'. The Slain Birds encompasses souls, slayings and many birds, both dead and alive. The first poem laments a tawny owl killed by a car. That owl reappears later in 'Totem', which represents the book itself as 'a star-surrounded totem pole/ With carvings of all the creatures'. 'Slain birds' exemplify our impact on the creatures and the planet. But, in this book's cosmic ecological scheme, birds are predators too, and coronavirus is 'the merlin we cannot see'. Longley's soul-landscape seems increasingly haunted by death, as he revisits the Great War, the Holocaust and Homeric bloodshed, with their implied counterparts today. Yet his microcosmic Carrigskeewaun remains a precarious 'home' for the human family. It engenders 'Otter-sightings, elvers, leverets, poetry'. Among Longley's images for poetry are crafts that conserve or recycle natural materials: carving, silversmithing, woodturning, embroidery. This suggests the versatility with which he remakes his own art. Two granddaughters 'weave a web from coloured strings' and hang it up 'to trap a big idea'. The interlacing lyrics of The Slain Birds are such a web.

The Slain Birds

Woody Brown

Woody Brown’s vibrant and profoundly moving debut novel takes us to sun-bleached California, to a daycare centre for Los Angeles’s disabled community. 
 
Among the clients and staff are Carlos, a charismatic aide who lost his mother as a boy, and Jorge, who is gentle, nonspeaking and prone to escape despite Carlos’s best efforts. Tom, a beautiful young man with cerebral palsy, pines for Ann, the lifeguard for the summer who feels out of her depth. Then there’s Dave, the centre’s director. He wanted to be an actor, but finds himself on a very different path. 
 
At the heart of Upward Bound is Walter, a recent college student returning to the company of his peers after a family tragedy. Around him, a story unfolds of friendships forged, connections missed and the dreams – some new, others almost forgotten – that shape us. With his wit, empathy and astonishing gifts as a storyteller, Woody Brown immerses us in life as we have never experienced it before.

Upward Bound

Raymond Briggs

A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway 
 
Utterly original, deeply moving and very funny, Ethel &amp; Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971. 
 
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War II, the trials of the war years, the euphoria of VE Day and the emergence of a generation from post war austerity to the cultural enlightenment of the 1960s. 
 
Ethel &amp; Ernest is a heartfelt and affectionate tribute to an ordinary couple and an extraordinary generation.

Ethel & Ernest

Barbara Anderson

Oliver Gurth Perkins is seventy-five, and the darkest cloud on his horizon is that the local bookshop no longer stocks paperbacks of the Times cryptic crosswords. He has an easy companionship with his wife; his dental practice is undemanding; his son is a decent enough sort; and his granddaughter who comes for the school holidays is his delight. But when a minor heart episode convinces Oliver that it's time for him to take more interest in the lives of those close to him, further shocks are in store- Change of Heart is a glittering jewel of a book, an audacious mixture of comic invention and human insight that is Barbara Anderson at her very best.

Change Of Heart

Posy Simmonds

The brilliant graphic novel behind the major new film starring Gemma Aterton (Quantum of Solace), Jason Flemyng (Lock, Stock and Two Smoking Barrels), Fabrice Luchini (In the House) and Mel Raido (Spooks) 
 
Gemma is the bored, pretty second wife of Charlie Bovery, the reluctant stepmother of his children and the bête-noire of his ex-wife. Gemma's sudden windfall and distaste for London take them across the Channel to Normandy, where the charms of French country living soon wear off. 
 
Is it a coincidence that Gemma Bovery has a name rather like Flaubert's notorious heroine? Is it by chance that, like Madame Bovary, Gemma is bored, adulterous, and a bad credit risk? Is she inevitably doomed? These questions consume Gemma's neighbour, the intellectual baker, Joubert. Denying voyeurism, but nevertheless noting every change in the fit of her jeans, every addition to Gemma's wardrobe, her love-bites and lovers, Joubert, with the help of the heroine's diaries, follows her path towards ruin. Adultery and its consequences. Disappointment and deception. The English in France. Fat and slim. Then and now.

