Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Andrew Barrow

'Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp 
 
At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. 
 
Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. 
 
Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.

Animal Magic

A Brother's Story

Joe Sacco

A powerful graphic novel, capturing the heart of day-to-day life in occupied Palestine. 
 
In late 1991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. 
 
Upon returning to the United States he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour. 
 
The nine-issue comics series won a l996 American Book Award. It is now published for the first time in one volume, befitting its status as one of the great classics of graphic non-fiction. 
 
&lsquo;The bar is set extremely high when it comes to graphic books and the Middle East: one thinks of Joe Sacco's Palestine' Guy Delise 
 
&lsquo;Palestine is utterly compelling, and as affecting as the work of any war photographer or poet&rsquo; Varsity

Palestine

Heather Clark

A debut novel about a life-changing romance in the long shadow of European history, inspired by the author's real discovery. 
 
'A singular portrait of intoxicating young love' AUBE REY LESCURE 
 
'You wouldn't be able to put it down' SAMANTHA ROSE HILL 
 
For years after I tried to tell myself that what happened between us was hardly worth remembering. 
 
Harvard, 1996. Anna is about to graduate when she meets Christoph, a German student visiting campus. They only spend a week together – discussing art, ideas and history – but it is long enough for Anna to fall desperately in love. Anna begins to visit Christoph in Germany. As she tries to understand the young, elegant man who fascinates her, he reveals his country to her. 
 
Germany is still reckoning with the Holocaust and its pretty new squares and grand facades belie its recent history and the war’s destruction. Christoph condemns his country’s actions but remains vague about the part his own grandparents played. Anna’s grandfather, meanwhile, was an American GI who took photos of the end of the war, photos that capture its horror, preserved in a scrapbook only Anna has seen. 
 
Anna wants to believe in Christoph and the future he promises her but as their relationship becomes increasingly unsettling, she must face up to everything she has been unwilling to see, and everything Christoph has chosen to ignore. 
 
'An elegant, unsettling novel about the burden of history and the illusions of love' Sana Krasikov, author of The Patriots 
 
'Heather Clark writes with a rare empathy' Times Literary Supplement

The Scrapbook

Miriam Gold

This is the story of the ordinary extraordinary life of Dr Elena Zadik. 
 
Lives were bent in the furnaces of the twentieth century, but Elena Zadik was unbroken. With a stethoscope, a jar of herring and a hearing aid occasionally switched on, she forged an extraordinary life. Elena ran through the twentieth century without looking back. 
 
A refugee twice before she was 17, she broke glass ceilings to become a doctor during World War 2. She was as brilliant a doctor as she was terrible a driver (she never took a test). Finding community, falling in love and starting a family in Sheffield while her parents were imprisoned and killed in Auschwitz, she swam against the odds with courage and tenacity. 
 
Miriam gathers the threads of her Granny’s story, reflecting on their unconventional relationship and how trauma travels down through the generations in this gorgeous brocade of illustration and collage. 
 
Granny was an unintentionally hilarious woman, often difficult, always opinionated and deeply resourceful. Her hands were always busy and form the heart of this timely, irresistible graphic story of the ordinary extraordinary resilience of women. 
 
A heartfelt and charming graphic memoir of love, family and fearless women.

Elena: A Hand Made Life

Alex Halberstadt

'Engrossing' Daniel Beer, Guardian 
 
'A beautiful book... incisive, radiant' Olivia Laing 
 
'Illuminating, dramatic... majestic writing' Spectator 
 
'Enthralling... a triumph' Andrew Solomon 
 
Alex Halberstadt returns to Russia, the troubled, enigmatic land of his birth, where decades of Soviet totalitarianism shaped and fractured three generations of his family, in this haunting work of memoir and history. 
 
In Ukraine, Halberstadt tracks down his paternal grandfather - most likely the last living bodyguard of Joseph Stalin. He revisits Lithuania, his Jewish mother's home, to examine the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for. And he returns to his birthplace, Moscow, where his grandmother designed homespun couture for Soviet ministers' wives, his mother consoled dissidents at a psychiatric hospital, and his father made a dangerous living by selling black-market American records. Halberstadt also explores his own story: that of an immigrant growing up in New York, another in a line of sons separated from their fathers by the tides of politics and history. 
 
