Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Grayson Perry

Wendy Jones

Every inch of Grayson's childhood bedroom was covered with pictures of aeroplanes, and every surface with models. Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. 
 
Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.

Portrait Of The Artist As A Young Girl

Robert Hughes

Robert Hughes, one of the most illuminating minds ever to have taken on the subjects of art and culture, uses his same critical abilities to give us a brutally intimate account of his early life, up until the time he quit Australia for the United States. 
 
Part memoir, part history lesson, part philosophical tract, Hughes uses his own experiences to examine the nature of art, war, sex, religion, writing and life itself. 
 
Piercing, razor-sharp, and above all, fearless, this is by far Hughes's most personal writing to date.

Things I Didn't Know

David Lodge

The British Museum is Falling Down is a brilliant comic satire of academia, religion and human entanglements. First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child.

The British Museum Is Falling Down

Peter Everett

In 1912, in Storyville, the notorious red-light district of New Orleans, a photographer named E. J. Bellocq took a series of photographs of the women who worked in the brothels. Rediscovered in the 1950s, Bellocq's photographs have become famous, but the man himself remains a mystery.In Bellocq's Women, Peter Everett performs as remarkable a feat of fictional reconstruction as he did in Matisse's War and The Voyages of Alfred Wallis. All we have of Bellocq are his photographs and a few fragmentary memories; in this extraordinary novel Everett not only brings the photographer to life - and with him his strange, tortured relationship with his mother and two young girls, one his landlady's daughter, the other a child whore - but also his world - the opium dens and bar rooms of New Orleans and the whore houses with their surreal combination of violence and homeliness.

Bellocq's Women

Edmund de Waal

From the author of the bestselling phenomenon The Hare with Amber Eyes 
 
As you may have guessed by now, I am not in your house by accident. I know your street rather well. 
 
 The Camondos lived just a few doors away from Edmund de Waal's forebears. Like de Waal's family, they were part of belle époque high society. They were also targets of anti-Semitism. 
 
Count Moïse de Camondo created a spectacular house filled with art for his son to inherit. Over a century later, de Waal explores the lavish rooms and detailed archives and, in a haunting series of letters addressed to Camondo, he tells us what happened next. 
 
'Illuminating... A wonderful tribute to a family and to an idea' Guardian 
 
'Letters to Camondo immerses you in another age... Dazzling' Financial Times

Letters to Camondo

Patricia Bosworth

Diane Arbus's startling photographic images of dwarfs, twins, transvestites, and freaks seemed from the first to redefine both the normal and the abnormal in our lives; they were already becoming part of the iconography of the age when Arbus committed suicide in 1971. Arbus herself remained an enigma until the publication of this first full biography. Patricia Bosworth examines the life behind the eerie, mesmerizing photographs: Diane's pampered childhood; her passionate marriage to Allan Arbus and their work together as fashion photographers during the fifties; the emotional upheaval surrounding the end of that marriage; and the radically dark, liberating, and ultimately tragic turn Diane's art took during the sixties. Bosworth's engrossing book is a compassionate portrait of the woman behind some of the most powerful photographs of our time.

Diane Arbus

Margaret Forster

Lost, found, stolen, strayed, sold, fought over... This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. 
 
It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room. 
 
Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting. 
 
Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

Keeping the World Away

Günter Grass

The final work of Nobel Prize-winning writer Günter Grass – a witty and elegiac series of meditations on writing, growing old, and the world. 
 
Suddenly, in spite of the trials of old age, and with the end in sight, everything seems possible again: love letters, soliloquies, scenes of jealousy, swan songs, social satire, and moments of happiness. 
 
Only an ageing artist who had once more cheated death could get to work with such wisdom, defiance and wit. A wealth of touching stories is condensed into artful miniatures. In a striking interplay of poetry, lyric prose and drawings, Grass creates his final, major work of art. 
 
A moving farewell gift, a sensual, melancholy summation of a life fully lived.

Of All That Ends

Haruki Murakami

*PRE-ORDER HARUKI MURAKAMI&rsquo;S NEW NOVEL, THE CITY AND ITS UNCERTAIN WALLS, NOW* 
 
A mindbending new collection of short stories from the unique, internationally acclaimed author of Norwegian Wood and The Wind-up Bird Chronicle. 
 
THE SUNDAY TIMES BESTSELLER 
 
The eight masterly stories in this new collection are all told in the first person by a classic Murakami narrator. From nostalgic memories of youth, meditations on music and an ardent love of baseball to dreamlike scenarios, an encounter with a talking monkey and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator who may or may not be Murakami himself is present. Is it memoir or fiction? The reader decides. 
 
