Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Beth Raymer

The Lucky Charm. The Sure Thing. The Long Shot. The Jinx. 
 
Beth Raymer came to Vegas to live the dream. Instead she winds up waiting tables in a low-rent diner and living in a fleapit motel. 
 
Then she meets Dink, the King of Last Vegas sports betting. Dink introduces her to the testorsterone fuelled underworld of high stakes gambling a dog-eat-dog realm of grifters, and strippers, wise-guys and hardened cons. 
 
New to the game but with big ambitions, Beth must get smart to get ahead. The real money is off-shore, where gambling regulations don't count. But nor do other rules. In the free-wheeling caribbean Beth discovers that the difference between winning big and losing everything comes down to how sharp you play.

Lay the Favourite

A True Story about Playing to Win in the Gambling Underworld

Tim Moore

A book that tells the story of London since the thirties through the 28 streets, stations and utililties of the Monopoly board. In the wonderful world of Monopoly it still only cost -50 to buy a house in Islington, you can move around London with the shake of a dice and even park your car for free. 
 
In Do Not Pass Go Tim Moore, belying his reputation as a player who always paid that -10 fine rather than take a Chance, fearlessly tackles the real thing and along the way tells the story of a game and the city that frames it. Sampling the rags and the riches he stays in a hotel in Mayfair and one in the Old Kent Road, enjoys quality time with Dr Crippen in Pentonville Prison and even winds up at the wrong end of the Water Works pipe. And, solving all the mysteries you'll have pondered whilst languishing in jail and many other you certainly wouldn't, Tim Moore reveals how Pall Mall got its name, which three addresses you won't find in your A-Z and why the sorry cul-de-sac that is Vine Street has a special place in the heart of Britain's most successful Monopoly champion. 
 
The stirring travelogue of one man's erratic progress around those 28 streets, stations and utilities, Do Not Pass Go is also an epic and lovingly researched history of London's wayward progress in the 66 years since the launch of the world's most popular board game

Do Not Pass Go

Jane McGonigal

We are living in a world full of games. 
More than 31 million people in the UK are gamers. 
The average young person will spend 10,000 hours gaming by the age of twenty-one. 
The future belongs to those who play games. 
 
In this ground-breaking book, visionary game designer Jane McGonigaI challenges conventional thinking and shows that games - far from being simply escapist entertainment - have the potential not only to radically improve our own lives but to change the world.

Reality is Broken

Why Games Make Us Better and How They Can Change the World

Peter Korn

Why do we make things? Why do we choose the emotionally and physically demanding work of bringing new objects into the world with creativity and skill? Why does it matter that we make things well? What is the nature of work? And what is the nature of a good life? 
 
Part memoir, part polemic, part philosophical reflection, this is a book about the process of creation and what it means to be a craftsman in a mass-produced world. For woodworker Peter Korn, the challenging work of bringing something new and meaningful into the world through one’s own efforts is exactly what generates authenticity, meaning, and fulfilment, for which many of us yearn. This is not a ‘how-to’ book in any sense, Korn wants to get at the ‘why’ of craft in particular, and the satisfaction of creative work in general, to understand its essential nature. 
 
How does the making of objects shape our identities? How do the products of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently in this heartfelt, personal and revealing book.

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