Young Heroes of the Soviet Union is a moving investigation into the fragile boundary between history and biography. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suffering, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.

Young Heroes of the Soviet Union

A Memoir and a Reckoning

Darrin Bell

***LONGLISTED FOR THE ANDREW CARNEGIE MEDAL*** 
***A GUARDIAN GRAPHIC NOVEL OF THE YEAR 2023*** 
 
Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said that police think little Black boys older and less innocent than they are. So began 'The Talk'... 
 
'The Ta-Nehisi Coates of comics' 
GARRY TRUDEAU, creator of Doonesbury 
 
'Darrin Bell has produced another American classic' 
GUARDIAN 
 
Through evocative illustrations and sharp humour, Darrin Bell examines how The Talk all Black parents must have with their children shaped his intimate and public moments from childhood to adulthood. While coming of age in Los Angeles - and finding a voice through cartooning - Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbours and police officers, and thus of his mortality. Drawing attention to the brutal murders of African Americans, and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. 
 
And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.

The Talk

From the Pulitzer Prize-winning graphic novelist

From the ground-breaking graphics journalist and author of Palestine, a revelatory investigation of the deadly sectarian riots in 2013 Uttar Pradesh, India, and their urgent global significance today 
 
Compared to other episodes of lethal Indian communal violence, the clashes in Uttar Pradesh in 2013, the Muzaffarnagar Riot, were a relatively small-scale affair. It had happened before and will probably happen again: Hindus and Muslims, armed with guns and swords, riled up by vitriolic rhetoric and a tangle of accusations, turn on one another. The truth fragments along religious lines, both in the lead-up to the rampage and in its bloody aftermath. 
 
Joe Sacco immerses himself in Uttar Pradesh, speaking to government officials, political leaders, village chiefs, and especially the victims, who were mostly landless peasants, in a quest to understand this riot as an archetype of political violence. In the process, he probes the role of savagery in a democracy; the power of crowds, rather than leaders, to influence the course of events; the collision of competing narratives; and the accounts that perpetrators construct to explain away their participation in bloodshed. 
 
Sacco has chronicled the urgent histories that define the world around us, from the Great War to Gaza. Here, the award winning cartoonist turns his masterful visual reportage to a story that is specific to India but with implications and resonance for us all. 
 
* 
 
PRAISE FOR JOE SACCO: 
 
'One of the masters of his craft' New Statesman 
 
'A pioneer of the genre' TLS 
 
'Formidably talented.' Independent 
 
'The hands-down boss of his particular corner of contemporary literature' Dazed & Confused 
 
'Sacco's brilliant, excruciating books of war reportage are potent territory... He shows how much that is crucial to our lives a book can hold' New York Times Book Review

The Once and Future Riot

Helen Smith

THE SUNDAY TIMES LITERATURE BOOK OF THE YEAR 2017 
 
Over a career spanning nearly fifty years Edward Garnett – editor, critic and publisher’s reader – would become one of the most influential men in twentieth-century British literature. Famed for his incisive criticism and unwavering conviction in matters of taste, Garnett was responsible for spotting and nurturing the talents of a constellation of our greatest writers. 
 
In The Uncommon Reader Helen Smith brings to life Garnett’s fascinating, often stormy, relationships with those writers – from Joseph Conrad to John Galsworthy, D.H. Lawrence to T.E. Lawrence, Henry Green to Edward Thomas. All turned to Garnett for advice and guidance at critical moments in their careers, and their letters and diaries offer an insight into their creative processes, their hopes and fears. 
 
Addressing questions of culture, fame and success, this absorbing portrait of a man who shaped the literary landscape as we know it asks us to consider genius – what it is, where it comes from and to whom it belongs.