Philosophical and mysterious, the stories in First Person Singular all touch beautifully on love and solitude, childhood and memory. . . all with a signature Murakami twist. 
 
A GUARDIAN AND SUNDAY TIMES 'BOOKS OF 2021' PICK

First Person Singular

mind-bending new collection of short stories from the internationally acclaimed author of NORWEGIAN WOOD

Stories

A timeline of artistic endeavour from the formal resources of the past to the boom-and-bust media hype of a postmodern age. 
 
In these celebrated essays Robert Hughes explores the lives and works of more than 80 artists, from Hans Holbein to Andy Warhol and beyond, assessing their achievements (or lack of them) and how they altered the history of art for better or for worse. Castigating the excesses of the 1980s New York art scene, with its manufactured celebrity and inflated prices, he argues for the real values of art and outlines the way ahead for a new generation of artists.

Nothing If Not Critical

Annalena McAfee

'Engrossing...I loved each and every brushstroke' Ian Rankin 
 
'Nightshade is a glorious novel... full of twisted sexuality, art and power' Observer 
 
Could the creative urge be the most destructive - even the deadliest - impulse of all? Could it end in death? 
 
Eve Laing, once the muse of an infamous painter, is now - forty years later - an artist herself. But she has sacrificed her career for her family. She resents the global success of her old college roommate. She is slowly unravelling. 
 
When Eve embarks on her most ambitious work yet, she takes a wrecking ball to her comfortable life, jettisoning her marriage for a beautiful young lover who seems to share her single-minded creative vision. 
 
 This timely novel explores sexual politics, asking if the true artist must relinquish the ordinary human need for love and connection to pave the way for desire and ambition, leading to a fatal awakening...

Nightshade

**WINNER OF THE COSTA BIOGRAPHY AWARD** 
 
Edmund de Waal uncovers the history of a family through a turbulent century through 264 objects. 
 
264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. 
 
From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 
 
'You have in your hands a masterpiece' Sunday Times 
 
'The most brilliant book I've read for years... A rich tale of the pleasure and pains of what it is to be human' Daily Telegraph 
 
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY*

The Hare With Amber Eyes

The #1 Sunday Times Bestseller

‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ 
 
So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

My Life in Houses

Chloe Aridjis

Marie’s job as a museum guard at the National Gallery in London offers her the life she always wanted, one of invisibility and quiet contemplation. But amid the hushed corridors surge currents of history and violence, paintings whose power belie their own fragility. There also lingers the legacy of her great-grandfather Ted, the warder who slipped and fell moments before reaching the suffragette Mary Richardson as she took a blade to one of the gallery’s masterpieces on the eve of the First World War. 
 
After nine years there, Marie begins to feel the tug of restlessness. A decisive change comes in the form of a winter trip to Paris, where, with the arrival of an uninvited guest and an unexpected encounter, her carefully contained world is torn apart.

Asunder

Jean Sprackland

'A refreshingly original meditation... I wish I had written it myself' Literary Review 
 
Graveyards are oases: places of escape, peace and reflection. Liminal sites of commemoration, where the past is close enough to touch. Yet they also reflect their living community - how in our restless, accelerated modern world, we are losing our sense of connection to the dead. 
 
Jean Sprackland - the prize-winning poet and author of Strands - travels back through her life, revisiting her once local graveyards. In seeking out the stories of those who lived and died there, remembered and forgotten, she unearths what has been lost.

These Silent Mansions

A life in graveyards

Dora Carrington

Carrington's beguiling letters take us beyond the Bloomsbury group to discuss sexual mores, how to be an artist, and what it is to be truly oneself. 
 
Known only by her surname, Dora Carrington was the star of her year at the Slade School of Fine Art, and was friends with some of the greatest minds of her day, including Virginia Woolf, Rosamund Lehmann and Maynard Keynes. 
 
For over a decade she was the companion of homosexual writer Lytton Strachey, and - stricken without him- killed herself when he died in 1932. Though she never achieved the fame her early career promised, in her determination to live life according to her own nature – especially in relation to her work and her fluid attitude to sex, gender and sexuality – she fought battles that remain familiar and urgent today. 
 
Now, through her passionate, playful and honest letters, we can encounter the maverick artist and compelling personality afresh and in her own words.

Carrington's Letters

Her Art, Her Loves, Her Friendships

Ai Weiwei

A FAMILY STORY AND THE TALE OF A NATION. 
 
 
Ai Weiwei - one of the world's most famous artists and activists - weaves a century-long epic tale of China through the story of his own life and that of his father, Ai Qing, the nation's most celebrated poet. 
 