Gemma Bovery

Barry Windsor-Smith

35 YEARS IN THE MAKING: THE MOST ANTICIPATED GRAPHIC NOVEL IN RECENT HISTORY 
 
*A GUARDIAN 'BOOKS OF 2021' PICK* 
 
The year is 1964. 
 
Bailey doesn't realize he is about to fulfil his tragic destiny when he walks into a US Army recruitment office. Secretive, damaged, innocent, trying to forget a past and looking for a future, Bobby is the perfect candidate for a secret US government experiment, an unholy continuation of a genetics program that was discovered in Nazi Germany nearly 20 years earlier in the waning days of World War II. Bailey's only ally and protector, Sergeant McFarland, intervenes, which sets off a chain of cascading events that spin out of everyone's control. As the monsters of the title multiply, becoming real and metaphorical, the story reaches a crescendo of moral reckoning. 
 
A 360-page tour de force of visual storytelling, Monsters' narrative canvas is copious: part familial drama, part thriller, part metaphysical journey, it is an intimate portrait of individuals struggling to reclaim their lives and an epic political odyssey that plays across two generations of American history. 
 
Monsters is rendered in Barry Windsor-Smith's impeccable pen-and-ink technique, the visual storytelling, with its sensitivity to gesture and composition, the most sophisticated of the artist's career. There are passages of heartbreaking tenderness, of excruciating pain, of redemption and sacrifice, and devastating violence. Monsters is surely one of the most intense graphic novels ever drawn.

Monsters

***WINNER OF THE COMEDY WOMEN IN PRINT PRIZE 2020*** 
 
'Simmonds is a copper-bottomed genius... she is as brilliant a writer as Britain has' Jenny Colgan, Mail Online 
 
Cassandra Darke is an art dealer, mean, selfish, solitary by nature, living in Chelsea in a house worth £7 million. 
 
She has become a social pariah, but doesn't much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence - her own crime involving 'no violence, no weapon, no dead body'. 
 
But in Cassandra's basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.

Cassandra Darke

Alison Bechdel

Internationally-acclaimed graphic-literary talent Alison Bechdel offers acerbically funny insight into the lesbian culture of 1980s America in this comic strip collection. 
 
Bechdel's brilliantly imagined counter-cultural band of friends - academics, social workers, booksellers - fall in and out of love, negotiate relationships, raise children, switch careers and cope with aging parents. The Essential Dykes To Watch Out For fuses high and low culture - from foreign domestic policy to domestic routine, postmodern theory to hot sex - in a serial graphic narrative 'suitable for all humanist persuasions'. 
 
Alison Bechdel has been chronicling the lives of a small universe of cartoon characters in her strip Dykes To Watch Out For, which has been syndicated in fifty alternative newspapers in the USA and has been published in eleven volumes. For this first time, this collection gathers the best of those volumes. 
 
'So much more than a comic strip... No one comes close to Alison Bechdel' Times

The Essential Dykes To Watch Out For

Joff Winterhart

Sam is 27 and needs to get a job. Keith, who claims to be a second cousin of his (absent) father, offers him one. On Keith’s card it says he does ‘distribution and delivery’, which seems to consist of ‘a lot of driving around, getting out of the car for a few minutes and then getting back in’, Sam tells his mother. And so the days go by, Keith driving to a trading estate, ducking into a portakabin, all the while telling Sam stories about his first boss, Geoff Crozier, his mentor in distribution and delivery. As the weeks pass, Sam gets to know Keith’s friends, flirty Hazel-Claire from whom they buy two pasties every day at lunchtime, a variety of receptionists, and a few tantalising secrets from Keith’s past… 
 
As in Days of the Bagnold Summer, Joff Winterhart is a master at depicting ordinary life in all its utterly poignant and funny mundanity.

Driving Short Distances

Seán Hewitt

On the cusp of adulthood, James dreams of another life far away from his small village. As he contends with the expectations of his family, his burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. 
 
Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, but underneath his bravado lie anxieties and hopes of his own. 
 
With the passing seasons, the two teenagers grow closer and the bond that emerges between them transforms their lives. James falls deeply for Luke, yet he is never sure of Luke’s true feelings. And as the end of summer nears, he has a choice to make – will he risk everything for the possibility of love?