The Uncommon Reader

A Life of Edward Garnett

Serena Katt

Serena Katt’s grandfather, whom she knew as Opa, was a ‘Sunday’s Child’, one of the lucky ones for whom everything always went right. Opa left a brief account of his childhood and teenage years, but it is opaque, a story of prizes won and boyish adventures. In Sunday’s Child, Serena Katt interrogates Opa’s version of his life. Was it really so innocent? Did he really not know what the Nazis were doing? He joined the Hitler Youth at the age of ten, swearing an oath of loyalty to the Fuhrer. From then on the games he played were actually military training, designed to produce a ‘new German youth … violent, domineering, unafraid, cruel … which the world will fear’. At seventeen, in the final desperate days of the war, he is called up but his luck holds. He is sent home and thus survives the war. 
 
Sunday’s Child marks the debut of a remarkable graphic novelist. Serena Katt’s book is powerful, eloquent and moving, and her drawing is superb.

Sunday's Child

Tom Segev

Simon Wiesenthal was the legendary 'Nazi hunter', a Holocaust survivor who dedicated his life to the punishment of Nazi criminals. A hero in the eyes of many, he was also attacked for his unrelenting pursuit of the past, when others preferred to forget. 
 
For this definitive biography, Tom Segev has obtained access to Wiesenthal's hundreds of thousands of private papers and to sixteen archives, including records of the U.S., Israeli, Polish and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. 
 
Tom Segev has written a brilliant character study of a 'hunter' who was driven by his own memories to ensure that the destruction of European Jewry never be forgotten.

Simon Wiesenthal

Rich Cohen

There are many books about Israel, but none like this. From Rich Cohen, the author of the acclaimed Tough Jews, The Avengers, and Sweet and Low, comes a new approach to a story we thought we knew. Breaking through the heated polemics and intractable politics, Israel Is Real is a fresh voice, a tale of people and ideas, of the background of present-day Israel. 
 
Cohen relates Israel's story as that of a place long ago destroyed and transformed into an idea . . . and which, sixty years ago, was retransformed into a place, and therefore into something that can once again be destroyed. From the medieval false prophets, to the nineteenth-century Zionists, and on to present-day figures like Ariel Sharon, Cohen tells the stories of the people obsessed with this fine line between place and idea, creation and destruction. He reclaims from obscurity a multitude of figures marginalised by history, but whose lives are key to any real understanding of Israel.

Israel is Real

Jon Hotten

Los Angeles, 1988. In a summer of hedonism, everyone wants their share. 
 
On Sunset Strip, undiscovered bands dream of emulating their heroes: Mötley Crüe, Van Halen, Poison and all the other chancers who got lucky... Above them in the canyons, the city’s privileged youth already live like rock stars. Drifting between these separate worlds is a journalist on the trail of stories that grow darker by the day: a rock star wannabe who may or may not be who he says he is, a guitar player who will do anything to succeed, crossing the line between reality and fantasy. 
 
Then comes beautiful Iris, distant Brenna, ambivalent Blair, Lana the singer - taking their chances, losing their way, doing whatever it takes… 
 
Set in the glory days when the music business was a vast and amoral empire where stardom seemed arbitrary and sex, drugs and rock ‘n’ roll were the lifestyle of choice, My Life and the Beautiful Music blurs memoir, myth and reality to recreate the last, lost era of a now-vanished world.

My Life And The Beautiful Music

Jane Shaw

In 1919, in the wake of the upheaval of World War I, a remarkable group of English women came up with their own solution to the world's grief:a new religion. At the heart of the Panacea Society was a charismatic and autocratic leader, a vicar's widow named Mabel Barltrop. Her followers called her Octavia, and believed that she was the daughter of God, sent to build the New Jerusalem in Bedford. 
 
Proclaiming the female aspects of God, Octavia attracted former suffragettes, middle-class Christian women and passionate spiritual seekers to Bedford, where they followed her in rigorous religious practices. She appointed twelve women as her apostles, and put the rest to work to spread her Word: that human beings, through Panacea, could achieve immortal life on earth. 
 
Acclaimed historian Jane Shaw found the last living members of the Panacea Society, who revealed to her their immense, painstakingly-preserved archives. She discovered a utopian community that once had seventy residents, thousands of followers, and an international healing ministry that reached 130,000 people around the globe. 
 