'Engrossing...a remarkable story' Sunday Times 
 
Here, through the sweeping lens of his own and his father's life, Ai Weiwei tells an epic tale of China over the last 100 years, from the Cultural Revolution to the modern-day Chinese Communist Party. 
 
Here is the story of a childhood spent in desolate exile after his father, Ai Qing, once China's most celebrated poet, fell foul of the authorities. Here is his move to America as a young man and his return to China, his rise from unknown to art-world superstar and international rights activist. Here is his extraordinary account of how his work has been shaped by living under a totalitarian regime. 
 
It's the story of a father and a son, of exceptional creativity and passionate belief, and of how two indomitable spirits enabled the world to understand their country. 
 
'A story of inherited resilience and self-determination' Observer 
 
'A majestic and exquisitely serious masterpiece about his China... One of the great voices of our time' Andrew Solomon 
 
'Intimate, unflinching...an instant classic' Evan Osnos, author of Age of Ambition

1000 Years of Joys and Sorrows

Two lives, one nation and a century of art under tyranny in China

The story of two lives, one nation, and a century of art under tyranny

Julia Blackburn

Winner of the East Anglian Book of the Year 2015 
Winner of the New Angle Book Prize 2017 
 
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as ‘a stuporous state’. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his masterpiece, a huge embroidery of The Evacuation of Dunkirk. 
 
Very few facts about Craske are known, and only a few scattered photographs have survived, together with accounts by the writer Sylvia Townsend Warner and her lover Valentine Ackland, who discovered Craske in 1937. So - as with all her books - Julia Blackburn’s account of his life is far from a conventional biography. Instead it is a quest which takes her in many strange directions - to fishermen’s cottages in Sheringham, a grand hotel fallen on hard times in Great Yarmouth and to the isolated Watch House far out in the Blakeney estuary; to Cromer and the bizarre story of Einstein’s stay there, guarded by dashing young women in jodhpurs with shotguns. 
 
Threads is a book about life and death and the strange country between the two where John Craske seemed to live. It is also about life after death, as Julia’s beloved husband Herman, a vivid presence in the early pages of the book, dies before it is finished. 
 
In a gentle meditation on art and fame; on the nature of time and the fact of mortality; and illustrated with Craske’s paintings and embroideries, Threads shows, yet again, that Julia Blackburn can conjure a magic that is spellbinding and utterly her own.

Threads

The Delicate Life of John Craske

Adam Smyth

The Book-Makers is a celebration of 550 years of the printed book, told through the lives of eighteen extraordinary men and women who took the book in radical new directions: printers and binders, publishers and artists, paper-makers and library founders. This is a story of skill, craft, mess, cunning, triumph, improvisation, and error.Some of these names we know. We meet jobbing printer (and American Founding Father) Benjamin Franklin. We watch Thomas Cobden-Sanderson conjure books that flicker between the early twentieth century and the fifteenth. Others have been forgotten. We don't remember Sarah Eaves, wife of John Baskerville, and her crucial contribution to the history of type. Nor Charles Edward Mudie, populariser of the circulating library – and the most influential figure in book publishing before Jeff Bezos. Nor William Wildgoose, who meticulously bound Shakespeare’s First Folio, and then disappeared from history.The Book-Makers puts people back into the story of the book. It takes you inside the print-shop as the deadline looms and the adrenaline flows – from 1492 Fleet Street to 2023 New York. It’s a story of contingencies and quirks, of successes and failures, of routes forward and paths not taken. The Book-Makers is a history of book-making that leaves ink on your fingers, and it shows why the printed book will continual to flourish.

The Book-Makers

A History of the Book in 18 Remarkable Lives

Paul Strathern

A dazzling piece of Italian history of the infamous family that become one of the most powerful in Europe, weaving its history with Renaissance greats from Leonardo da Vinci to Galileo 
 
Against the background of an age which saw the rebirth of ancient and classical learning, The Medici is a remarkably modern story of power, money and ambition. Strathern paints a vivid narrative of the dramatic rise and fall of the Medici family in Florence, as well as the Italian Renaissance which they did so much to sponsor and encourage. 
 
Strathern also follows the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo and Donatello; as well as scientists like Galileo and Pico della Mirandola; and the fortunes of those members of the Medici family who achieved success away from Florence, including the two Medici popes and Catherine de' Médicis, who became Queen of France and played a major role in that country through three turbulent reigns. 
 
