Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

PublicationStatus

Brand

Format

AgeRange

Series

Imprint

CategoryLabel

Angela Carter

Is Sophie Fevvers, toast of Europe's capitals, part swan...or all fake? 
 
Courted by the Prince of Wales and painted by Toulouse-Lautrec, she is an aerialiste extraordinaire and star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg and Siberia. 
 
WITH AN INTRODUCTION BY SARAH WATERS 
 
**One of the BBC's 100 Novels That Shaped Our World** 
 
'A spellbinding achievement' Literary Review 
 
'Raunchy, raucous...a rich, turn of the 19th century world, which reeks of human and animal variety' The Times

Nights at the Circus

Werner Herzog

A fever-dream journal documenting the making of cinema’s most infamous production, from the world's most infamously visionary director: Werner Herzog. 
 
In 1982, the visionary film director, Werner Herzog, released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. Hailed instantly by critics around the globe as a masterpiece, Fitzcarraldo won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog's reputation as one of the most revered and enigmatic filmmakers of his time. 
 
Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog's writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's camp in the heart of the jungle is attacked and burned to the ground; the production of the film clashes with a border war; and, of course, Herzog unravels the impossible logistics of moving a 320-ton steamship over a hill without the use of special effects. 
 
In his preface, Herzog warns that the diary entries collected in Conquest of the Useless do not represent "reports on the actual filming" but rather "inner landscapes, born of the delirium of the jungle." Thus begins an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

Conquest of the Useless

Fever Dreams in the Jungle

Josephine Baker

This is the iconic Josephine Baker in her own words. 
 
Funny, candid and unconventional: the wildly famous but elusive Josephine Baker tells her own story in this enchanting memoir. 
 
Baker took Paris by storm in the 1920s, dazzling audiences with her humour, beauty and effervescence on stage. She became an icon. Later, as one of the most recognisable women in the world, she became a spy for the French resistance and was awarded the Légion d’honneur for military service. After the war she became a civil rights activist, and in 1963 she spoke at the March on Washington alongside Martin Luther King. All this from a girl of mixed heritage, born in Missouri to a poor mother and a father she did not know. 
 
Formed from a series of conversations with the French journalist Marcel Sauvage over a period of more than twenty years, and now translated into English for the first time, this gorgeous book offers an insight into one of the most beguiling figures of the twentieth century. 
 
‘Translated gorgeously into English… A delightful, nourishing read’ Guardian 
 
‘She was a beacon of joy and fellowship and her smile…reaches out to us across the years’ Financial Times 
 
‘Josephine Baker certainly shook things up. This memoir demonstrates - vividly - the pleasure she took in doing it’ Washington Post 
 
WITH AN INTRODUCTION BY IJEOMA OLUO 
 
TRANSLATED BY ANAM ZAFAR AND SOPHIE LEWIS

Fearless and Free

A Memoir

Ernest Hemingway

Ernest Hemingway's classic portrait of the pageantry of bullfighting. 
 
'I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death' 
 
This is Hemingway's classic portrait of the pageantry of bullfighting. Here are the sights, the sounds, the excitement, and above all, the knowledge, that fuelled Hemingway's passion for Spain and the bullfight. This remarkable book contains some of his finest writing, inspired by the intense life, as well as the inevitable death, of those hot, violent afternoons. 
 
'Hemingway's style, at its best, is a superb vehicle for revealing tenderness of feeling beneath descriptions of brutality' Guardian

Death in the Afternoon

Derek Jarman

Impassioned, witty and polemical, At Your Own Risk is Derek Jarman's defiant celebration of gay sexuality. 
 
In At Your Own Risk, Derek Jarman weaves poetry, prose, photographs and newspaper extracts into a rich tapestry of gay experience in the UK. The buttoned-up repression of the fifties and sixties makes way for liberation and free love in the seventies, only to be chased by the terror and pain of HIV/AIDS. This is Jarman at his passionate best, written when he was already ill with HIV and in the midst of the moral panic surrounding the AIDS crisis. Defiant and furious, he not only celebrates his own sexuality but skewers wider society for its brazen homophobia. 
 
Reissued here 25 years after Jarman's death, with an introduction by Straight Jacket author Matthew Todd, At Your Own Risk remains a singular work. It is a powerful reminder of how far we have come and how much further we have left to go. 
 
'It blew my mind quite honestly !', It's A Sin star Olly Alexander via Twitter

Showing results for: ‘Michael Symmons Roberts’

Filters

Category

Publication Date

Format

Imprint

Follow penguin

Follow ladybird

Follow puffin

Sign up to the Penguin newsletter