Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Robert Douglas-Fairhurst

As an English literature professor, Robert Douglas-Fairhurst has delighted in sharing his love of reading with his students. Bringing together more than twenty years of teaching, Look Closer explores the iconic works of literature that have formed, sustained and entertained him, from timeless classics like Wuthering Heights and Pride and Prejudice to modern masterpieces such as Normal People and The Handmaid’s Tale, as well as children’s books, poetry, plays, short stories and comics. It is a masterclass in how to be human. 
 
By revealing the simple techniques to slow down, take note and bring a text to life, Look Closer is the culmination of a life spent reading. This book is for anyone interested in how literature works and makes clear why reading is more relevant than ever in these turbulent times. Funny, illuminating and personal, Look Closer ultimately shows us how great writing can change a person’s life. It is a celebration of the simple joy of reading, and how becoming more attentive readers can open up worlds and bring us closer to ourselves in delightful and unexpected ways.

Look Closer

How to Get More Out of Reading

Marion Coutts

In the aftermath of catastrophic loss, a mother and her young son cross the Atlantic, taking refuge in a wooden house on a remote strip of land. Viewed from the shore, where land meets sea, the horizon is a line that holds their attention and draws them in. Camera in hand, she charts their progress and starts to imagine new ways of being and a new existence for her small family. 
 
Writing with precision and clarity, Coutts combines the real with the fictional, thinking through art, poetry, geology, maps and Minecraft to present a devastating and fierce reflection on intimacy and separation, the visible and the invisible and the fragility and strangeness of the ocean and its borders.

What Did the Deep Sea Say?

Rachel Aviv

You Won't Get Free Of It tells the stories of mothers and daughters searching for each other (and for themselves), of bonds broken and renewed. With uncanny depth of perception, Aviv explores the complexity of this relationship in six essays, five originally published in the New Yorker and reconceived for this intimate, revelatory book. 
 
'I wrote some of these stories feeling, existentially, like a daughter, and now I have returned to them with a different identification,' Aviv writes. 'It was as if I had failed to see the drama that was on the mother’s side, too – her particular longings and humiliations and needs.' 
 
Aviv renders one mother searching for her vanished daughter; another who sacrifices herself for her daughters by working as a nanny for other people’s children. In the final story, about the writer Alice Munro’s family, a daughter’s abuse is erased by her family, only to be recast by her mother in stories celebrated around the world. You Won't Get Free Of It is an astonishing exploration of the competing dynamics of knowing and unknowing, recognition and refusal, that shape this foundational relationship. Illuminating ineffable registers of human experience, Aviv asks piercing questions about how disowned knowledge can form and deform a family and a life.

You Won’t Get Free of It

Stories of Mothers and Daughters

Maggie Nelson

It’s not the dream that matters, it’s the telling of the dream – the words you choose, the risks you take in externalising your mind 
 
This is a dreamlike portrait of a body in struggle to connect with itself and others. As the narrator contends with chronic pain, and with a pandemic raging in the background, she sets out to examine the literal and symbolic role of the mouth in the life of a writer. 
 
Merging dreams and dailies, Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life. 
 
With characteristic precision, humour and compassion, Nelson explores the limits of language to describe experience, while also offering a portrait of an unnerving and isolating time in our shared history. A stunning, original experiment in interiority by the adored author of Bluets and The Argonauts, Pathemata is a personal and poetic reckoning with pain and loss, both physical and emotional, as well as an uncanny meditation on love, affliction and resilience.

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