Open, Heaven

Chris Ware

Discover the long-awaited new book from the author of Jimmy Corrigan, the Smartest Kid on Earth and Building Stories. 
 
 
'The week after I finished the last page of Jimmy Corrigan I immediately started a new long story based on characters who had originated as parodies, but whom now I wanted to humanize... amidst a setting of memories of my Omaha childhood and Nebraska upbringing.' (Chris Ware, Monograph) 
 
Now, twenty years later, Ware is publishing Rusty Brown in book form. It is, he says, 'a fully interactive, full-colour articulation of the time-space interrelationships of six complete consciousnesses on a single Midwestern American day and the tiny piece of human grit about which they involuntarily orbit.' The six characters are Rusty Brown himself, a shy schoolkid obsessed with superheroes, his father 'Woody' Brown, an eccentric teacher at Rusty's school, Chalky White, another schoolboy, Alison White, Chalky's sister, Jason Lint, an older boy who bullies Rusty and Chalky and fancies Alison, and the boys' teacher, Joanne Cole. Ware tells each of their stories in minute detail (or as he puts it, 'From childhood to old age, no frozen plotline is left unthawed'), producing another masterwork of the comics form that is at once achingly beautiful, heartbreakingly sad and painfully funny. 
 
 
'A treasure trove of invention... With its awe-inspiring exploration of regret and ageing, anxiety and ennui... Rusty Brown is a human document of rare richness' Guardian 
 
 'Chris Ware is one of the great writers of our generation...I spent 20 minutes reading the cover of Rusty Brown. Buy it. Buy all his work. Make your life larger.' Mark Haddon, Observer

Rusty Brown

Daniel Clowes

The Death Ray is the story of teen outcast Andy, an orphaned nobody with only one friend, the obnoxious-but-loyal Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can and as he learns the extent of his new powers, he discovers a terrible and seductive gadget - a hideous compliment to his seething rage - that forever changes everything. 
 
The Death-Ray utilizes the classic staples of the superhero genre - origin, costume, ray-gun, sidekick, fight scene - reconfiguring them in a story that is anything but morally simplistic. With subtle comedy, deft mastery and an obvious affection for the bold Pop Art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.

The Death Ray

Jimmy Corrigan has rightly been hailed as the greatest graphic novel ever to be published. It won the Guardian First Book Award 2001, the first graphic novel to win a major British literary prize. 
 
It is the tragic autobiography of an office dogsbody in Chicago who one day meets the father who abandoned him as a child. With a subtle, complex and moving story and the drawings that are as simple and original as they are strikingly beautiful, Jimmy Corrigan is a book unlike any other and certainly not to be missed. 
 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

Jimmy Corrigan

The Smartest Kid on Earth

Bryan Talbot

A new book in Bryan Talbot's award-winning science fiction graphic novels series, starring the legendary character Luther Arkwright 
 
The Adventures of Luther Arkwright, first serialised in 1978, is considered by many to be the first British graphic novel. Praised by many writers and artists, including Alan Moore, Neil Gaiman, Jean Giroud (Moebius) and Michael Moorcock, the ground-breaking, experimental adult SF story was a seminal work, inspiring and influencing many comic creators. Its sequel, Heart Of Empire, was published in 2001. Both books have been continually in print since they were first published. 
 
Set fifty years later, The Legend of Luther Arkwright is another stand-alone story. While still maintaining total continuity with the Arkwright mythos, it is a different kind of adult adventure. Pursued across multiple historically divergent parallel worlds, both utopian and dystopian, and facing a far superior adversary, Arkwright battles to save humanity from mass destruction; his only edge is his experience and force of will. 
 
The Legend of Luther Arkwright, beautifully drawn by master storyteller and Eisner Award-winning comics creator Bryan Talbot, is a milestone in British comics history.

The Legend of Luther Arkwright

With an Introduction by Adrian Tchaikovsky

Ghost World is the story of Enid and Rebecca, teenage friends facing the unwelcome prospect of adulthood, and the uncertain future of their complicated relationship. Clowes conjures a balanced semblance, both tender and objective, of their fragile existence, capturing the mundane thrills and hourly tragedies of a waning adolescence, as he follows a tenuous narrative thread through the fragmented lives of these two fully realised young women.