‘A great overview of one family's centuries-long role in changing the face of Europe’ Irish Independent

The Medici

Godfathers of the Renaissance

Bill Cunningham

An enchanting memoir by the legendary New York Times fashion photographer Bill Cunningham 
 
 *A Financial Times Book of the Year 2018* 
*The New York Times Bestseller* 
 
‘I took to New York life like a star shooting through the heavens…’ 
 
Bill Cunningham’s first love was fashion but the big city came a close second. He left for New York aged nineteen, losing his family’s support but enjoying the infinite luxury of freedom. Living on a scoop of Ovaltine a day, he would run down to Fifth Avenue to feed on the spectacular sights of the window displays – then run back to his tiny studio to work all night. 
 
Working as ‘William J’ (to spare his parents’ blushes), Bill became one of the most celebrated hat designers of the 1950s, creating elegant town hats for movie stars and playful beach hats for the summer set. Bill’s mission was to bring happiness by making beautiful things – even if it meant pawning his bike to fund fancy-dress outfits for all his friends. 
 
When women stopped wearing hats and his business was forced to close, Bill worked as a fashion journalist, touring the couture houses of Europe. But New York remained his home, and it was as a street photographer of the fashions of the city that he became well known, in a job that would last almost forty years. 
 
Fashion Climbing is the enchanting memoir he left behind, capturing the madcap times of his early career and the fashion scene of the mid-century. 
 
 Written with the spark and wit of Holly Golightly, and brimming over with Bill’s infectious joy for life, it is a gift to all who seek beauty, whatever our style or status.

Fashion Climbing

A New York Life

Laura Cumming

**THE SUNDAY TIMES BESTSELLER** 
**SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD** 
 
Uncovering the mystery of her mother's disappearance as a child: Laura Cumming, prize-winning author and art critic, takes a closer look at her family story. 
 
'A modern masterpiece' Guardian 
 
Autumn 1929 - a young girl is kidnapped from a beach. Five agonising days go by before she is discovered safe and well in a nearby village. The child remembers nothing of these events and at home, nobody ever speaks of them again. 
 
Decades later, Laura Cumming delves into the mystery surrounding her mother's disappearance. Examining everything from old family photos to letters, tickets and recipes, she uncovers a series of secrets and lies perpetuated not just by her family but by the whole community and in doing so unlocks a mystery almost a century old. 
 
'A moving, many-sided human story of great depth and tenderness, and a revelation of how art enriches life' Sunday Times 
 
Shortlisted for the Baillie Gifford Prize for Non-Fiction 
Shortlisted for the Rathbones Folio Prize 
Longlisted for the RSL Ondaatje Prize

On Chapel Sands

My mother and other missing persons

Grant Morrison

In 1938 Action Comics #1 introduced the world to Superman. In a matter of years, the skies of our imaginations were filled with mutants, aliens and vigilantes. Batman, Wonder Woman and the X-Men - in less than a century they've gone from not existing at all to being everywhere we look. But why? 
 
For Grant Morrison, possibly the greatest of contemporary superhero storytellers, these heroes are not simply characters but powerful archetypes whose ongoing story arcs reflect and predict the lives we live. In this exhilarating book, Morrison draws on history, art, mythology, and his own astonishing journey to provide the first true chronicle of the superhero.

Supergods

Our World in the Age of the Superhero

Shelley Klein

'A charming account of a daughter, a house and a fastidious dad' Sunday Times 
 
Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. 
 
Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 
 
'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon 
 
'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian 
 
'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph

The See-Through House

My Father in Full Colour

Ann Wroe

'She's a genius, I believe, because she lights up every subject she touches.' Hilary Mantel 
 
A Spectator Book of the Year 
 
Goethe claimed to know what light was. Galileo and Einstein both confessed they didn't. On the essential nature of light, and how it operates, the scientific jury is still out. There is still time, therefore, to listen to painters and poets on the subject. They, after all, spend their lives pursuing light and trying to tie it down. 
 
Six Facets of Light is a series of meditations on this most elusive and alluring feature of human life. Set mostly on the Downs and coastline of East Sussex, the most luminous part of England, it interweaves a walker's experiences of light in Nature with the observations, jottings and thoughts of a dozen writers and painters - and some scientists - who have wrestled to define and understand light. From Hopkins to Turner, Coleridge to Whitman, Fra Angelico to Newton, Ravilious to Dante, the mystery of light is teased out and pondered on. Some of the results are surprising. 
 
By using mostly notebooks and sketchbooks, this book becomes a portrait of the transitoriness, randomness, swiftness, frustrations and quicksilver beauty that are the essence of light. It is a work to be enjoyed, pondered over, engaged with, provoked by; to be packed in the rucksack of every walker heading for the sea or the hills, or to be opened to bring that outside radiance within four dark town walls. 
 
Lifescapes by Ann Wroe is coming in August 2023.

