Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Michael Ondaatje

'During certain hours, at certain years in our lives, we see ourselves as remnants from the earlier generations that were destroyed... I think all of our lives have been terribly shaped by what went on before us.' 
 
Twenty-five years after leaving his native Sri Lanka for the cool winters of Ontario, a chaotic dream of tropical heat and barking dogs pushes Michael Ondaatje to travel back home and revisit a childhood and a family he never fully understood. Along with his siblings and children, Ondaatje gathers rumours, anecdotes, poems, records and memories to piece together this fragmented portrayal of his family's past, his father's destructive alcoholism and the colourful stories and secrets of ancestors both disgraced and adored throughout centuries of Sri Lankan society. 
 
In an exotic, evocative portrait of the heat, wildlife, sounds and silences of the Sri Lankan landscape, Ondaatje combines vivid recreations of a privileged, eccentric older generation with a deeply personal reconciliatory journey in which he explores his own ghosts, and how his family's extraordinary history continues to influence his life.

Running in the Family

Elizabeth Bowen

Bowen's Court describes the history of one Anglo-Irish family in County Cork from the Cromwellian settlement until 1959, when Elizabeth Bowen was forced to sell the family house she loved. Bowen reviews ten generations of her family, representatives of the Protestant Irish gentry whose lives were dominated by property, lawsuits, formidable matriarchs, violent conflicts, hunting, drinking, and self-destructive fantasies. 
 
Seven Winters recalls with endearing candour Bowen's family and her Dublin childhood as seen through the eyes of a child who could not read till she was seven and who fed her imagination only on sights and sounds.

Bowen's Court & Seven Winters

Laurie Lee

How do you remember the summers of your childhood? 
 
 For Laurie Lee they were flower-crested, heady, endless days. Here is an evocation of summer like no other – a remote valley filled with the scent of hay, jazzing wasps, blackberries plucked and gobbled, and games played until the last drop of dusk. Lee’s joyful and stirring writing captures the very essence of England’s golden season. 
 
Selected from the book Cider with Rosie by Laurie Lee 
 
 ‘An enchanting book, an exquisite farewell, not only to childhood, and boyhood, but also to an England that has vanished’ J.B. Priestly 
 
VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

Summer

Vintage Minis

The classic evocative tale of an idyllic childhood in the English countryside 
 
 Cider with Rosie is a wonderfully vivid memoir of childhood in a remote Cotswold village, a village before electricity or cars, a timeless place on the verge of change. Growing up amongst the fields and woods and characters of the place, Laurie Lee depicts a world that is both immediate and real and belongs to a now-distant past. 
 
 ‘Remains as fresh and full of joy and gratitude for youth and its sensations as when it first appeared. It sings in the memory’ Sunday Times

Cider With Rosie

Junichiro Tanizaki

Were it not for shadows there would be no beauty. 
 
Nothing evokes the calm and nuance of the traditional Japanese aesthetic more profoundly than this book. Tanizaki’s eye ranges over architecture, jade, food, even toilets, examining the design and feel of the intimate places we inhabit. His acute sense of the use of space in buildings, his poetic descriptions of lacquerware under candlelight and his appreciation for natural materials suggest the possibility of a simpler, more beautiful life – one in which the softness of shadows is shielded from the dazzling light of modernity. 
 
‘Tanazaki suggests an attitude of appreciation and mindfulness, especially mindfulness of beauty, as central to life lived well’ AC Grayling, Guardian 
 
‘That it is a work of art can never be in doubt’ New Statesman 
 
'Elegant...a delight to read' Independent on Sunday

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