Octavia, Daughter of God is a fascinating group biography and a revelatory work of cultural and narrative history. Vividly told, by turns funny and tragic, it reveals in intimate detail the complex, out-sized personality of Octavia; the faith of her devoted followers, who believed they would never die; and the intricacies and intrigues of her close-knit community. 
 
But Octavia, Daughter of God is also about a moment at the advent of modernity, when a generation of newly empowered women tried to re-make Christianity in their own image. Startlingly modern in their resolve and curiously reactionary in their social views and politics, their story is a portrait of an age. It offers a window into the anxieties and hopes of the interwar years through the lives of ordinary people who believed extraordinary things about God, this world and the next.

Octavia, Daughter of God

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. 
 
Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. 
 
Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.

Safe Area Gorazde

The War in Eastern Bosnia 1992-95

Julia Blackburn

A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess. 
 
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam. 
 
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach their intricate language to a German philologist and his indomitable English sister-in-law. The result was the Bleek-Lloyd Archive: 60,000 notebook pages in which their dreams, memories and beliefs, alongside the traumas of their more recent history, were meticulously recorded word for word. It is an extraordinary document which gives voice to a way of living in the world which we have all but lost. 'All things were once people', the /Xam said. 
 
Blackburn's journey to the Karoo was cut short by the outbreak of the global pandemic, but she had gathered enough from reading the archive, seeing the /Xam lands and from talking to anyone and everyone she met along the way, to be able to write this haunting and powerful book, while living her own precarious lockdown life. Dreaming the Karoo is a spellbinding new masterpiece by one of our greatest and most original non-fiction writers. 
 
'An astounding, disarming book, full of grief and beauty' Olivia Laing 
 
'Blackburn's wise, wonderfully idiosyncratic books are poetic, informed by a...genius for serendipity' Lucy Hughes-Hallett, New Statesman

Dreaming the Karoo

A People Called the /Xam

Adrian Tinniswood

Behind the Throne is a history of family life. 
 
The families concerned were royal families. But they still had to get up in the morning. They ate and entertained their friends and worried about money. Henry VIII kept tripping over his dogs. George II threw his son out of the house. James I had to cut back on the drink bills. 
 
The great difference is that royal families had more help with their lives than most. Charles I maintained a household of 2,000 people. Victoria’s medical establishment alone consisted of thirty doctors, three dentists and a chiropodist. Even in today’s more democratic climate, Elizabeth II keeps a full-time staff of 1,200. A royal household was a community, a vast machine. Everyone, from James I’s Master of the Horse down to William IV’s Assistant Table Decker, was there to smooth the sovereign’s path through life while simultaneously confirming his or her status. 
 
Behind the Throne uncovers the reality of five centuries of life at the English court, taking the reader on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire; the practicalities of cooking dinner for thousands, or ensuring the king always won when he played a game of tennis. 
 
Behind the Throne is nothing less than a domestic history of the royal household, a reconstruction of life behind the throne. Readers go on progress with Elizabeth I as she takes her court and her majesty to her subjects. They dance the conga round the state rooms of Buckingham Palace with George VI. 
 
They find out what it was like to dine with queens, and walk with kings.

Behind the Throne

A Domestic History of the Royal Household

Alison Weir

Triumph and tragedy, love and loss, murder and malice in the lives of five fifteenth-century queens, from 'the queen of history writing' (Sunday Express) 
 
The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. 
 
Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. 
 
They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination. 
 
Alison Weir uncovers their stories in this final volume of her ground-breaking series on the queens of medieval England. Queens at War is a stunning culmination of research by a historian at the full extent of her powers and gripping account of five women on the throne. 
 
* 
PRAISE FOR ALISON WEIR: 
 
‘A meticulous scholar’ New York Times 
‘She is an excellent storyteller: descriptions are vivid and her knowledge of the sources is extensive’ Spectator 
‘Weir’s hugely popular history books are as gripping as novels’ The Times 
‘[Weir] writes in a pacy, vivid style, engaging the heart as well as the mind’ Independent 
‘Alison Weir has the rare gift of being able to bring history vividly to life’ Choice

Queens at War

England's Medieval Queens

Kapka Kassabova

This is the intimate story of a Scottish glen and its inhabitants, of whom I am one. 
 
