Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Patrick Süskind

Survivor, genius, perfumer, killer: this is Jean-Baptiste Grenouille. He is abandoned on the filthy streets of Paris as a child, but grows up to discover he has an extraordinary gift: a sense of smell more powerful than any other human's. Soon, he is creating the most sublime fragrances in all the city. Yet there is one odour he cannot capture. It is exquisite, magical: the scent of a young virgin. And to get it he must kill. And kill. And kill...

Perfume

The Story of a Murderer

Hermann Hesse

'The unhappiness that I need and long for . . . is of the kind that will let me suffer with eagerness and die with lust. That is the unhappiness, or happiness, that I am waiting for.' 
 
Alienated from society, Harry Haller is the Steppenwolf, wild, strange and shy. His despair and desire for death draw him into an enchanted, Faust-like underworld. Through a series of shadowy encounters, romantic, freakish and savage by turn, Haller begins to rediscover the lost dreams of his youth. 
 
Adopted by the Sixties counterculture, Steppenwolf captured the mood of a disaffected generation that was beginning to question everything.

Steppenwolf

Françoise Sagan

'Late into the night we talked of love, of its complications. In my father's eyes they were imaginary. . . This conception of rapid, violent and passing love affairs appealed to my imagination. I was not at the age when fidelity is attractive. I knew very little about love.' 
 
The French Riviera: home to the Beautiful People. And none are more beautiful than Cécile, a precocious seventeen-year-old, and her father Raymond, a vivacious libertine. Charming, decadent and irresponsible, the golden-skinned duo are dedicated to a life of free love, fast cars and hedonistic pleasures. But then, one long, hot summer Raymond decides to marry, and Cécile and her lover Cyril feel compelled to take a hand in his amours, with tragic consequences. 
 
Bonjour Tristesse scandalized 1950s France with its portrayal of teenager terrible Cécile, a heroine who rejects conventional notions of love, marriage and responsibility to choose her own sexual freedom.

Bonjour Tristesse

Sandor Marai

A castle at the foot of the Carpathian mountains in the 1930s. Two men, inseparable in their youth, meet for the first time in forty-one years. They have spent their lives waiting for this moment. 
Four decades earlier a murky, traumatic event - something to do with a betrayal, and a woman - led to their sudden separation. Now, as their lives draw to a close, the devastating truth about that moment will be revealed. 
 
Embers is a masterpiece - an unforgettable story of passion, fidelity, truth and deception.

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