Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Irvine Welsh

*Number #1 Bestseller** 
 
BEFORE TRAINSPOTTING CAME SKAGBOYS 
 
 Mark Renton has it all: he's good-looking, young, with a pretty girlfriend and a bright future. But there's no room for him in the 1980s and when his family starts to fracture, Mark's life swings out of control. The way out is heroin. 
It's no better for his friends - Spud Murphy is laid off from his job, Tommy Lawrence finds himself sucked into a life of petty crime, violence and the world of the psychotic Franco Begbie. Only Sick Boy seems to ride the current, scamming and hustling his way through it all. Exhilarating and moving, Skagboys charts their journey from likely lads to young addicts in a decade which changed Britain forever. 
 
'Masterful... its banter, outrage and razor wit sing off the page' Independent 
 
'Funny...visceral and true... Welsh's finest work to date' The Times

Skagboys

**A SUNDAY TIMES BESTSELLER** 
 
Mark Renton from Trainspotting is back – and he’s finally a success 
 
 An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He’s then rocked by a chance encounter with Frank Begbie, from whom he’d been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and – much to Mark’s astonishment – doesn’t seem interested in revenge. 
 
 Sick Boy and Spud, who have agendas of their own, are intrigued to learn that their old friends are back in town, but when they enter the bleak world of organ-harvesting, things start to go so badly wrong. Lurching from crisis to crisis, the four men circle each other, driven by their personal histories and addictions, confused, angry – so desperate that even Hibs winning the Scottish Cup doesn’t really help. One of these four will not survive to the end of this book. 
 
Which one of them is wearing Dead Men’s Trousers? 
 
‘Welsh is on compulsively readable, searingly funny form’ The Times 
 
‘No one captures the competing affections and resentments that underpin lifelong friendships like Welsh’ Esquire

Dead Men's Trousers

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