Michael Symmons Roberts’s fourth book of poetry, Corpus, was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize, and the Griffin International Prize. His sixth collection, Drysalter, was the winner of both the Forward Prize and the Costa Poetry Prize in 2013. He collaborated with Paul Farley on Edgelands (Cape/Vintage) and will do so again in The Deaths of the Poets (Cape, 2017). He has also worked many times with the composer James MacMillan. He has published two novels, and is Professor of Poetry at Manchester Metropolitan University.

Michael Symmons Roberts

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Hannah Murray

In 2017, Hannah Murray was a successful actor whose career had taken her to Hollywood and given her the opportunity to act with A list stars and Oscar-winning directors. But as the daily costs of acting grew, from the degradations of auditions to repeating violent scenes over and over, Hannah found herself searching for something to make her feel better. One day, a reiki healer promises her a new kind of treatment, a kind of magic, and all of a sudden Hannah’s life is changed. 
 
Back in London, she becomes increasingly involved with the organisation behind the magic, an organisation whose charismatic leader, promises of secret knowledge, and increasingly complex rituals, are seductive, cult-like – and ultimately destructive, as Hannah finds herself on a week-long course from her friends and family - and her sanity falls apart. Detained in hospital, she struggles to understand the difference between what’s real, and what’s imagined. The result is a propulsive, shockingly honest, and extraordinarily intimate portrayal of a mind taken over the edge. 
 
From the outer edges of fame, through Hollywood film sets and London parties, Hannah’s life has slowly moved from that of a successful starlet to that of a young woman seduced by the magical thinking of an organisation that promises health and happiness beyond her wildest dreams, but her reality becomes far more disturbing than she could ever have imagined. 
 
Shocking, intimate and compulsive, The Make-Believe is an ultimately uplifting and inspiring story of empathy, resilience and the power of belief.

The Make-Believe

A memoir of magic and madness

Charles Handy

Over a span of seven decades, Charles Handy was, variously, a businessman, a writer, a philanthropist and a philosopher. Not even a stroke as he approached the age of 90 dimmed his intellectual curiosity or his immense zest for life. 
 
In this, his final book, written from the vantage point of a contemplative old age and drawing on his articles for The Idler he shares his thoughts on the big questions with which we all grapple: 
 
What things really matter? 
What daily worries should we learn to treat as unimportant? 
How do we become more accepting of ourselves and of those around us? 
How do we discover purpose in our everyday existence? How do we cope with grief and loss? 
 
 
Drawing in part on his own experience, in part on the wisdom of others, he sets out the principles of enjoying a fulfilled and contented life, and gently points the way to the practicalities of achieving it.

The View from Ninety

Reflections on How to Live a Long, Contented Life

Peter Jones

What can a twelfth-century monk teach us about burnout, envy, or despair? Far more than we might imagine. In Self-Help from the Middle Ages, historian Peter Jones travels through Europe’s archives and libraries to uncover a lost psychology: a world where confession was therapy, sin was diagnosis, and the Seven Deadly Sins served as a map of the human mind. 
 
From the deserts of Egypt to the Vatican Library, from Dante’s Florence to Catherine of Siena’s cell, Jones introduces the thinkers, mystics and rebels who wrestled with the same questions that preoccupy us now: how to live with our flaws, forgive ourselves, and find meaning amid confusion. 
 
Medieval lives and landscapes come vividly alive: Siberian winters and Parisian manuscripts, lustful saints and anxious scholars, candlelit abbeys and vaults of forgotten books. Wise, surprising, and deeply humane, Self-Help from the Middle Ages reveals that the remedies we seek for our 21st-century anxieties may have been with us all along—written in brown Gothic ink on lambskin seven hundred years ago.

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