Six Facets Of Light

Lynn Knight

A wooden box holds the buttons of three generations of women in Lynn Knight’s family – each one with its own tale to tell... 
 
Tracing the story of women at home and in work, from the jet buttons of Victorian mourning, to the short skirts of the 1960s, taking in suffragettes, bachelor girls, little dressmakers, Biba and the hankering for vintage, The Button Box lifts the lid on women’s lives and their clothes with elegance and wit.

The Button Box

The Story of Women in the 20th Century Told Through the Clothes They Wore

Lifting the Lid on Women's Lives

Christopher Woodward

Why are we so fascinated by ruins? Do we see them as jig-saws and riddles or romantic evocations of the damage of Time, complete with crumbling stone and ivy?  Do they stir us to remember past glory or warn against future arrogance? In this elegant, provocative book , the brilliant young art-historian Christopher Woodward  looks back to the start of the cult  in the eighteenth century, when follies were built in English landscape gardens,  artists and writers thrilled to Rome's poetry of decay, and in Paris the great chef Careme even served blancmanges shaped like  classical ruins. He takes us from Troy  and Pompei to  Sicilian palaces and Nazi fantasies,  and  whirls us forward to modern times - to the shattered Statue of Liberty in Planet of the Apes,  to Florida's Museum of Natural Phenomena, designed as a court-house dumped upside-down by a hurricane and to  Chelsea Flower Show's brand-new 'Millennium Ruin'.  Even the decay of an ordinary house can be as moving as the collapse of a temple - with its fascinating stories and characters, and its telling illustrations,  In Ruins is full of strange delights  and  startling surprises,  exploring the mysterious, melancholy charm of eternal fragments.

In Ruins

In 1792, when he was forty-seven, the Spanish painter Francisco de Goya contracted a serious illness which left him stone deaf. In this extraordinary book Julia Blackburn follows Goya through the remaining thirty-five years of his life. It was a time of political turmoil, of war, violence and confusion, and Goya transformed what he saw happening in the world around him into his visionary paintings, drawings and etchings. 
 
These were also years of tenderness for Goya, of intimate relationships with the Duchess of Alba and with Leocadia, his mistress, who was with him to the end. Julia Blackburn writes of the elderly painter with the intimacy of an old friend, seeing through his eyes and sharing the silence in his head, capturing perfectly his ferocious energy, his passion and his genius.

Old Man Goya

Kate Strasdin

The hidden fabric of a Victorian woman's life told through her unique scrapbook. 
 
In 1838, Anne Sykes was given a diary on her wedding day. Using it to collect snippets of fabric, she created a record of her life and times. Nearly two hundred years later, the diary fell into the hands of fashion historian Kate Strasdin who spent the next six years unravelling the secrets contained within its pages. 
 
Piece by piece, she charts Anne's life and times. Fragments of cloth become windows into Victorian life: pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain's cotton industry. Through the evidence of waistcoats, ball gowns and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear. 
 
&lsquo;Flawless&rsquo; Amber Butchart 
&lsquo;Fascinating&rsquo; Clare Hunter 
&lsquo;Irresistible&rsquo; The Times

The Dress Diary of Mrs Anne Sykes

Secrets from a Victorian Woman’s Wardrobe

Laura Freeman

This first biography of the Kettle's Yard artists reveals the life of a visionary who helped shape twentieth-century British art and explores a thrilling moment in the history of modernism 
 
'The beautiful, revelatory biography we have been waiting for. I loved it' 
EDMUND DE WAAL 
 
'This book is the legacy Jim Ede might have wished for' 
OBSERVER 
 
The lives of Jim Ede and the Kettle's Yard artists represent a thrilling tipping point in twentieth-century modernism: a new guard, a new way of making and seeing, and a new way of living with art. The artists Ben and Winifred Nicholson, Henry Moore, Barbara Hepworth, Alfred Wallis and Henri Gaudier-Brzeska were not a set like the Bloomsbury Set or Ravilious and his friends. But Jim Ede recognised in each of the artists he championed something common and kindred, some quality of light and life and line. 
 
Jim Ede is the figure who unites them. His vision continues to influence the way we understand art and modern living. He was a man of extraordinary energies: a collector, dealer, fixer, critic and, above all, friend to artists. For Ede, works of art were friends and art could be found wherever you looked - in a pebble, feather or seedhead. Art lived and a life without art, beauty, friendship and creativity was a life not worth living. Art was not for galleries alone and it certainly wasn't only for the rich. At Kettle's Yard in Cambridge, he opened his home and his collection to all comers. He showed generations of visitors that learning to look could be a whole new way of life.

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