Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Clancy Martin

Sixteen-year-old high-school drop-out Bobby moves to Dallas to join his big brother Jim in the jewellery trade. Jim's glamorous girlfriend Lisa is the best saleswoman in the business and from the moment Bobby meets her he falls under her spell. 
 
Bobby discovers a new world - glitzy, trashy and hedonistic - where sex and money rule. As the brothers' fortunes explode will their rivalry for Lisa ruin everything?

How to Sell

Susan Orlean

Susan Orlean first met John Laroche when visiting Florida to write for the New Yorker about his arrest for stealing rare ghost orchids from a nature reserve. Fascinated both by Laroche and the world she uncovered of orchid collectors and growers, she stayed on, to write this magical exploration of obsession and the strange world both of the orchid obsessives and of Florida, that haunting and weird 'debatable land' of swamps and condos, retirement communities and real-estate scams. 
 
The world of the orchid hunters, breeders and showmen, their rivalries, vendettas and crimes, smuggling, thefts and worse provide the backdrop to a fascinating exploration of one of the byways of human nature, the obsessive world of the collector, and the haunting beauty of the flowers themselves.

The Orchid Thief

Shelley Klein

'A charming account of a daughter, a house and a fastidious dad' Sunday Times 
 
Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. 
 
Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 
 
'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon 
 
'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian 
 
'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph

The See-Through House

My Father in Full Colour

Edmund de Waal

The gripping story of the lure of porcelain, or 'white gold', from the Number One bestselling author of The Hare with Amber Eyes. 
 
** A Sunday Times Top Ten Bestseller ** 
 
 "Other things in the world are white but for me porcelain comes first" 
 
 A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln, and fuse into porcelain - translucent, luminous, white. 
 
 Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain. Along the way, he meets the witnesses to its creation; those who were inspired, made rich or heartsick by it, and the many whose livelihoods, minds and bodies were broken by this obsession. It spans a thousand years and reaches into some of the most tragic moments of recent times. 
 
 In these intimate and compelling encounters with the people and landscapes who made porcelain, Edmund de Waal enriches his understanding of this rare material, the 'white gold' he has worked with for decades. 
 
'This is a haunting book, a book that amasses itself piece by piece, gaining in weight.' Olivia Laing, New Statesman 
 
'A mighty achievement' Guardian

The White Road

A Journey Into Obsession

a pilgrimage of sorts

Peter Korn

Why do we make things? Why do we choose the emotionally and physically demanding work of bringing new objects into the world with creativity and skill? Why does it matter that we make things well? What is the nature of work? And what is the nature of a good life? 
 
Part memoir, part polemic, part philosophical reflection, this is a book about the process of creation and what it means to be a craftsman in a mass-produced world. For woodworker Peter Korn, the challenging work of bringing something new and meaningful into the world through one’s own efforts is exactly what generates authenticity, meaning, and fulfilment, for which many of us yearn. This is not a ‘how-to’ book in any sense, Korn wants to get at the ‘why’ of craft in particular, and the satisfaction of creative work in general, to understand its essential nature. 
 
How does the making of objects shape our identities? How do the products of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently in this heartfelt, personal and revealing book.

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