From the powerful rivers that bring life and prosperity; to the Pictish cairns, undisturbed for centuries; to the meadows of bluebells, where deer emerge, God-like, in a flash, Kapka Kassabova reveals a world that has been abused, but remains achingly beautiful and alive. 
 
In the Highlands, centuries-old connections between the land, nature and people have been, and continue to be, shaken by the forces of colonialism, industry, depopulation, and private property speculation. Borrowed Land tells the stories of those who are working against this disconnect: the last true Highlanders fighting to preserve their home. 
 
An extraordinary portrait of the Scottish Highlands, this is an epic and urgent story of destruction and renewal, told through encounters with some of the last true Highlanders.

Borrowed Land

A Highland Story

Julian Aguon

'A powerful, beautiful book. Its fierce love - of the land, the ocean, the elders and the ancestors - warms the heart and moves the spirit.' - Alice Walker, author of The Color Purple 
 
Part memoir, part manifesto, Chamorro climate activist Julian Aguon's No Country for Eight-Spot Butterflies is a coming-of-age story and a call for justice-for everyone, but in particular, for Indigenous peoples. 
 
Aguon beautifully weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Bearing witness and reckoning with the challenges of truth-telling in an era of rampant obfuscation, he culls from his own life experiences to illuminate a collective path out of the darkness. 
 
A powerful and bold new voice writing at the intersection of Indigenous rights and environmental justice, Aguon is entrenched in the struggles of the people of the Pacific who are fighting to liberate themselves from colonial rule, defend their sacred sites and obtain justice for generations of harm. 
 
In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy and triumph, and extends an offer to join him in a hard-earned hope for a better world.

No Country for Eight-Spot Butterflies

With an introduction by Arundhati Roy

Sacco paved the way for Palestine with his powerful triptych on modern war and its innocent victims, originally published in his comic Yahoo and collected here: 'When Good Bombs Happen to Bad People' chronicles the effect of aerial warfare on civilians, from Germany and Japan in World War II to Libya in 1986; 'More Women, More Children, More Quickly' is written from a victim's perspective, as Sacco illustrates his mother's harrowing experiences during Italian and German WWII raids on Malta; and 'How I Loved the War', Defeatist's centrepiece, is Sacco's impassioned but sardonic reflection on the Gulf War, and the surrounding propaganda and media circus. Published during the reign of Bush I, it has since acquired an even sharper relevance. 
 
Defeatist also features Sacco's first (relatively) long-form piece, 'In the Company of Long Hair', a hilarious roadie's-eye view of an American punk band's eventful European tour from Amsterdam to Madrid, as well as 'Cartoon Genius', 'Voyage to the End of the Library', 'A Disgusting Experience', and 'On My Day Off', a cycle of funny and rueful autobiographic comics that display Sacco's graphic verve to its fullest extent. 
 
Defeatist is rounded off with a large section of Sacco's earliest, pointedly satirical strips (none of which has been collected in book form before) and new introductions and notes by the author. 
 
A combination of youthful indiscretions and mature masterworks, Notes from a Defeatist spotlights the work of a brilliant young artist as he defines the capabilities and potential of his chosen medium.

Notes From A Defeatist

Don McCullin

The updated retrospective published for McCullin's 80th birthday. 
 
Contains 40 new unpublished photographs and a new introduction — the definitive edition. 
 
McCullin’s reputation has long been established as one of the greatest photographers of conflict in the last century. In the fourteen years since the first publication of the book, McCullin has shed the role of war photographer and become a great landscape artist. He has also travelled widely through Africa, India, the Middle East and among the tribes living in Stone Age conditions in Indonesia. His journey from the back streets of north London to his rural retreat in the depths of Somerset is unparalleled. It includes a passage through the most terrible scenes of recent history, for which his stark views of the West Country offer him some redemption.

The New Definitive Edition

'Glamour, scholarship and superlative storytelling [...] an enthralling read.' 
LUCY WORSLEY 
 
Adrian Tinniswood opens the doors on the excess, intrigue and absurdities of life in the late Victorian and Edwardian country house 
 
In the decades before the First World War, the owners of the nation’s stately homes revelled in a golden age of glory and glamour. Nothing lay beyond their reach in a world where privilege and hedonism went hand-in-hand with duty and honour. 
 