Ghost World

'The funniest, most satirical cartoon she has ever written – as well as, perhaps, the most prescient' OBSERVER 
 
"Very funny and self-hating in a good way" ZADIE SMITH 
 
From her pygmy goat farm in Vermont, a cartoonist named Alison Bechdel wonders: Can she pull humanity out of its death spiral by writing a scathing memoir about her own greed and privilege? 
 
But how is she supposed to sit here writing a book when the world hangs on a thread? 
 
In this hilariously skewering comic novel, Alison is existentially irked by a climate-challenged world and a country on the brink of civil war. 
 
Her first graphic memoir about growing up with her taxidermist father has been adapted into a highly successful TV series, Death and Taxidermy. It’s a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group. 
 
As the TV show racks up Emmy after Emmy, Alison’s own envy spirals. Why couldn’t she be the writer for a wildly popular reality TV series which shows people how to free themselves from consumer capitalism and live a more ethical life?! 
 
In Spent, the celebrated, bestselling author of the modern classic Fun Home presents a laugh-out-loud and passionately political work of autofiction, and once again proves that “nobody does it better” (New York Times) than the real Alison Bechdel.

Spent

A Comic Novel

Warren Pleece

Gary Pleece

In Montague Terrace, nothing is quite what is seems. Within its boundaries live an array of strange and extraordinary residents, including Paul Gregory, self-exiled pop crooner holed up in his Montague hovel for close to forty years, with only fading memories of a semi-successful music career and a bottle of JD for company. Mrs Beatrice Green, codename Babushka, an aged former special ops agent fighting a new war against overzealous council officials. Marvo the Magic Bunny and Mystical Marvin, a pair of down-on-their luck entertainers, shielding a disturbing past. The Puppeteer, toiling away day and night, pulling the strings of world events and causing chaos out of order. 
 
Landlocked sailors, fake pet psychics, hounded inventors and randy postmen. Welcome to Montague Terrace...

Montague Terrace

Discover the quirky tale of single parenting and heavy metal behind the film from director Simon Bird (The Inbetweeners) 
 
'When someone looks back and writes a history of this summer, two people they will almost certainly leave out are Sue and Daniel Bagnold...' 
 
So begins Joff Winterhart's sublimely funny and perceptive graphic novel, Days of the Bagnold Summer. Sue, 52, works in a library. Daniel, 15, is still at school. This was the summer holidays Daniel was due to spend with his father and his father's pregnant new wife in Florida. When they cancel his trip, Sue and Daniel face six long weeks together... 
Joff Winterhart perfectly captures the ennui, the tension, the pathos and yes, the affection of this mother-son relationship. Already well-known for his animated films like Violet and Turquoise, he here shows himself to be a comics author of extraordinary talent. 
 
Shortlisted for the 2012 Costa Award for Best Novel

Days of the Bagnold Summer

Irvine Welsh

It is the late 1980s, the closing years of Thatcher’s Britain. For the Trainspotting crew, a new era is about to begin – a time for hope, for love, for raving. 
 
Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption. 
 
Sick Boy starts an intense relationship with Amanda, his ‘princess’ – rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group’s dreams or just another doomed quest? 
 
Irvine Welsh’s sequel to his iconic bestseller Trainspotting tells a story of riotous adventures, wild new passions, and young men determined to get the most out of life.

Men in Love

Mark Spragg

Set in Wyoming, in cattle country, The Fruit of Stone is the story of two men and one woman. McEban, a rancher, has loved Gretchen Reilly all his life; and all his life Bennett, Gretchen's husband, has been his best friend. When Gretchen leaves Bennett, the two men follow her trail on a strange, fateful journey across Wyoming to Nebraska. 
 
Spragg's characters are unforgettable, his prose is at once tender and muscular, his portrait of the harsh but beautiful landscape breathtaking. With this remarkable novel he takes his place beside Cormac McCarthy, Thomas McGuane and Kent Haruf as one of the great contemporary chroniclers of the American West.

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