This was a time when the ancestral seats of ancient nobility stood side-by-side with the fabulous palaces of Jewish bankers and Indian princes, when dukes and duchesses mixed with aristocratic society hostesses who had learned to dance in the chorus line and self-made millionaires who had been raised in the slums of Manchester and Birmingham. 
 
The Power and the Glory explores the country house during this golden age, when Britain ruled over a quarter of the world’s population, when its stately homes were at their most opulent and when, for the privileged few, life in the country house was the best life of all. 
 
'A wonderful book.' 
JUDITH FLANDERS 
 
'Scintillating and brilliant, from a master of the subject.' 
GARETH RUSSELL 
 
**A DAILY TELEGRAPH BOOK OF THE YEAR**

The Power and the Glory

The Country House Before the Great War

Fiona Benson

The thrilling story of the healers, artists and prodigies once persecuted as witches – from the three-time T.S. Eliot Prize-shortlisted poet 
 
POETRY BOOK SOCIETY CHOICE 
 
In her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition – the fear and false knowledge – that was witchcraft. 
 
Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals – generally healers, artists, prodigies and almost always women – became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. 
 
In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic. 
 
‘Benson is one of the finest English poets writing today’ Blake Morrison 
 
‘No one writes the way Fiona Benson does. No one is as raging, as fearless’ Daisy Johnson 
 
A new collection of Benson’s wise and vivid work is a real occasion... exciting...fully inhabited and multi-faceted’ Guardian

Midden Witch

David Grossman

*Winner of the Heinrich Heine Prize for Literature* 
 
A hundred and fifty years of conflict. What does that do to a person’s soul, to the spirit of a nation? To both the occupied and the occupier? 
 
International Booker Prize-winning Israeli novelist David Grossman has spent decades campaigning for peace in Israel and Palestine. But after October 7th 2023, a day marking the biggest loss of Jewish life in this century, he retreated inwards to ask himself difficult and necessary questions about his beloved nation: 
 
How could this massacre have happened? 
How could the Netanyahu government, tangled in its web of scandals, fail to protect its citizens? 
And did October 7 and the war that followed take with it their last hope of a two-state solution? 
 
In eleven essays David Grossman traces the years leading up to that day and the ensuing war through a string of failures by a morally bankrupt party clinging to power. He documents the struggle being fought on both sides between those committed to conflict, and the many who simply want to live in peace. 
 
Ultimately, Grossman arrives at the most important question of all: Will there ever be a lasting peace in the region?

The Thinking Heart

On Israel and Palestine

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts. 
 
Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. 
 
As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Footnotes in Gaza

No other photographer in modern times has recorded war and its aftermath as widely and unsparingly as Don McCullin. After a childhood in London during the Blitz, and after the hardships of evacuation, McCullin feels his life has indeed been shaped by war. 
 
From the building of the Berlin Wall at the height of the Cold War to El Salvador and Kurdistan, McCullin has covered the major conflicts of the last fifty years, with the notable exception of the Falklands, for which he was denied access. His pictures from the Citadel in Hue and in the ruins of Beirut are among the most unflinching records of modern war. The publication of many of his greatest stories in the Sunday Times magazine did much to raise the consciousness of a generation, even if he himself now fears that photographs cannot prevent history from repeating itself. The brutality of conflict returns over and over again. McCullin here voices his despair. 
 
McCullin recounts the course of his professional life in a series of devastating texts on war, the events and the power of photography. The conclusion of the book marks McCullin’s retreat to the Somerset landscape surrounding his home, where the dark skies over England remind him yet again of images of war. Despite the sense of belonging and even contentment, for him there is no final escape.

Shaped By War

‘The blessing of an inherently interpretive medium like comics is that it hasn't allowed me to . . . make a virtue of dispassion. For good or for ill, the comics medium is adamant, and it has forced me to make choices. In my view, that is part of its message’ – from the preface by Joe Sacco 
 
Over the past decade, Joe Sacco has increasingly turned to short-form com­ics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost international correspondents working today. 
 
Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's 'untouchables' to the ordeal of sub-Saharan refugees washed up on the shores of Malta. Sacco also confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history – the torture of detainees. 
 
Vividly depicting Sacco's own interactions with the people he meets, the stories in this remarkable collection argue for the essential truth in comics reportage, an inevitably subjective journalistic endeavour. Among Sacco's most mature and accomplished work, Journalism demonstrates the power of a great comics artist to chronicle lived experience with a force that often eludes other media.

Journalism

Helen Lewis

**Longlisted for the 2025 Financial Times and Schroders Business Book of the Year Award** 
 
*A Guardian, Financial Times, New Statesman and GQ Book for 2025 * 
*From the Sunday Times bestselling author of Difficult Women* 
 
'Brilliant, timely and compulsively readable. Helen Lewis shows how the idea of genius has warped our understanding of human creativity – and why people of vast accomplishment in one domain can prove so destructively clueless in others.' OLIVER BURKEMAN 
 
The tortured poet. The rebellious scientist. The monstrous artist. The tech disruptor. 
 
You can tell what a society values by who it labels as a genius. You can also tell who it excludes, who it enables, and what it is prepared to tolerate. 
 
Taking us from the Renaissance Florence of Leonardo da Vinci to the Floridian rocket launches of Elon Musk’s SpaceX, Helen Lewis unravels a word that we all use — without really questioning what it means. 
 
Along the way, she uncovers the secret of the Beatles’ success, asks how biographers should solve the Austen Problem, and reveals why Stephen Hawking thought IQ tests were for losers (before taking one herself). And she asks if the modern idea of genius — a class of special people — is distorting our view of the world. 
 
'Lucid, funny and fascinating' ADAM BUXTON 
 
'An indispensable companion to our times' CAROLINE CRIADO PEREZ 
 
**A smart-thinking gift for curious minds**

The Genius Myth

The Dangerous Allure of Rebels, Monsters and Rule-Breakers

Rory Stewart

From the author of the Sunday Times no. 1 bestseller Politics on the Edge and co-host of The Rest is Politics 
 
Rory Stewart spent nearly a decade as MP for Britain’s most rural constituency, Penrith and the Border. As he came to know and love this part of Cumbria, he found inspiration in the beauty of its landscape, its rugged history as a frontierland, and in the spirit of its people. 
 
Drawing on pieces originally written for a local newspaper, Middleland is an urgent and inspiring portrait of rural Britain today – a place caught in tensions between farming and the natural world, between the need to preserve and to grow, between local and national politics – as well as a timeless evocation of the history, people and landscape of Cumbria. 
 
These are stories of beauty and ingenuity, which also show us what a better politics might look like.

Middleland

Dispatches from the Borders

John Richardson

'A masterpiece' Sunday Times 
 
'Magisterial... thrilling' Guardian 
 
'Terrifically enjoyable' Daily Telegraph 
 
The beautifully illustrated, long-awaited final volume of John Richardson's magisterial Life of Picasso, drawing on original research from interviews and never-before-seen material in the Picasso family archives. 
 
 The Minotaur Years opens in 1933 with a visit by the Hungarian-French photographer Brassaï to Picasso's château in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Picasso's lover Marie-Thérèse Walter. Picasso was contributing to André Breton's Minotaur magazine and spending time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris and the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur. 
 
 Richardson shows us the artist being as prolific as ever, painting Walter, as well as the surrealist photographer Dora Maar, who became a muse, collaborator and lover. The bombing of Guernica in April 1937 would inspire Picasso's vast masterwork of the same name, which he painted in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupied Paris in 1940, Picasso chose to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso met Françoise Gilot who would replace Maar and inspire a brilliant new sequence of paintings. 
 
 As always, Richardson tells Picasso's story through his work, analysing how it shows what the artist was feeling and thinking. His fascinating and illuminating narrative immerses us in one of the most exciting moments in twentieth-century cultural history, and brings to a close the definitive and critically acclaimed biography of one of the world's most celebrated artists.

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